Anglo-Americans in The Cinema of Late Stalinism: The European Satellites

Detalhes bibliográficos
Autor(a) principal: Franciscon, Moisés Wagner
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Esboços (Online)
Texto Completo: https://periodicos.ufsc.br/index.php/esbocos/article/view/78200
Resumo: During late Stalinism (1945-53), Soviet cinema, like the American one, produced several films conveying messages of governmental interest. Soviet propaganda appears in films such as Zagovor obrechennyh, 1950, despite (and perhaps with greater mastery) the work of director Mikhail Kalatozov. Through Marc Ferro's cinematographic socio-history, one can appreciate the construction of a discourse that legitimizes the new local socialist regimes, the conduct of the political struggle against Titoism and the passage from Eastern Europe to Western influence (now English, now German) for the Soviet (fulfilling the role of the old Russian pendulum), and the end of the liberal democratic experience, exchanged for that of popular democracy, with the defeat of the new American rival and his Marshall Plan in the region, replaced by COMECOM.
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spelling Anglo-Americans in The Cinema of Late Stalinism: The European SatellitesAnglo-americanos no cinema do stalinismo tardio: os satélites europeusGuerra FriaStalinismoCinema SoviéticoCold WarStalinismSoviet CinemaDuring late Stalinism (1945-53), Soviet cinema, like the American one, produced several films conveying messages of governmental interest. Soviet propaganda appears in films such as Zagovor obrechennyh, 1950, despite (and perhaps with greater mastery) the work of director Mikhail Kalatozov. Through Marc Ferro's cinematographic socio-history, one can appreciate the construction of a discourse that legitimizes the new local socialist regimes, the conduct of the political struggle against Titoism and the passage from Eastern Europe to Western influence (now English, now German) for the Soviet (fulfilling the role of the old Russian pendulum), and the end of the liberal democratic experience, exchanged for that of popular democracy, with the defeat of the new American rival and his Marshall Plan in the region, replaced by COMECOM.Durante o stalinismo tardio (1945-53), o cinema soviético, como o americano, produziu várias películas veiculando mensagens de interesse governamental. A propaganda soviética transparece em filmes como Zagovor obrechennyh, 1950, apesar (e talvez com maior maestria) do trabalho do diretor Mikhail Kalatozov. Por meio da sócio-história cinematográfica de Marc Ferro pode-se apreciar a construção de um discurso legitimador dos novos regimes socialistas locais, da condução da luta política contra o titoísmo e a passagem do Leste Europeu da influência ocidental (ora inglesa, ora alemã) para a soviética (cumprindo o papel do antigo pêndulo russo), e o fim da experiência democrática liberal, trocada pela da democracia popular, com a derrota do novo rival americano e de seu Plano Marshall na região, substituídos pelo COMECOM.Universidade Federal de Santa Catarina2023-03-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/7820010.5007/2175-7976.2022.e78200Esboços: histories in global contexts; Vol. 29 No. 52 (2022); 772-798Esboços: historias en contextos globales; Vol. 29 Núm. 52 (2022); 772-798Esboços: histórias em contextos globais; v. 29 n. 52 (2022); 772-7982175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/78200/52760Copyright (c) 2023 Moisés Wagner Francisconhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFranciscon, Moisés Wagner2023-03-27T17:02:10Zoai:periodicos.ufsc.br:article/78200Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2023-03-27T17:02:10Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Anglo-Americans in The Cinema of Late Stalinism: The European Satellites
Anglo-americanos no cinema do stalinismo tardio: os satélites europeus
title Anglo-Americans in The Cinema of Late Stalinism: The European Satellites
spellingShingle Anglo-Americans in The Cinema of Late Stalinism: The European Satellites
Franciscon, Moisés Wagner
Guerra Fria
Stalinismo
Cinema Soviético
Cold War
Stalinism
Soviet Cinema
title_short Anglo-Americans in The Cinema of Late Stalinism: The European Satellites
title_full Anglo-Americans in The Cinema of Late Stalinism: The European Satellites
title_fullStr Anglo-Americans in The Cinema of Late Stalinism: The European Satellites
title_full_unstemmed Anglo-Americans in The Cinema of Late Stalinism: The European Satellites
title_sort Anglo-Americans in The Cinema of Late Stalinism: The European Satellites
author Franciscon, Moisés Wagner
author_facet Franciscon, Moisés Wagner
author_role author
dc.contributor.author.fl_str_mv Franciscon, Moisés Wagner
dc.subject.por.fl_str_mv Guerra Fria
Stalinismo
Cinema Soviético
Cold War
Stalinism
Soviet Cinema
topic Guerra Fria
Stalinismo
Cinema Soviético
Cold War
Stalinism
Soviet Cinema
description During late Stalinism (1945-53), Soviet cinema, like the American one, produced several films conveying messages of governmental interest. Soviet propaganda appears in films such as Zagovor obrechennyh, 1950, despite (and perhaps with greater mastery) the work of director Mikhail Kalatozov. Through Marc Ferro's cinematographic socio-history, one can appreciate the construction of a discourse that legitimizes the new local socialist regimes, the conduct of the political struggle against Titoism and the passage from Eastern Europe to Western influence (now English, now German) for the Soviet (fulfilling the role of the old Russian pendulum), and the end of the liberal democratic experience, exchanged for that of popular democracy, with the defeat of the new American rival and his Marshall Plan in the region, replaced by COMECOM.
publishDate 2023
dc.date.none.fl_str_mv 2023-03-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/78200
10.5007/2175-7976.2022.e78200
url https://periodicos.ufsc.br/index.php/esbocos/article/view/78200
identifier_str_mv 10.5007/2175-7976.2022.e78200
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/78200/52760
dc.rights.driver.fl_str_mv Copyright (c) 2023 Moisés Wagner Franciscon
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Moisés Wagner Franciscon
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Esboços: histories in global contexts; Vol. 29 No. 52 (2022); 772-798
Esboços: historias en contextos globales; Vol. 29 Núm. 52 (2022); 772-798
Esboços: histórias em contextos globais; v. 29 n. 52 (2022); 772-798
2175-7976
1414-722X
reponame:Esboços (Online)
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Esboços (Online)
collection Esboços (Online)
repository.name.fl_str_mv Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv portaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||
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