From Amoreiras to Tereza Saint: Vieira da Silva and his Art

Detalhes bibliográficos
Autor(a) principal: Lehmkuhl, Luciene
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: Esboços (Online)
DOI: 10.5007/2175-7976.2008v15n19p151
Texto Completo: https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p151
Resumo: The lifetime of the couple Maria Helena Vieira da Silva and Arpad Szenes in Brazil (from 1940 to 1947) is referenced by literature as an intervening period on the plastic production of each artist. It is also usually pointed as a period of difficulty about the insertion in the artistic enviroment. This text makes a reflection on Vieira da Silva’s plastic production in her “brazilian period”, indicating her solutions for the difficulties found in carrying on her artistic production during the exile. These solutions go beyond questions of thematic order (approaching painting issues that suffered considerable changes), technique order (sketches in paper, guache and drawings in small format increased) and pictorial order (the color, the light, the lines and the composition), and they are all noticed in the observation of the pieces.
id UFSC-26_320792a8c063d6a6df96a7f96509a1d4
oai_identifier_str oai:periodicos.ufsc.br:article/9335
network_acronym_str UFSC-26
network_name_str Esboços (Online)
spelling From Amoreiras to Tereza Saint: Vieira da Silva and his ArtDas Amoreiras a Santa Tereza: Vieira da Silva e suas obrasThe lifetime of the couple Maria Helena Vieira da Silva and Arpad Szenes in Brazil (from 1940 to 1947) is referenced by literature as an intervening period on the plastic production of each artist. It is also usually pointed as a period of difficulty about the insertion in the artistic enviroment. This text makes a reflection on Vieira da Silva’s plastic production in her “brazilian period”, indicating her solutions for the difficulties found in carrying on her artistic production during the exile. These solutions go beyond questions of thematic order (approaching painting issues that suffered considerable changes), technique order (sketches in paper, guache and drawings in small format increased) and pictorial order (the color, the light, the lines and the composition), and they are all noticed in the observation of the pieces.A vivência do casal Maria Helena Vieira da SilvaArpad Szenes no Brasil (1940 a 1947) é apontada pela literatura como um interregno na produção plástica de cada um dos artistas, sendo com frequência, o período passado no país, referenciado como de grandes dificuldades de inserção no meio artistico. Este texto reflete acerca da produção plástica de Vieira de Silva, mo seu"período brasileiro", apontando sobretudo as soluções por ela encontradas para dar continuidade a sua produção artistica em meio às dificuldades do exílio. Estas soluções perpassam questões de ordem temática (referentes aos motivos pintados que se transformam consideravelmente), técnica ( esboços em papel, guaches e desenhos em pequeno formato se proliferam) e pictórica (a cor, a luz, as linhas e composição) e são percebidas na apreciação da obras.Universidade Federal de Santa Catarina2008-03-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p15110.5007/2175-7976.2008v15n19p151Esboços: histories in global contexts; Vol. 15 No. 19 (2008); 151-162Esboços: historias en contextos globales; Vol. 15 Núm. 19 (2008); 151-162Esboços: histórias em contextos globais; v. 15 n. 19 (2008); 151-1622175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p151/9177Copyright (c) 2019 Luciene Lehmkuhlinfo:eu-repo/semantics/openAccessLehmkuhl, Luciene2023-01-12T15:08:37Zoai:periodicos.ufsc.br:article/9335Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2023-01-12T15:08:37Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv From Amoreiras to Tereza Saint: Vieira da Silva and his Art
Das Amoreiras a Santa Tereza: Vieira da Silva e suas obras
title From Amoreiras to Tereza Saint: Vieira da Silva and his Art
spellingShingle From Amoreiras to Tereza Saint: Vieira da Silva and his Art
From Amoreiras to Tereza Saint: Vieira da Silva and his Art
Lehmkuhl, Luciene
Lehmkuhl, Luciene
title_short From Amoreiras to Tereza Saint: Vieira da Silva and his Art
title_full From Amoreiras to Tereza Saint: Vieira da Silva and his Art
title_fullStr From Amoreiras to Tereza Saint: Vieira da Silva and his Art
From Amoreiras to Tereza Saint: Vieira da Silva and his Art
title_full_unstemmed From Amoreiras to Tereza Saint: Vieira da Silva and his Art
From Amoreiras to Tereza Saint: Vieira da Silva and his Art
title_sort From Amoreiras to Tereza Saint: Vieira da Silva and his Art
author Lehmkuhl, Luciene
author_facet Lehmkuhl, Luciene
Lehmkuhl, Luciene
author_role author
dc.contributor.author.fl_str_mv Lehmkuhl, Luciene
description The lifetime of the couple Maria Helena Vieira da Silva and Arpad Szenes in Brazil (from 1940 to 1947) is referenced by literature as an intervening period on the plastic production of each artist. It is also usually pointed as a period of difficulty about the insertion in the artistic enviroment. This text makes a reflection on Vieira da Silva’s plastic production in her “brazilian period”, indicating her solutions for the difficulties found in carrying on her artistic production during the exile. These solutions go beyond questions of thematic order (approaching painting issues that suffered considerable changes), technique order (sketches in paper, guache and drawings in small format increased) and pictorial order (the color, the light, the lines and the composition), and they are all noticed in the observation of the pieces.
publishDate 2008
dc.date.none.fl_str_mv 2008-03-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p151
10.5007/2175-7976.2008v15n19p151
url https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p151
identifier_str_mv 10.5007/2175-7976.2008v15n19p151
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p151/9177
dc.rights.driver.fl_str_mv Copyright (c) 2019 Luciene Lehmkuhl
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Luciene Lehmkuhl
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Esboços: histories in global contexts; Vol. 15 No. 19 (2008); 151-162
Esboços: historias en contextos globales; Vol. 15 Núm. 19 (2008); 151-162
Esboços: histórias em contextos globais; v. 15 n. 19 (2008); 151-162
2175-7976
1414-722X
reponame:Esboços (Online)
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Esboços (Online)
collection Esboços (Online)
repository.name.fl_str_mv Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv portaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||
_version_ 1822179512069128193
dc.identifier.doi.none.fl_str_mv 10.5007/2175-7976.2008v15n19p151