Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the Amazon

Detalhes bibliográficos
Autor(a) principal: Martins, Renata
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Esboços (Online)
Texto Completo: https://periodicos.ufsc.br/index.php/esbocos/article/view/93889
Resumo: Memory, identity and ancestry, the arts of ceramics and textiles were present in the daily life of the Jesuit missions in the Amazon, moving the economy through pottery and weaving houses. These productions, local wares and textiles, as they are often mentioned in the documentation, depended on indigenous knowledge. The two artistic practices were interrelated, and involved others, such as, for example, the production of braids, gourds or varnishes and paints, closely connected to a deep knowledge of the nature of the Amazon region. In these creations, codes contained in traditional utilitarian and/or ritualistic objects also remained, which were transformed and re-signified; such as pots, pipes, hammocks, ornaments. In these transformations, which, in their complexities, can be verified through the study of materials, techniques, forms, decorative repertoires, different agencies, forces and consequent elements of the globalization process, and the imposition of the colonial system, act. The traditions consolidated in Europe, and those of Asian inspiration, arising from the global colonial dynamics, arriving already filtered to the American continent by the European taste – are evoked in the new objects, through clashes, negotiations and re-existences. The news gathered here aims to contribute so that the artistic practices of indigenous, Africans, and mestizos- considering the wide existing cultural diversities - are also inserted in the history of art of the colonial period, protagonists who were in the transmission and incorporation of this knowledge, in a creative and original way, between tradition and renewal, in the context of missions.
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spelling Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the AmazonLouças e panos da terra: modelando e tecendo re-existências nas missões jesuíticas da AmazôniaObjectsJesuit MissionsAmazonObjetosMissões JesuíticasAmazôniaMemory, identity and ancestry, the arts of ceramics and textiles were present in the daily life of the Jesuit missions in the Amazon, moving the economy through pottery and weaving houses. These productions, local wares and textiles, as they are often mentioned in the documentation, depended on indigenous knowledge. The two artistic practices were interrelated, and involved others, such as, for example, the production of braids, gourds or varnishes and paints, closely connected to a deep knowledge of the nature of the Amazon region. In these creations, codes contained in traditional utilitarian and/or ritualistic objects also remained, which were transformed and re-signified; such as pots, pipes, hammocks, ornaments. In these transformations, which, in their complexities, can be verified through the study of materials, techniques, forms, decorative repertoires, different agencies, forces and consequent elements of the globalization process, and the imposition of the colonial system, act. The traditions consolidated in Europe, and those of Asian inspiration, arising from the global colonial dynamics, arriving already filtered to the American continent by the European taste – are evoked in the new objects, through clashes, negotiations and re-existences. The news gathered here aims to contribute so that the artistic practices of indigenous, Africans, and mestizos- considering the wide existing cultural diversities - are also inserted in the history of art of the colonial period, protagonists who were in the transmission and incorporation of this knowledge, in a creative and original way, between tradition and renewal, in the context of missions.Memória, identidade e ancestralidade, as artes das cerâmicas e dos têxteis estavam presentes no cotidiano das missões jesuíticas na Amazônia, movimentando a economia através das casas de olarias e de tecelagem. Estas produções, louças e panos da terra, como aparecem muitas vezes mencionadas na documentação, dependiam dos saberes indígenas. As duas práticas artísticas se inter-relacionavam, e envolviam outras, como, por exemplo, a da produção de trançados, de cuias ou de vernizes e tintas, estreitamente conexas a um profundo conhecimento da natureza da região amazônica. Nestas criações também permaneciam códigos contidos nos objetos utilitários e/ou ritualísticos tradicionais, que foram transformados e ressignificados; como potes, cachimbos, redes de dormir, adornos. Nessas transformações, que, nas suas complexidades, podem ser verificadas através do estudo dos materiais, técnicas, formas, repertórios decorativos, atuam diferentes agências, forças e elementos consequentes do processo de globalização, e imposição do sistema colonial. As tradições consolidadas na Europa, e as de inspiração asiática, advindas da dinâmica colonial global, chegando já filtradas ao continente americano pelo gosto europeu –, são evocadas nos novos objetos, por meio de embates, negociações e re-existências. As notícias aqui reunidas almejam contribuir para que as práticas artísticas de mulheres e homens indígenas, africanas e africanos, e mestiças e mestiços – considerando as amplas diversidades culturais existentes – sejam inseridas também na história da arte do período colonial, protagonistas que foram na transmissão e incorporação desses saberes, de forma criativa e original, entre tradição e renovação, no contexto de missões.Universidade Federal de Santa Catarina2023-07-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/9388910.5007/2175-7976.2023.e93889Esboços: histories in global contexts; Vol. 30 No. 53 (2023); 68-80Esboços: historias en contextos globales; Vol. 30 Núm. 53 (2023); 68-80Esboços: histórias em contextos globais; v. 30 n. 53 (2023); 68-802175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/93889/53518Copyright (c) 2023 Renata Martinshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMartins, Renata2023-07-12T19:34:11Zoai:periodicos.ufsc.br:article/93889Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2023-07-12T19:34:11Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the Amazon
Louças e panos da terra: modelando e tecendo re-existências nas missões jesuíticas da Amazônia
title Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the Amazon
spellingShingle Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the Amazon
Martins, Renata
Objects
Jesuit Missions
Amazon
Objetos
Missões Jesuíticas
Amazônia
title_short Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the Amazon
title_full Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the Amazon
title_fullStr Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the Amazon
title_full_unstemmed Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the Amazon
title_sort Local wares and textiles: modeling and weaving re-existences in the jesuit missions of the Amazon
author Martins, Renata
author_facet Martins, Renata
author_role author
dc.contributor.author.fl_str_mv Martins, Renata
dc.subject.por.fl_str_mv Objects
Jesuit Missions
Amazon
Objetos
Missões Jesuíticas
Amazônia
topic Objects
Jesuit Missions
Amazon
Objetos
Missões Jesuíticas
Amazônia
description Memory, identity and ancestry, the arts of ceramics and textiles were present in the daily life of the Jesuit missions in the Amazon, moving the economy through pottery and weaving houses. These productions, local wares and textiles, as they are often mentioned in the documentation, depended on indigenous knowledge. The two artistic practices were interrelated, and involved others, such as, for example, the production of braids, gourds or varnishes and paints, closely connected to a deep knowledge of the nature of the Amazon region. In these creations, codes contained in traditional utilitarian and/or ritualistic objects also remained, which were transformed and re-signified; such as pots, pipes, hammocks, ornaments. In these transformations, which, in their complexities, can be verified through the study of materials, techniques, forms, decorative repertoires, different agencies, forces and consequent elements of the globalization process, and the imposition of the colonial system, act. The traditions consolidated in Europe, and those of Asian inspiration, arising from the global colonial dynamics, arriving already filtered to the American continent by the European taste – are evoked in the new objects, through clashes, negotiations and re-existences. The news gathered here aims to contribute so that the artistic practices of indigenous, Africans, and mestizos- considering the wide existing cultural diversities - are also inserted in the history of art of the colonial period, protagonists who were in the transmission and incorporation of this knowledge, in a creative and original way, between tradition and renewal, in the context of missions.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/93889
10.5007/2175-7976.2023.e93889
url https://periodicos.ufsc.br/index.php/esbocos/article/view/93889
identifier_str_mv 10.5007/2175-7976.2023.e93889
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/93889/53518
dc.rights.driver.fl_str_mv Copyright (c) 2023 Renata Martins
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Renata Martins
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Esboços: histories in global contexts; Vol. 30 No. 53 (2023); 68-80
Esboços: historias en contextos globales; Vol. 30 Núm. 53 (2023); 68-80
Esboços: histórias em contextos globais; v. 30 n. 53 (2023); 68-80
2175-7976
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