Hybridisms and intertextuality in teen-themed contemporany cinema

Detalhes bibliográficos
Autor(a) principal: Montoro, Tania
Data de Publicação: 2012
Outros Autores: Peixoto, Michael
Tipo de documento: Artigo
Idioma: por
Título da fonte: Esboços (Online)
Texto Completo: https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p258
Resumo: This paper aims to investigate the intertextual relationships and the hybrid experiences between means of communication and esthetics present in a number of contemporary films from distinct cinematographic backgrounds whose focus privileges the teen universe. From a broader framwork of six filmes, the analysis was mainly focused on the spanish movie Verbo (2011, Eduardo Chapero-Jackson) and the polish The Suicide Room (2011, Jan Komasa). From the narrative construction and visual composition of these films, the author attempted to draw a representation on how the characters’ rites of passage are developed within the narrative of the different film mechanisms in its hybrid conception and pervaded by intertextuality.
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spelling Hybridisms and intertextuality in teen-themed contemporany cinemaHibridismos e intertextualidades no cinema contemporâneo de temática adolescenteThis paper aims to investigate the intertextual relationships and the hybrid experiences between means of communication and esthetics present in a number of contemporary films from distinct cinematographic backgrounds whose focus privileges the teen universe. From a broader framwork of six filmes, the analysis was mainly focused on the spanish movie Verbo (2011, Eduardo Chapero-Jackson) and the polish The Suicide Room (2011, Jan Komasa). From the narrative construction and visual composition of these films, the author attempted to draw a representation on how the characters’ rites of passage are developed within the narrative of the different film mechanisms in its hybrid conception and pervaded by intertextuality.Este artigo tem como objetivo investigar as relações intertextuais e as experiências híbridas entre meios e estéticas presentes em um conjunto de filmes contemporâneos de cinematografias distintas que privilegiam abordagens sobre o universo adolescente. De um quadro mais amplo de seis filmes, a análise esteve focada no espanhol Verbo (2011, de Eduardo Chapero-Jackson) e no polonês Quarto do Suicídio (2011, de Jan Komasa). A partir da construção da narrativa e da composição visual destes filmes, buscou-se traçar um indicativo de como são desenvolvidos os ritos de passagens dos personagens no âmbito narrativo com base nos usos do dispositivo fílmico em sua concepção híbrida e atravessada por intertextualidades.Universidade Federal de Santa Catarina2012-06-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p25810.5007/2175-7976.2012v19n27p258Esboços: histories in global contexts; Vol. 19 No. 27 (2012): Dossiê História e Cinema; 258-272Esboços: historias en contextos globales; Vol. 19 Núm. 27 (2012): Dossiê História e Cinema; 258-272Esboços: histórias em contextos globais; v. 19 n. 27 (2012): Dossiê História e Cinema; 258-2722175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p258/23179Copyright (c) 2019 Tania Montoro, Michael Peixotoinfo:eu-repo/semantics/openAccessMontoro, TaniaPeixoto, Michael2019-03-01T10:07:14Zoai:periodicos.ufsc.br:article/26773Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2019-03-01T10:07:14Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Hybridisms and intertextuality in teen-themed contemporany cinema
Hibridismos e intertextualidades no cinema contemporâneo de temática adolescente
title Hybridisms and intertextuality in teen-themed contemporany cinema
spellingShingle Hybridisms and intertextuality in teen-themed contemporany cinema
Montoro, Tania
title_short Hybridisms and intertextuality in teen-themed contemporany cinema
title_full Hybridisms and intertextuality in teen-themed contemporany cinema
title_fullStr Hybridisms and intertextuality in teen-themed contemporany cinema
title_full_unstemmed Hybridisms and intertextuality in teen-themed contemporany cinema
title_sort Hybridisms and intertextuality in teen-themed contemporany cinema
author Montoro, Tania
author_facet Montoro, Tania
Peixoto, Michael
author_role author
author2 Peixoto, Michael
author2_role author
dc.contributor.author.fl_str_mv Montoro, Tania
Peixoto, Michael
description This paper aims to investigate the intertextual relationships and the hybrid experiences between means of communication and esthetics present in a number of contemporary films from distinct cinematographic backgrounds whose focus privileges the teen universe. From a broader framwork of six filmes, the analysis was mainly focused on the spanish movie Verbo (2011, Eduardo Chapero-Jackson) and the polish The Suicide Room (2011, Jan Komasa). From the narrative construction and visual composition of these films, the author attempted to draw a representation on how the characters’ rites of passage are developed within the narrative of the different film mechanisms in its hybrid conception and pervaded by intertextuality.
publishDate 2012
dc.date.none.fl_str_mv 2012-06-09
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p258
10.5007/2175-7976.2012v19n27p258
url https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p258
identifier_str_mv 10.5007/2175-7976.2012v19n27p258
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p258/23179
dc.rights.driver.fl_str_mv Copyright (c) 2019 Tania Montoro, Michael Peixoto
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Tania Montoro, Michael Peixoto
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Esboços: histories in global contexts; Vol. 19 No. 27 (2012): Dossiê História e Cinema; 258-272
Esboços: historias en contextos globales; Vol. 19 Núm. 27 (2012): Dossiê História e Cinema; 258-272
Esboços: histórias em contextos globais; v. 19 n. 27 (2012): Dossiê História e Cinema; 258-272
2175-7976
1414-722X
reponame:Esboços (Online)
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Esboços (Online)
collection Esboços (Online)
repository.name.fl_str_mv Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv portaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||
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