The palette and the brush under the founding myth construction

Detalhes bibliográficos
Autor(a) principal: Souza, Susana Bleil de
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: Esboços (Online)
Texto Completo: https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n20p155
Resumo: The objective of this paper is to examine how part of the intellectual and political Uruguayan elites was concerned about the orientalization of the Uruguayan National State and undertook the consolidation the national conscience through intellectual and artistic works. Though each art has its own language, Juan Manuel Blanes strived to express through painting the unrest of his time: to paint a nation in construction. Blanes created pictoric symbols of the nationality and invented an iconographic past. He quested for the genesis of the Uruguayan nationalism in the independence fights against Brasil and constructed the frame for the national imagery, the symbolic subsidy for the idea of a nation that the thoughtful elite strived to build up.
id UFSC-26_e2cf9c91199fef28b4f093d07f295172
oai_identifier_str oai:periodicos.ufsc.br:article/10247
network_acronym_str UFSC-26
network_name_str Esboços (Online)
repository_id_str
spelling The palette and the brush under the founding myth constructionA palheta e o pincel na construção de um mito fundadorThe objective of this paper is to examine how part of the intellectual and political Uruguayan elites was concerned about the orientalization of the Uruguayan National State and undertook the consolidation the national conscience through intellectual and artistic works. Though each art has its own language, Juan Manuel Blanes strived to express through painting the unrest of his time: to paint a nation in construction. Blanes created pictoric symbols of the nationality and invented an iconographic past. He quested for the genesis of the Uruguayan nationalism in the independence fights against Brasil and constructed the frame for the national imagery, the symbolic subsidy for the idea of a nation that the thoughtful elite strived to build up.O objetivo desse artigo é examinar como parte das elites intelectuais e políticas uruguaias preocupava-se com a orientalização do Estado nacional uruguaio e encarregava-se de consolidar a consciência nacional mediante trabalhos intelectuais e artísticos. Embora cada arte tenha a sua própria linguagem, Juan Manuel Blanes através da pintura procurava expressar as inquietudes de seu tempo: pintar uma nação em construção. Blanes, criou símbolos pictóricos da nacionalidade e inventou um passado iconográfico. Buscou a gênese do nacionalismo uruguaio, nas lutas de independência contra o Brasil e construiu o arcabouço de um imaginário nacional, o subsídio simbólico para a idéia de nação que a elite pensante se dedicava a construir.Universidade Federal de Santa Catarina2009-04-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n20p15510.5007/2175-7976.2008v15n20p155Esboços: histories in global contexts; Vol. 15 No. 20 (2008); 155-168Esboços: historias en contextos globales; Vol. 15 Núm. 20 (2008); 155-168Esboços: histórias em contextos globais; v. 15 n. 20 (2008); 155-1682175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n20p155/9536Copyright (c) 2019 Susana Bleil de Souzainfo:eu-repo/semantics/openAccessSouza, Susana Bleil de2023-01-12T15:08:38Zoai:periodicos.ufsc.br:article/10247Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2023-01-12T15:08:38Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv The palette and the brush under the founding myth construction
A palheta e o pincel na construção de um mito fundador
title The palette and the brush under the founding myth construction
spellingShingle The palette and the brush under the founding myth construction
Souza, Susana Bleil de
title_short The palette and the brush under the founding myth construction
title_full The palette and the brush under the founding myth construction
title_fullStr The palette and the brush under the founding myth construction
title_full_unstemmed The palette and the brush under the founding myth construction
title_sort The palette and the brush under the founding myth construction
author Souza, Susana Bleil de
author_facet Souza, Susana Bleil de
author_role author
dc.contributor.author.fl_str_mv Souza, Susana Bleil de
description The objective of this paper is to examine how part of the intellectual and political Uruguayan elites was concerned about the orientalization of the Uruguayan National State and undertook the consolidation the national conscience through intellectual and artistic works. Though each art has its own language, Juan Manuel Blanes strived to express through painting the unrest of his time: to paint a nation in construction. Blanes created pictoric symbols of the nationality and invented an iconographic past. He quested for the genesis of the Uruguayan nationalism in the independence fights against Brasil and constructed the frame for the national imagery, the symbolic subsidy for the idea of a nation that the thoughtful elite strived to build up.
publishDate 2009
dc.date.none.fl_str_mv 2009-04-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n20p155
10.5007/2175-7976.2008v15n20p155
url https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n20p155
identifier_str_mv 10.5007/2175-7976.2008v15n20p155
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n20p155/9536
dc.rights.driver.fl_str_mv Copyright (c) 2019 Susana Bleil de Souza
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Susana Bleil de Souza
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Esboços: histories in global contexts; Vol. 15 No. 20 (2008); 155-168
Esboços: historias en contextos globales; Vol. 15 Núm. 20 (2008); 155-168
Esboços: histórias em contextos globais; v. 15 n. 20 (2008); 155-168
2175-7976
1414-722X
reponame:Esboços (Online)
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Esboços (Online)
collection Esboços (Online)
repository.name.fl_str_mv Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv portaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||
_version_ 1797174878548262912

Registros relacionados