Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on Instagram

Detalhes bibliográficos
Autor(a) principal: Betella, Gabriela Kvacek
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Texto digital
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/77426
Resumo: In 2017, after beating Hodgkin's lymphoma for the second time, Nanni Moretti shot a short film featuring different situations wearing a radiation therapy mask. We started from the autobiographical nature and analyzed the making of the short and its dissemination on Instagram, taking into account the filmography of the director, in which Dear diary (1993) marks an important moment and enshrines the episodic format, the confession, the ambulation of the protagonist in Rome and the reflection on the manifestations of the artist and the intellectual. We investigated the resignification of these bases in the short film whose protagonist is a faceless man who does not seem to cause strangeness. We explore points of dialogue between traditional image formats and the current possibilities of the imaginary through apparent naturalness, the relationship with memory, the exercise of the profession, the fragility of the body, pushed to the limit.
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spelling Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on InstagramMemória experimental ou diário de poucas palavras de Nanni Moretti: a autobiografia do homem mascarado no InstagramIn 2017, after beating Hodgkin's lymphoma for the second time, Nanni Moretti shot a short film featuring different situations wearing a radiation therapy mask. We started from the autobiographical nature and analyzed the making of the short and its dissemination on Instagram, taking into account the filmography of the director, in which Dear diary (1993) marks an important moment and enshrines the episodic format, the confession, the ambulation of the protagonist in Rome and the reflection on the manifestations of the artist and the intellectual. We investigated the resignification of these bases in the short film whose protagonist is a faceless man who does not seem to cause strangeness. We explore points of dialogue between traditional image formats and the current possibilities of the imaginary through apparent naturalness, the relationship with memory, the exercise of the profession, the fragility of the body, pushed to the limit.Em 2017, após vencer pela segunda vez um linfoma de Hodgkin, Nanni Moretti rodou um curta-metragem protagonizando situações diferentes vestindo uma máscara para radioterapia. Partimos da natureza autobiográfica do curta e analisamos sua realização e divulgação no Instagram, levando em conta as relações com a filmografia do diretor, na qual Caro diário (1993) é o longa que assinala um momento importante e consagra o formato episódico, a confissão, a deambulação do protagonista em Roma e a reflexão sobre as manifestações do artista e do intelectual. Investigamos a ressignificação dessas bases no curta cujo protagonista é um homem sem rosto que parece não causar estranhamento em situações diferentes que compõem seis episódios. Exploramos pontos de diálogo entre os formatos tradicionais da imagem e as possibilidades atuais do imaginário por meio da naturalidade aparente, da relação com a memória, do exercício da profissão, da fragilidade do corpo, levados ao limite.Center for Research in Computing, Literature, and Linguistics (NuPILL)2020-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/7742610.5007/1807-9288.2020v16n2p223Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 223-239Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 223-239Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 223-2391807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/77426/45069Copyright (c) 2020 Gabriela Kvacek Betellahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBetella, Gabriela Kvacek2020-12-22T21:32:02Zoai:periodicos.ufsc.br:article/77426Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2020-12-22T21:32:02Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on Instagram
Memória experimental ou diário de poucas palavras de Nanni Moretti: a autobiografia do homem mascarado no Instagram
title Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on Instagram
spellingShingle Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on Instagram
Betella, Gabriela Kvacek
title_short Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on Instagram
title_full Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on Instagram
title_fullStr Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on Instagram
title_full_unstemmed Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on Instagram
title_sort Experimental memory or diary of a few words by Nanni Moretti: the autobiography of the masked man on Instagram
author Betella, Gabriela Kvacek
author_facet Betella, Gabriela Kvacek
author_role author
dc.contributor.author.fl_str_mv Betella, Gabriela Kvacek
description In 2017, after beating Hodgkin's lymphoma for the second time, Nanni Moretti shot a short film featuring different situations wearing a radiation therapy mask. We started from the autobiographical nature and analyzed the making of the short and its dissemination on Instagram, taking into account the filmography of the director, in which Dear diary (1993) marks an important moment and enshrines the episodic format, the confession, the ambulation of the protagonist in Rome and the reflection on the manifestations of the artist and the intellectual. We investigated the resignification of these bases in the short film whose protagonist is a faceless man who does not seem to cause strangeness. We explore points of dialogue between traditional image formats and the current possibilities of the imaginary through apparent naturalness, the relationship with memory, the exercise of the profession, the fragility of the body, pushed to the limit.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/77426
10.5007/1807-9288.2020v16n2p223
url https://periodicos.ufsc.br/index.php/textodigital/article/view/77426
identifier_str_mv 10.5007/1807-9288.2020v16n2p223
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/77426/45069
dc.rights.driver.fl_str_mv Copyright (c) 2020 Gabriela Kvacek Betella
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Gabriela Kvacek Betella
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 223-239
Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 223-239
Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 223-239
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
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