Sequential frame: an investigation on experimental comics
Autor(a) principal: | |
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Data de Publicação: | 2022 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Texto digital |
Texto Completo: | https://periodicos.ufsc.br/index.php/textodigital/article/view/83745 |
Resumo: | This article addresses the exhibition of comics entitled "Sequential Frame", which is made up of three sets of frames. Each of them constitutes an experimental composition in comics that seeks different formats of reading, meaning and reception for this kind of language, proposing an articulation between different fields, especially sequential art and visual arts. The compositions have as a central element the interventions made in the frames and how these, in turn, can be integrated into the language of the comics and into the narrative. In this work, records of the exhibition will be presented and the process of creating the compositions will be discussed. The discussion proposes an analysis based on what is meant by extended field and internal field of comics and, therefore, explores the panel/frame duality through two perspectives: the panel as a frame and the frame as a panel. The authors with which this work is related are, respectively: Eisner (1989), McCloud (1995), Groensteen (1990). Finally, developments for the continuity of an authorial composition in comics are mentioned, through which it is possible, from now on, to approach other fields, such as web art. This work was produced by Laboratório de Investigação em Corpo, Comunicação e Arte (LICCA-UFC). |
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Sequential frame: an investigation on experimental comicsMoldura sequencial: uma investigação sobre quadrinhos experimentaisInovaçãoCapacidade AbsortivaPequenas e Médias EmpresasCapacidade Absortiva PotencialCapacidade Absortiva Realizada.This article addresses the exhibition of comics entitled "Sequential Frame", which is made up of three sets of frames. Each of them constitutes an experimental composition in comics that seeks different formats of reading, meaning and reception for this kind of language, proposing an articulation between different fields, especially sequential art and visual arts. The compositions have as a central element the interventions made in the frames and how these, in turn, can be integrated into the language of the comics and into the narrative. In this work, records of the exhibition will be presented and the process of creating the compositions will be discussed. The discussion proposes an analysis based on what is meant by extended field and internal field of comics and, therefore, explores the panel/frame duality through two perspectives: the panel as a frame and the frame as a panel. The authors with which this work is related are, respectively: Eisner (1989), McCloud (1995), Groensteen (1990). Finally, developments for the continuity of an authorial composition in comics are mentioned, through which it is possible, from now on, to approach other fields, such as web art. This work was produced by Laboratório de Investigação em Corpo, Comunicação e Arte (LICCA-UFC).Este artigo trata da exposição em quadrinhos intitulada Moldura Sequencial, que é integrada por três conjuntos de molduras. Cada um deles constitui uma composição experimental em quadrinhos que busca diferentes formatos de leitura, significação e recepção para essa linguagem, propondo uma articulação entre diferentes campos, notadamente, a arte sequencial e as artes plásticas. As composições têm como elemento central as intervenções feitas nas molduras e como estas, por sua vez, podem se integrar à linguagem dos quadrinhos e à narrativa. São apresentados registros da exposição e o processo de criação das composições é abordado. A discussão propõe uma análise a partir do que se entende por campo ampliado e campo interno dos quadrinhos e, para tanto, explora a dualidade vinheta/moldura por meio de duas perspectivas: a vinheta como moldura e a moldura como vinheta. Os autores com que este trabalho se relaciona são, respectivamente: Eisner (1989), McCloud (1995), Groensteen (1990) e Broering (2015). Por fim, são mencionados desdobramentos para a continuidade de uma composição autoral em quadrinhos através dos quais é possível, doravante, uma aproximação com outros campos, como a web art. Este trabalho é uma produção do Laboratório de Investigação em Corpo, Comunicação e Arte (LICCA-UFC).Center for Research in Computing, Literature, and Linguistics (NuPILL)2022-05-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/8374510.5007/1807-9288.2022.e83745Texto Digital; Vol. 18 No. 1 (2022): As artes digitais e seu amplo campo; 60-77Texto Digital; Vol. 18 No 1 (2022): As artes digitais e seu amplo campo; 60-77Texto Digital; v. 18 n. 1 (2022): As artes digitais e seu amplo campo; 60-771807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/83745/48724Copyright (c) 2022 Ícaro Lênin Maia Malveira, João Vilneihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMaia Malveira, Ícaro Lêninde Oliveira Filho, João Vilnei2022-05-02T17:23:48Zoai:periodicos.ufsc.br:article/83745Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2022-05-02T17:23:48Texto digital - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Sequential frame: an investigation on experimental comics Moldura sequencial: uma investigação sobre quadrinhos experimentais |
title |
Sequential frame: an investigation on experimental comics |
spellingShingle |
Sequential frame: an investigation on experimental comics Maia Malveira, Ícaro Lênin Inovação Capacidade Absortiva Pequenas e Médias Empresas Capacidade Absortiva Potencial Capacidade Absortiva Realizada. |
title_short |
Sequential frame: an investigation on experimental comics |
title_full |
Sequential frame: an investigation on experimental comics |
title_fullStr |
Sequential frame: an investigation on experimental comics |
title_full_unstemmed |
Sequential frame: an investigation on experimental comics |
title_sort |
Sequential frame: an investigation on experimental comics |
author |
Maia Malveira, Ícaro Lênin |
author_facet |
Maia Malveira, Ícaro Lênin de Oliveira Filho, João Vilnei |
author_role |
author |
author2 |
de Oliveira Filho, João Vilnei |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Maia Malveira, Ícaro Lênin de Oliveira Filho, João Vilnei |
dc.subject.por.fl_str_mv |
Inovação Capacidade Absortiva Pequenas e Médias Empresas Capacidade Absortiva Potencial Capacidade Absortiva Realizada. |
topic |
Inovação Capacidade Absortiva Pequenas e Médias Empresas Capacidade Absortiva Potencial Capacidade Absortiva Realizada. |
description |
This article addresses the exhibition of comics entitled "Sequential Frame", which is made up of three sets of frames. Each of them constitutes an experimental composition in comics that seeks different formats of reading, meaning and reception for this kind of language, proposing an articulation between different fields, especially sequential art and visual arts. The compositions have as a central element the interventions made in the frames and how these, in turn, can be integrated into the language of the comics and into the narrative. In this work, records of the exhibition will be presented and the process of creating the compositions will be discussed. The discussion proposes an analysis based on what is meant by extended field and internal field of comics and, therefore, explores the panel/frame duality through two perspectives: the panel as a frame and the frame as a panel. The authors with which this work is related are, respectively: Eisner (1989), McCloud (1995), Groensteen (1990). Finally, developments for the continuity of an authorial composition in comics are mentioned, through which it is possible, from now on, to approach other fields, such as web art. This work was produced by Laboratório de Investigação em Corpo, Comunicação e Arte (LICCA-UFC). |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-05-02 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/83745 10.5007/1807-9288.2022.e83745 |
url |
https://periodicos.ufsc.br/index.php/textodigital/article/view/83745 |
identifier_str_mv |
10.5007/1807-9288.2022.e83745 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/83745/48724 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Ícaro Lênin Maia Malveira, João Vilnei http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Ícaro Lênin Maia Malveira, João Vilnei http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
dc.source.none.fl_str_mv |
Texto Digital; Vol. 18 No. 1 (2022): As artes digitais e seu amplo campo; 60-77 Texto Digital; Vol. 18 No 1 (2022): As artes digitais e seu amplo campo; 60-77 Texto Digital; v. 18 n. 1 (2022): As artes digitais e seu amplo campo; 60-77 1807-9288 reponame:Texto digital instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Texto digital |
collection |
Texto digital |
repository.name.fl_str_mv |
Texto digital - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
textodigital@cce.ufsc.br |
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1797174794886578176 |