Sequential frame: an investigation on experimental comics

Detalhes bibliográficos
Autor(a) principal: Maia Malveira, Ícaro Lênin
Data de Publicação: 2022
Outros Autores: de Oliveira Filho, João Vilnei
Tipo de documento: Artigo
Idioma: por
Título da fonte: Texto digital
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/83745
Resumo: This article addresses the exhibition of comics entitled "Sequential Frame", which is made up of three sets of frames. Each of them constitutes an experimental composition in comics that seeks different formats of reading, meaning and reception for this kind of language, proposing an articulation between different fields, especially sequential art and visual arts. The compositions have as a central element the interventions made in the frames and how these, in turn, can be integrated into the language of the comics and into the narrative. In this work, records of the exhibition will be presented and the process of creating the compositions will be discussed. The discussion proposes an analysis based on what is meant by extended field and internal field of comics and, therefore, explores the panel/frame duality through two perspectives: the panel as a frame and the frame as a panel. The authors with which this work is related are, respectively: Eisner (1989), McCloud (1995), Groensteen (1990). Finally, developments for the continuity of an authorial composition in comics are mentioned, through which it is possible, from now on, to approach other fields, such as web art. This work was produced by Laboratório de Investigação em Corpo, Comunicação e Arte (LICCA-UFC).
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spelling Sequential frame: an investigation on experimental comicsMoldura sequencial: uma investigação sobre quadrinhos experimentaisInovaçãoCapacidade AbsortivaPequenas e Médias EmpresasCapacidade Absortiva PotencialCapacidade Absortiva Realizada.This article addresses the exhibition of comics entitled "Sequential Frame", which is made up of three sets of frames. Each of them constitutes an experimental composition in comics that seeks different formats of reading, meaning and reception for this kind of language, proposing an articulation between different fields, especially sequential art and visual arts. The compositions have as a central element the interventions made in the frames and how these, in turn, can be integrated into the language of the comics and into the narrative. In this work, records of the exhibition will be presented and the process of creating the compositions will be discussed. The discussion proposes an analysis based on what is meant by extended field and internal field of comics and, therefore, explores the panel/frame duality through two perspectives: the panel as a frame and the frame as a panel. The authors with which this work is related are, respectively: Eisner (1989), McCloud (1995), Groensteen (1990). Finally, developments for the continuity of an authorial composition in comics are mentioned, through which it is possible, from now on, to approach other fields, such as web art. This work was produced by Laboratório de Investigação em Corpo, Comunicação e Arte (LICCA-UFC).Este artigo trata da exposição em quadrinhos intitulada Moldura Sequencial, que é integrada por três conjuntos de molduras. Cada um deles constitui uma composição experimental em quadrinhos que busca diferentes formatos de leitura, significação e recepção para essa linguagem, propondo uma articulação entre diferentes campos, notadamente, a arte sequencial e as artes plásticas. As composições têm como elemento central as intervenções feitas nas molduras e como estas, por sua vez, podem se integrar à linguagem dos quadrinhos e à narrativa. São apresentados registros da exposição e o processo de criação das composições é abordado. A discussão propõe uma análise a partir do que se entende por campo ampliado e campo interno dos quadrinhos e, para tanto, explora a dualidade vinheta/moldura por meio de duas perspectivas: a vinheta como moldura e a moldura como vinheta. Os autores com que este trabalho se relaciona são, respectivamente: Eisner (1989), McCloud (1995), Groensteen (1990) e Broering (2015). Por fim, são mencionados desdobramentos para a continuidade de uma composição autoral em quadrinhos através dos quais é possível, doravante, uma aproximação com outros campos, como a web art. Este trabalho é uma produção do Laboratório de Investigação em Corpo, Comunicação e Arte (LICCA-UFC).Center for Research in Computing, Literature, and Linguistics (NuPILL)2022-05-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/8374510.5007/1807-9288.2022.e83745Texto Digital; Vol. 18 No. 1 (2022): As artes digitais e seu amplo campo; 60-77Texto Digital; Vol. 18 No 1 (2022): As artes digitais e seu amplo campo; 60-77Texto Digital; v. 18 n. 1 (2022): As artes digitais e seu amplo campo; 60-771807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/83745/48724Copyright (c) 2022 Ícaro Lênin Maia Malveira, João Vilneihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMaia Malveira, Ícaro Lêninde Oliveira Filho, João Vilnei2022-05-02T17:23:48Zoai:periodicos.ufsc.br:article/83745Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2022-05-02T17:23:48Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Sequential frame: an investigation on experimental comics
Moldura sequencial: uma investigação sobre quadrinhos experimentais
title Sequential frame: an investigation on experimental comics
spellingShingle Sequential frame: an investigation on experimental comics
Maia Malveira, Ícaro Lênin
Inovação
Capacidade Absortiva
Pequenas e Médias Empresas
Capacidade Absortiva Potencial
Capacidade Absortiva Realizada.
title_short Sequential frame: an investigation on experimental comics
title_full Sequential frame: an investigation on experimental comics
title_fullStr Sequential frame: an investigation on experimental comics
title_full_unstemmed Sequential frame: an investigation on experimental comics
title_sort Sequential frame: an investigation on experimental comics
author Maia Malveira, Ícaro Lênin
author_facet Maia Malveira, Ícaro Lênin
de Oliveira Filho, João Vilnei
author_role author
author2 de Oliveira Filho, João Vilnei
author2_role author
dc.contributor.author.fl_str_mv Maia Malveira, Ícaro Lênin
de Oliveira Filho, João Vilnei
dc.subject.por.fl_str_mv Inovação
Capacidade Absortiva
Pequenas e Médias Empresas
Capacidade Absortiva Potencial
Capacidade Absortiva Realizada.
topic Inovação
Capacidade Absortiva
Pequenas e Médias Empresas
Capacidade Absortiva Potencial
Capacidade Absortiva Realizada.
description This article addresses the exhibition of comics entitled "Sequential Frame", which is made up of three sets of frames. Each of them constitutes an experimental composition in comics that seeks different formats of reading, meaning and reception for this kind of language, proposing an articulation between different fields, especially sequential art and visual arts. The compositions have as a central element the interventions made in the frames and how these, in turn, can be integrated into the language of the comics and into the narrative. In this work, records of the exhibition will be presented and the process of creating the compositions will be discussed. The discussion proposes an analysis based on what is meant by extended field and internal field of comics and, therefore, explores the panel/frame duality through two perspectives: the panel as a frame and the frame as a panel. The authors with which this work is related are, respectively: Eisner (1989), McCloud (1995), Groensteen (1990). Finally, developments for the continuity of an authorial composition in comics are mentioned, through which it is possible, from now on, to approach other fields, such as web art. This work was produced by Laboratório de Investigação em Corpo, Comunicação e Arte (LICCA-UFC).
publishDate 2022
dc.date.none.fl_str_mv 2022-05-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/83745
10.5007/1807-9288.2022.e83745
url https://periodicos.ufsc.br/index.php/textodigital/article/view/83745
identifier_str_mv 10.5007/1807-9288.2022.e83745
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/83745/48724
dc.rights.driver.fl_str_mv Copyright (c) 2022 Ícaro Lênin Maia Malveira, João Vilnei
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Ícaro Lênin Maia Malveira, João Vilnei
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 18 No. 1 (2022): As artes digitais e seu amplo campo; 60-77
Texto Digital; Vol. 18 No 1 (2022): As artes digitais e seu amplo campo; 60-77
Texto Digital; v. 18 n. 1 (2022): As artes digitais e seu amplo campo; 60-77
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
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