Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa Egreja

Detalhes bibliográficos
Autor(a) principal: Pessoa, Priscilla de Paula
Data de Publicação: 2021
Outros Autores: Ghizzi, Eluíza Bortolotto
Tipo de documento: Artigo
Idioma: por
Título da fonte: Texto digital
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/77417
Resumo: Brazilian artists have often used their digital social networks to share records of their own creative processes in addition to images of their works. Since Genetic Criticism investigates works of art from their genesis through documents which were generated during and after the creative processes, the present article discusses the possibility of the Genetic criticism using images and texts publicly shared by the artists themselves on profiles on the social network Instagram, approaching them as documents that can be considered within the methodologies that are specific to Genetic Criticism - understanding from the studies of Cecília Salles - analyzed based on the Phenomenology along with General Semiotics of Charles S. Peirce - as reviewed by Lucia Santaella. Considerations are given regarding the Instagram profile of 20 contemporary Brazilian painters as well as the more in-depth case study of the painter Ana Elisa Egreja´s profile, from which the role of photography in the creative process of the painting Banheiro rosa com polvos has been investigated.
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spelling Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa EgrejaCrítica Genética e documentos obtidos no Instagram: estudo de caso a partir do perfil da artista Ana Elisa EgrejaBrazilian artists have often used their digital social networks to share records of their own creative processes in addition to images of their works. Since Genetic Criticism investigates works of art from their genesis through documents which were generated during and after the creative processes, the present article discusses the possibility of the Genetic criticism using images and texts publicly shared by the artists themselves on profiles on the social network Instagram, approaching them as documents that can be considered within the methodologies that are specific to Genetic Criticism - understanding from the studies of Cecília Salles - analyzed based on the Phenomenology along with General Semiotics of Charles S. Peirce - as reviewed by Lucia Santaella. Considerations are given regarding the Instagram profile of 20 contemporary Brazilian painters as well as the more in-depth case study of the painter Ana Elisa Egreja´s profile, from which the role of photography in the creative process of the painting Banheiro rosa com polvos has been investigated.Artistas brasileiros têm usado suas redes sociais digitais para compartilhar, além de imagens de seus trabalhos, muitas vezes, também, registros dos respectivos processos criativos. Posto que a Crítica Genética investiga as obras de arte a partir de sua gênese, através de documentos gerados durante e após seus processos criativos, o presente artigo aborda a possibilidade do crítico genético valer-se de imagens e textos compartilhados publicamente pelos próprios artistas em seus perfis na rede social Instagram, tratando-os como documentos passíveis de serem considerados dentro de metodologias próprias da Crítica Genética - entendida a partir dos estudos de Cecília Salles - e analisados com base na Fenomenologia e na Semiótica Geral de Charles S. Peirce - conforme revista por Lucia Santaella. Apresentam-se considerações sobre o perfil de Instagram de 20 pintores contemporâneos brasileiros e o estudo de caso mais aprofundado do perfil da pintora Ana Elisa Egreja, a partir do qual investiga-se o papel da fotografia no processo criativo da pintura Banheiro rosa com polvos. Center for Research in Computing, Literature, and Linguistics (NuPILL)2021-11-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/7741710.5007/1807-9288.2021.e77417Texto Digital; Vol. 17 No. 2 (2021): Multimodalidade em textos digitais - Parte II; 178-201Texto Digital; Vol. 17 No 2 (2021): Multimodalidade em textos digitais - Parte II; 178-201Texto Digital; v. 17 n. 2 (2021): Multimodalidade em textos digitais - Parte II; 178-2011807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/77417/47625Copyright (c) 2021 Priscilla de Paula Pessoa, Eluíza Bortolotto Ghizzihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPessoa, Priscilla de PaulaGhizzi, Eluíza Bortolotto2021-11-10T18:30:51Zoai:periodicos.ufsc.br:article/77417Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2021-11-10T18:30:51Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa Egreja
Crítica Genética e documentos obtidos no Instagram: estudo de caso a partir do perfil da artista Ana Elisa Egreja
title Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa Egreja
spellingShingle Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa Egreja
Pessoa, Priscilla de Paula
title_short Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa Egreja
title_full Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa Egreja
title_fullStr Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa Egreja
title_full_unstemmed Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa Egreja
title_sort Genetic Criticism and documents obtained from Instagram: case study from the profile of the artist Ana Elisa Egreja
author Pessoa, Priscilla de Paula
author_facet Pessoa, Priscilla de Paula
Ghizzi, Eluíza Bortolotto
author_role author
author2 Ghizzi, Eluíza Bortolotto
author2_role author
dc.contributor.author.fl_str_mv Pessoa, Priscilla de Paula
Ghizzi, Eluíza Bortolotto
description Brazilian artists have often used their digital social networks to share records of their own creative processes in addition to images of their works. Since Genetic Criticism investigates works of art from their genesis through documents which were generated during and after the creative processes, the present article discusses the possibility of the Genetic criticism using images and texts publicly shared by the artists themselves on profiles on the social network Instagram, approaching them as documents that can be considered within the methodologies that are specific to Genetic Criticism - understanding from the studies of Cecília Salles - analyzed based on the Phenomenology along with General Semiotics of Charles S. Peirce - as reviewed by Lucia Santaella. Considerations are given regarding the Instagram profile of 20 contemporary Brazilian painters as well as the more in-depth case study of the painter Ana Elisa Egreja´s profile, from which the role of photography in the creative process of the painting Banheiro rosa com polvos has been investigated.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/77417
10.5007/1807-9288.2021.e77417
url https://periodicos.ufsc.br/index.php/textodigital/article/view/77417
identifier_str_mv 10.5007/1807-9288.2021.e77417
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/77417/47625
dc.rights.driver.fl_str_mv Copyright (c) 2021 Priscilla de Paula Pessoa, Eluíza Bortolotto Ghizzi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Priscilla de Paula Pessoa, Eluíza Bortolotto Ghizzi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 17 No. 2 (2021): Multimodalidade em textos digitais - Parte II; 178-201
Texto Digital; Vol. 17 No 2 (2021): Multimodalidade em textos digitais - Parte II; 178-201
Texto Digital; v. 17 n. 2 (2021): Multimodalidade em textos digitais - Parte II; 178-201
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
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