Trans-sensory hallucination
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Texto digital |
Texto Completo: | https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n1p52 |
Resumo: | After a short reflection on theories of the digital and non-digital, this essay is concerned with questions of common perception, un-common senses and a strong focus on kinaesthetic, trans-sensorial notions of ex-stasis, and the material affects of environments. The author discusses examples drawn from atmospheric studies, architecture and choreographic objects, as well as the design of wearables used in sensorial performance environments which themselves are conceived as formative, not built or constructed in a stable form. Furthermore, basing its investigation of such elemental environments and aural choreographies in recent productions of the DAP-Lab, the essay explores the impact of wearables on movement choreography and immersion within choreographic installations. It also addresses more speculative developments of how bodies and wearables come to affect, and be affected by, augmented reality and virtual reality interfaces within kinetic atmospheres – here called “kimospheres” – in the sense in which the composer Xenakis had envisioned reverberant multimedia architectures and spatial intensities to be live instruments, not static objects or envelopes. |
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Trans-sensory hallucinationAlucinação transensorialAfter a short reflection on theories of the digital and non-digital, this essay is concerned with questions of common perception, un-common senses and a strong focus on kinaesthetic, trans-sensorial notions of ex-stasis, and the material affects of environments. The author discusses examples drawn from atmospheric studies, architecture and choreographic objects, as well as the design of wearables used in sensorial performance environments which themselves are conceived as formative, not built or constructed in a stable form. Furthermore, basing its investigation of such elemental environments and aural choreographies in recent productions of the DAP-Lab, the essay explores the impact of wearables on movement choreography and immersion within choreographic installations. It also addresses more speculative developments of how bodies and wearables come to affect, and be affected by, augmented reality and virtual reality interfaces within kinetic atmospheres – here called “kimospheres” – in the sense in which the composer Xenakis had envisioned reverberant multimedia architectures and spatial intensities to be live instruments, not static objects or envelopes.Após uma breve reflexão sobre teorias do digital e não-digital, este ensaio se preocupa com questões da percepção comum e dos sentidos não usuais, enfatizando a kinaesthetic, noções transensoriais de ex-stasis e o afeto material do ambiente. O autor discute exemplos retirados de estudos atmosféricos, de objetos arquitetônicos e coreográficos, assim como do design de vestimentas usadas em ambientes sensoriais performáticos que foram concebidos como formativos, não construídos em formas estáveis. Além disso, baseando suas investigações em ambientes elementais e coreografias aurais de produções recentes do DAP-Lab, esse ensaio explora os impactos das vestimentas que afetam, e são afetadas por, as interfaces de realidade aumentada e virtualidade aumentada em atmosferas cinéticas – aqui chamadas “kimospheres” – no sentido em que o compositor Xenakis havia imaginado arquiteturas multimídia reverberantes e intensidades espaciais para serem instrumentos vivos, não objetos estáticos ou envelopes.Center for Research in Computing, Literature, and Linguistics (NuPILL)2018-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n1p5210.5007/1807-9288.2018v14n1p52Texto Digital; Vol. 14 No. 1 (2018); 52-74Texto Digital; Vol. 14 No 1 (2018); 52-74Texto Digital; v. 14 n. 1 (2018); 52-741807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCenghttps://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n1p52/37116Copyright (c) 2018 Johannes Birringerinfo:eu-repo/semantics/openAccessBirringer, Johannes2018-08-01T18:08:14Zoai:periodicos.ufsc.br:article/57794Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2018-08-01T18:08:14Texto digital - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Trans-sensory hallucination Alucinação transensorial |
title |
Trans-sensory hallucination |
spellingShingle |
Trans-sensory hallucination Birringer, Johannes |
title_short |
Trans-sensory hallucination |
title_full |
Trans-sensory hallucination |
title_fullStr |
Trans-sensory hallucination |
title_full_unstemmed |
Trans-sensory hallucination |
title_sort |
Trans-sensory hallucination |
author |
Birringer, Johannes |
author_facet |
Birringer, Johannes |
author_role |
author |
dc.contributor.author.fl_str_mv |
Birringer, Johannes |
description |
After a short reflection on theories of the digital and non-digital, this essay is concerned with questions of common perception, un-common senses and a strong focus on kinaesthetic, trans-sensorial notions of ex-stasis, and the material affects of environments. The author discusses examples drawn from atmospheric studies, architecture and choreographic objects, as well as the design of wearables used in sensorial performance environments which themselves are conceived as formative, not built or constructed in a stable form. Furthermore, basing its investigation of such elemental environments and aural choreographies in recent productions of the DAP-Lab, the essay explores the impact of wearables on movement choreography and immersion within choreographic installations. It also addresses more speculative developments of how bodies and wearables come to affect, and be affected by, augmented reality and virtual reality interfaces within kinetic atmospheres – here called “kimospheres” – in the sense in which the composer Xenakis had envisioned reverberant multimedia architectures and spatial intensities to be live instruments, not static objects or envelopes. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-08-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n1p52 10.5007/1807-9288.2018v14n1p52 |
url |
https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n1p52 |
identifier_str_mv |
10.5007/1807-9288.2018v14n1p52 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/1807-9288.2018v14n1p52/37116 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Johannes Birringer info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Johannes Birringer |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
dc.source.none.fl_str_mv |
Texto Digital; Vol. 14 No. 1 (2018); 52-74 Texto Digital; Vol. 14 No 1 (2018); 52-74 Texto Digital; v. 14 n. 1 (2018); 52-74 1807-9288 reponame:Texto digital instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Texto digital |
collection |
Texto digital |
repository.name.fl_str_mv |
Texto digital - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
textodigital@cce.ufsc.br |
_version_ |
1797174794612899840 |