Self-narrators — artists, creators and readers, from printed poems to digital creations

Detalhes bibliográficos
Autor(a) principal: Santos, Alckmar Luiz dos
Data de Publicação: 2022
Outros Autores: Borges, Isabela Melim
Tipo de documento: Artigo
Idioma: por
Título da fonte: Texto digital
DOI: 10.5007/1807-9288.2022.e91316
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/91316
Resumo: The purpose of this article is to think and discuss subjectivity in contemporary poetry, starting from the one proposed by the movement of Concrete poetry to the one that is presented in the works of digital literatures. This argument has as its starting point the “verse crisis”, established by Mallarmé. It is from this proposal of the French poet's, especially when he deals with a duality between prose and verse which leads to a displacement of poetic subjectivity, that we try to draw a line to guide the debate about how this subjectivity acts in digital literatures.
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network_name_str Texto digital
spelling Self-narrators — artists, creators and readers, from printed poems to digital creationsNarradores de si — artistas, criadores e leitores, dos poemas impressos às criações digitaisSubjetividadeLiteratura DigitalMallarméSubjectivityDigital LiteratureMallarméThe purpose of this article is to think and discuss subjectivity in contemporary poetry, starting from the one proposed by the movement of Concrete poetry to the one that is presented in the works of digital literatures. This argument has as its starting point the “verse crisis”, established by Mallarmé. It is from this proposal of the French poet's, especially when he deals with a duality between prose and verse which leads to a displacement of poetic subjectivity, that we try to draw a line to guide the debate about how this subjectivity acts in digital literatures.O intuito do presente artigo é pensar e discutir a subjetividade na poesia contemporânea, partindo daquela que foi proposta pelo movimento dos poetas concretos até a que se apresenta nas obras das literaturas digitais. Tal argumentação tem como ponto de partida a “crise do verso”, estabelecida por Mallarmé. É a partir dos desdobramentos das ideias do poeta francês, sobretudo quando ele trata de uma dualidade entre a prosa e o verso, que leva a um deslocamento da subjetividade poética, é que tentamos traçar uma linha para orientar o debate acerca de como essa subjetividade se dá nas literaturas digitais.Center for Research in Computing, Literature, and Linguistics (NuPILL)2022-11-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/9131610.5007/1807-9288.2022.e91316Texto Digital; Vol. 18 No. 2 (2022): As artes digitais e seu amplo campo — Parte II; 168-184Texto Digital; Vol. 18 No 2 (2022): As artes digitais e seu amplo campo — Parte II; 168-184Texto Digital; v. 18 n. 2 (2022): As artes digitais e seu amplo campo — Parte II; 168-1841807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/91316/51933Copyright (c) 2022 Isabela Melim Borges; Alckmar Luiz dos Santoshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSantos, Alckmar Luiz dos Borges, Isabela Melim2022-11-09T18:20:07Zoai:periodicos.ufsc.br:article/91316Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2022-11-09T18:20:07Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Self-narrators — artists, creators and readers, from printed poems to digital creations
Narradores de si — artistas, criadores e leitores, dos poemas impressos às criações digitais
title Self-narrators — artists, creators and readers, from printed poems to digital creations
spellingShingle Self-narrators — artists, creators and readers, from printed poems to digital creations
Self-narrators — artists, creators and readers, from printed poems to digital creations
Santos, Alckmar Luiz dos
Subjetividade
Literatura Digital
Mallarmé
Subjectivity
Digital Literature
Mallarmé
Santos, Alckmar Luiz dos
Subjetividade
Literatura Digital
Mallarmé
Subjectivity
Digital Literature
Mallarmé
title_short Self-narrators — artists, creators and readers, from printed poems to digital creations
title_full Self-narrators — artists, creators and readers, from printed poems to digital creations
title_fullStr Self-narrators — artists, creators and readers, from printed poems to digital creations
Self-narrators — artists, creators and readers, from printed poems to digital creations
title_full_unstemmed Self-narrators — artists, creators and readers, from printed poems to digital creations
Self-narrators — artists, creators and readers, from printed poems to digital creations
title_sort Self-narrators — artists, creators and readers, from printed poems to digital creations
author Santos, Alckmar Luiz dos
author_facet Santos, Alckmar Luiz dos
Santos, Alckmar Luiz dos
Borges, Isabela Melim
Borges, Isabela Melim
author_role author
author2 Borges, Isabela Melim
author2_role author
dc.contributor.author.fl_str_mv Santos, Alckmar Luiz dos
Borges, Isabela Melim
dc.subject.por.fl_str_mv Subjetividade
Literatura Digital
Mallarmé
Subjectivity
Digital Literature
Mallarmé
topic Subjetividade
Literatura Digital
Mallarmé
Subjectivity
Digital Literature
Mallarmé
description The purpose of this article is to think and discuss subjectivity in contemporary poetry, starting from the one proposed by the movement of Concrete poetry to the one that is presented in the works of digital literatures. This argument has as its starting point the “verse crisis”, established by Mallarmé. It is from this proposal of the French poet's, especially when he deals with a duality between prose and verse which leads to a displacement of poetic subjectivity, that we try to draw a line to guide the debate about how this subjectivity acts in digital literatures.
publishDate 2022
dc.date.none.fl_str_mv 2022-11-09
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/91316
10.5007/1807-9288.2022.e91316
url https://periodicos.ufsc.br/index.php/textodigital/article/view/91316
identifier_str_mv 10.5007/1807-9288.2022.e91316
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/91316/51933
dc.rights.driver.fl_str_mv Copyright (c) 2022 Isabela Melim Borges; Alckmar Luiz dos Santos
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Isabela Melim Borges; Alckmar Luiz dos Santos
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 18 No. 2 (2022): As artes digitais e seu amplo campo — Parte II; 168-184
Texto Digital; Vol. 18 No 2 (2022): As artes digitais e seu amplo campo — Parte II; 168-184
Texto Digital; v. 18 n. 2 (2022): As artes digitais e seu amplo campo — Parte II; 168-184
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
_version_ 1822179538614878208
dc.identifier.doi.none.fl_str_mv 10.5007/1807-9288.2022.e91316

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