Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”
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Data de Publicação: | 2020 |
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Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Texto digital |
Texto Completo: | https://periodicos.ufsc.br/index.php/textodigital/article/view/77400 |
Resumo: | We propose a reading of the film I Am Mother (2019), one of Netflix’s most celebrated contemporary fictional productions. Appealing to the concept of archetype, we analyze, through the perspective of cultural myth criticism, how the movie reconfigures the mytheme of the protective mother and also the one of the terrible mother, since the robotic character has an active role defining the heroic types and, therefore, the destiny of humankind. The subject is justified by the trend of the current distribution and consumption of cinema via streaming, which is a lived and effective format for the circulation of the mythic text. Finally, we offer the idea that the efficacy of the archetype in the filmic text lays down more on the mythical paradigms than on the scientific ones. |
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Texto digital |
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Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”Máquina amable, madre terrible: mito y ciencia en imágenes arquetípicas del filme “I Am Mother”We propose a reading of the film I Am Mother (2019), one of Netflix’s most celebrated contemporary fictional productions. Appealing to the concept of archetype, we analyze, through the perspective of cultural myth criticism, how the movie reconfigures the mytheme of the protective mother and also the one of the terrible mother, since the robotic character has an active role defining the heroic types and, therefore, the destiny of humankind. The subject is justified by the trend of the current distribution and consumption of cinema via streaming, which is a lived and effective format for the circulation of the mythic text. Finally, we offer the idea that the efficacy of the archetype in the filmic text lays down more on the mythical paradigms than on the scientific ones.Proponemos una lectura del filme I Am Mother (2019), una de las producciones de ficción contemporáneas más celebradas de Netflix. A partir del concepto de arquetipo, analizamos desde la perspectiva de la mitocrítica cultural cómo el filme reconfigura los mitemas de la madre protectora, pero también los de la madre terrible, ya que el personaje robótico tiene un rol activo ante el destino que define los tipos heroicos y, así, la suerte de la humanidad. El tema se justifica por la actualidad de la distribución y consumo del cine en plataformas streaming, el cual representa un soporte eficaz para el texto mítico vivo y en circulación. Finalmente, ofrecemos la idea de que la eficacia del arquetipo que sustenta el texto fílmico se asienta más en los paradigmas míticos que en los científicos.Center for Research in Computing, Literature, and Linguistics (NuPILL)2020-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/7740010.5007/1807-9288.2020v16n2p171Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 171-193Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 171-193Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 171-1931807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCspahttps://periodicos.ufsc.br/index.php/textodigital/article/view/77400/45067Copyright (c) 2020 Hertz Wendel de Camargo, Luis Alberto Pérez-Amezcuahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCamargo, Hertz Wendel dePérez-Amezcua, Luis Alberto2020-12-22T21:32:02Zoai:periodicos.ufsc.br:article/77400Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2020-12-22T21:32:02Texto digital - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother” Máquina amable, madre terrible: mito y ciencia en imágenes arquetípicas del filme “I Am Mother” |
title |
Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother” |
spellingShingle |
Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother” Camargo, Hertz Wendel de |
title_short |
Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother” |
title_full |
Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother” |
title_fullStr |
Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother” |
title_full_unstemmed |
Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother” |
title_sort |
Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother” |
author |
Camargo, Hertz Wendel de |
author_facet |
Camargo, Hertz Wendel de Pérez-Amezcua, Luis Alberto |
author_role |
author |
author2 |
Pérez-Amezcua, Luis Alberto |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Camargo, Hertz Wendel de Pérez-Amezcua, Luis Alberto |
description |
We propose a reading of the film I Am Mother (2019), one of Netflix’s most celebrated contemporary fictional productions. Appealing to the concept of archetype, we analyze, through the perspective of cultural myth criticism, how the movie reconfigures the mytheme of the protective mother and also the one of the terrible mother, since the robotic character has an active role defining the heroic types and, therefore, the destiny of humankind. The subject is justified by the trend of the current distribution and consumption of cinema via streaming, which is a lived and effective format for the circulation of the mythic text. Finally, we offer the idea that the efficacy of the archetype in the filmic text lays down more on the mythical paradigms than on the scientific ones. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77400 10.5007/1807-9288.2020v16n2p171 |
url |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77400 |
identifier_str_mv |
10.5007/1807-9288.2020v16n2p171 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77400/45067 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Hertz Wendel de Camargo, Luis Alberto Pérez-Amezcua http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Hertz Wendel de Camargo, Luis Alberto Pérez-Amezcua http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
dc.source.none.fl_str_mv |
Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 171-193 Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 171-193 Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 171-193 1807-9288 reponame:Texto digital instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Texto digital |
collection |
Texto digital |
repository.name.fl_str_mv |
Texto digital - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
textodigital@cce.ufsc.br |
_version_ |
1797174793007529984 |