Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”

Detalhes bibliográficos
Autor(a) principal: Camargo, Hertz Wendel de
Data de Publicação: 2020
Outros Autores: Pérez-Amezcua, Luis Alberto
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Texto digital
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/77400
Resumo: We propose a reading of the film I Am Mother (2019), one of Netflix’s most celebrated contemporary fictional productions. Appealing to the concept of archetype, we analyze, through the perspective of cultural myth criticism, how the movie reconfigures the mytheme of the protective mother and also the one of the terrible mother, since the robotic character has an active role defining the heroic types and, therefore, the destiny of humankind. The subject is justified by the trend of the current distribution and consumption of cinema via streaming, which is a lived and effective format for the circulation of the mythic text. Finally, we offer the idea that the efficacy of the archetype in the filmic text lays down more on the mythical paradigms than on the scientific ones.
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spelling Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”Máquina amable, madre terrible: mito y ciencia en imágenes arquetípicas del filme “I Am Mother”We propose a reading of the film I Am Mother (2019), one of Netflix’s most celebrated contemporary fictional productions. Appealing to the concept of archetype, we analyze, through the perspective of cultural myth criticism, how the movie reconfigures the mytheme of the protective mother and also the one of the terrible mother, since the robotic character has an active role defining the heroic types and, therefore, the destiny of humankind. The subject is justified by the trend of the current distribution and consumption of cinema via streaming, which is a lived and effective format for the circulation of the mythic text. Finally, we offer the idea that the efficacy of the archetype in the filmic text lays down more on the mythical paradigms than on the scientific ones.Proponemos una lectura del filme I Am Mother (2019), una de las producciones de ficción contemporáneas más celebradas de Netflix. A partir del concepto de arquetipo, analizamos desde la perspectiva de la mitocrítica cultural cómo el filme reconfigura los mitemas de la madre protectora, pero también los de la madre terrible, ya que el personaje robótico tiene un rol activo ante el destino que define los tipos heroicos y, así, la suerte de la humanidad. El tema se justifica por la actualidad de la distribución y consumo del cine en plataformas streaming, el cual representa un soporte eficaz para el texto mítico vivo y en circulación. Finalmente, ofrecemos la idea de que la eficacia del arquetipo que sustenta el texto fílmico se asienta más en los paradigmas míticos que en los científicos.Center for Research in Computing, Literature, and Linguistics (NuPILL)2020-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/7740010.5007/1807-9288.2020v16n2p171Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 171-193Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 171-193Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 171-1931807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCspahttps://periodicos.ufsc.br/index.php/textodigital/article/view/77400/45067Copyright (c) 2020 Hertz Wendel de Camargo, Luis Alberto Pérez-Amezcuahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCamargo, Hertz Wendel dePérez-Amezcua, Luis Alberto2020-12-22T21:32:02Zoai:periodicos.ufsc.br:article/77400Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2020-12-22T21:32:02Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”
Máquina amable, madre terrible: mito y ciencia en imágenes arquetípicas del filme “I Am Mother”
title Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”
spellingShingle Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”
Camargo, Hertz Wendel de
title_short Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”
title_full Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”
title_fullStr Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”
title_full_unstemmed Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”
title_sort Kind machine, terrible mother: myth and science in archetypal images in the film “I Am Mother”
author Camargo, Hertz Wendel de
author_facet Camargo, Hertz Wendel de
Pérez-Amezcua, Luis Alberto
author_role author
author2 Pérez-Amezcua, Luis Alberto
author2_role author
dc.contributor.author.fl_str_mv Camargo, Hertz Wendel de
Pérez-Amezcua, Luis Alberto
description We propose a reading of the film I Am Mother (2019), one of Netflix’s most celebrated contemporary fictional productions. Appealing to the concept of archetype, we analyze, through the perspective of cultural myth criticism, how the movie reconfigures the mytheme of the protective mother and also the one of the terrible mother, since the robotic character has an active role defining the heroic types and, therefore, the destiny of humankind. The subject is justified by the trend of the current distribution and consumption of cinema via streaming, which is a lived and effective format for the circulation of the mythic text. Finally, we offer the idea that the efficacy of the archetype in the filmic text lays down more on the mythical paradigms than on the scientific ones.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/77400
10.5007/1807-9288.2020v16n2p171
url https://periodicos.ufsc.br/index.php/textodigital/article/view/77400
identifier_str_mv 10.5007/1807-9288.2020v16n2p171
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/77400/45067
dc.rights.driver.fl_str_mv Copyright (c) 2020 Hertz Wendel de Camargo, Luis Alberto Pérez-Amezcua
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Hertz Wendel de Camargo, Luis Alberto Pérez-Amezcua
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 171-193
Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 171-193
Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 171-193
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
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instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
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