Performance in the society of history: relations with document, information and memory

Detalhes bibliográficos
Autor(a) principal: Coelho, Ana Cláudia Lara dos Santos
Data de Publicação: 2019
Outros Autores: da Fonseca, Vitor Manoel Marques, de Souza, Elisabete Gonçalves
Tipo de documento: Artigo
Idioma: por
Título da fonte: Encontros Bibli
Texto Completo: https://periodicos.ufsc.br/index.php/eb/article/view/1518-2924.2019.e65042
Resumo: Objective: To discuss the approximations between the concepts of performance, document, information and memory, in order to identify possible contributions of the action and results of recording to this art form.Methods: Research of theoretical nature, based on the concepts presented by Paul Otlet and Suzanne Briet (document), Ana Maria Camargo and Heloísa Bellotto (records/archives),Michael Buckland (information), Renato Cohen, Peggy Phelan, Jorge Glusberg and Regina Melim (performance) and Pierre Nora and Ulpiano Meneses (memory).Results: The notion of classical documentalists, although enlarged, does not abdicate the physical / durable materiality of documents. As performance has no such materiality, it cannot be considered document. In the scope of archival science, the performance is understood as the activity of the artist, not being, therefore, document. With regard to information, performance fits into the information-as-knowledge type, since it is an event. Concerning memory, performance is confronted by two wishes: that of resisting the history society and the social need for knowledge and permanence.Conclusions: It is understood that the documents that record the performance, instead of compromising the identity of this artistic manifestation, can broaden its possibilities of existence and resistance in the society of history
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spelling Performance in the society of history: relations with document, information and memoryA performance na sociedade de História: relações com o documento, com a informação e com a memóriaPerformance Documento InformaçãoMemóriaSociedade de históriaPerformanceDocument Information Memory Society of historyObjective: To discuss the approximations between the concepts of performance, document, information and memory, in order to identify possible contributions of the action and results of recording to this art form.Methods: Research of theoretical nature, based on the concepts presented by Paul Otlet and Suzanne Briet (document), Ana Maria Camargo and Heloísa Bellotto (records/archives),Michael Buckland (information), Renato Cohen, Peggy Phelan, Jorge Glusberg and Regina Melim (performance) and Pierre Nora and Ulpiano Meneses (memory).Results: The notion of classical documentalists, although enlarged, does not abdicate the physical / durable materiality of documents. As performance has no such materiality, it cannot be considered document. In the scope of archival science, the performance is understood as the activity of the artist, not being, therefore, document. With regard to information, performance fits into the information-as-knowledge type, since it is an event. Concerning memory, performance is confronted by two wishes: that of resisting the history society and the social need for knowledge and permanence.Conclusions: It is understood that the documents that record the performance, instead of compromising the identity of this artistic manifestation, can broaden its possibilities of existence and resistance in the society of historyObjetivo: Discutir as aproximações entre os conceitos de performance, documento, informação e memória, a fim de identificar as possíveis contribuições da ação e dos resultados dos registros para essa forma de arte.Método: Pesquisa de natureza teórica, pautada nos conceitos apresentados por Paul Otlet e Suzanne Briet (documento), Ana Maria Camargo e Heloísa Bellotto (documento de arquivo), Michael Buckland (informação), Renato Cohen, Peggy Phelan, Jorge Glusberg e Regina Melim (performance) e  Pierre Nora e Ulpiano Meneses (memória).Resultado: A noção dos documentalistas clássicos, apesar de ampliada, não abdica da materialidade física/durável dos documentos. Como a performance não possui tal materialidade, não pode ser considerada documento. No âmbito da arquivologia, a performance é entendida como a atividade do artista, não sendo, portanto, documento. Com relação à informação, a performance se encaixa no tipo informação-como-conhecimento, já que é um evento. A respeito da memória, a performance é confrontada por dois anseios: o de resistir à sociedade de história e a necessidade social pelo conhecimento e pela permanência.Conclusões: Entende-se que os documentos gerados a partir da performance, ao invés de comprometerem  sua identidade, podem ampliar as possibilidades de existência e resistência dessa manifestação artística na sociedade de história.Departamento de Ciência da Informação – UFSC2019-09-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://periodicos.ufsc.br/index.php/eb/article/view/1518-2924.2019.e6504210.5007/1518-2924.2019.e65042Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; Vol. 24 No. 56 (2019); 01-17Encontros Bibli: revista electrónica de bibliotecología y ciencias de la información.; Vol. 24 Núm. 56 (2019); 01-17Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; v. 24 n. 56 (2019); 01-171518-2924reponame:Encontros Bibliinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/eb/article/view/1518-2924.2019.e65042/40793https://periodicos.ufsc.br/index.php/eb/article/view/1518-2924.2019.e65042/53740Copyright (c) 2019 Ana Cláudia Lara dos Santos Coelho, Vitor Manoel Marques da Fonseca, Elisabete Gonçalves de Souzahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCoelho, Ana Cláudia Lara dos Santosda Fonseca, Vitor Manoel Marquesde Souza, Elisabete Gonçalves2023-07-17T22:15:19Zoai:periodicos.ufsc.br:article/65042Revistahttps://periodicos.ufsc.br/index.php/eb/indexPUBhttps://periodicos.ufsc.br/index.php/eb/oaiencontrosbibli@contato.ufsc.br||portaldeperiodicos.bu@contato.ufsc.br1518-29241518-2924opendoar:2023-07-17T22:15:19Encontros Bibli - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Performance in the society of history: relations with document, information and memory
A performance na sociedade de História: relações com o documento, com a informação e com a memória
title Performance in the society of history: relations with document, information and memory
spellingShingle Performance in the society of history: relations with document, information and memory
Coelho, Ana Cláudia Lara dos Santos
Performance
Documento
Informação
Memória
Sociedade de história
Performance
Document
Information
Memory
Society of history
title_short Performance in the society of history: relations with document, information and memory
title_full Performance in the society of history: relations with document, information and memory
title_fullStr Performance in the society of history: relations with document, information and memory
title_full_unstemmed Performance in the society of history: relations with document, information and memory
title_sort Performance in the society of history: relations with document, information and memory
author Coelho, Ana Cláudia Lara dos Santos
author_facet Coelho, Ana Cláudia Lara dos Santos
da Fonseca, Vitor Manoel Marques
de Souza, Elisabete Gonçalves
author_role author
author2 da Fonseca, Vitor Manoel Marques
de Souza, Elisabete Gonçalves
author2_role author
author
dc.contributor.author.fl_str_mv Coelho, Ana Cláudia Lara dos Santos
da Fonseca, Vitor Manoel Marques
de Souza, Elisabete Gonçalves
dc.subject.por.fl_str_mv Performance
Documento
Informação
Memória
Sociedade de história
Performance
Document
Information
Memory
Society of history
topic Performance
Documento
Informação
Memória
Sociedade de história
Performance
Document
Information
Memory
Society of history
description Objective: To discuss the approximations between the concepts of performance, document, information and memory, in order to identify possible contributions of the action and results of recording to this art form.Methods: Research of theoretical nature, based on the concepts presented by Paul Otlet and Suzanne Briet (document), Ana Maria Camargo and Heloísa Bellotto (records/archives),Michael Buckland (information), Renato Cohen, Peggy Phelan, Jorge Glusberg and Regina Melim (performance) and Pierre Nora and Ulpiano Meneses (memory).Results: The notion of classical documentalists, although enlarged, does not abdicate the physical / durable materiality of documents. As performance has no such materiality, it cannot be considered document. In the scope of archival science, the performance is understood as the activity of the artist, not being, therefore, document. With regard to information, performance fits into the information-as-knowledge type, since it is an event. Concerning memory, performance is confronted by two wishes: that of resisting the history society and the social need for knowledge and permanence.Conclusions: It is understood that the documents that record the performance, instead of compromising the identity of this artistic manifestation, can broaden its possibilities of existence and resistance in the society of history
publishDate 2019
dc.date.none.fl_str_mv 2019-09-09
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/eb/article/view/1518-2924.2019.e65042
10.5007/1518-2924.2019.e65042
url https://periodicos.ufsc.br/index.php/eb/article/view/1518-2924.2019.e65042
identifier_str_mv 10.5007/1518-2924.2019.e65042
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/eb/article/view/1518-2924.2019.e65042/40793
https://periodicos.ufsc.br/index.php/eb/article/view/1518-2924.2019.e65042/53740
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.none.fl_str_mv Departamento de Ciência da Informação – UFSC
publisher.none.fl_str_mv Departamento de Ciência da Informação – UFSC
dc.source.none.fl_str_mv Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; Vol. 24 No. 56 (2019); 01-17
Encontros Bibli: revista electrónica de bibliotecología y ciencias de la información.; Vol. 24 Núm. 56 (2019); 01-17
Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; v. 24 n. 56 (2019); 01-17
1518-2924
reponame:Encontros Bibli
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Encontros Bibli
collection Encontros Bibli
repository.name.fl_str_mv Encontros Bibli - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv encontrosbibli@contato.ufsc.br||portaldeperiodicos.bu@contato.ufsc.br
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