The digital curation in the artistic and cultural context: reuse possibilities of Art data
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Encontros Bibli |
Texto Completo: | https://periodicos.ufsc.br/index.php/eb/article/view/74280 |
Resumo: | Objective: Through the initiative of various institutions, many cultural collections have been digitized, generating materialthat has great potential for reuse. These digital art data valuable assets that, stored in repositories in cultural institutions,need visibility and dynamism. This research seeks to identify what are the types of reuse performed in culturalinstitutions, based on the principles of Digital Curation.Methods: The research starts from a specific sample of aggregators / institutions present in Europeana Collections.From specific stipulated requirements, four institutions were selected. A survey of existing practices was carried out, aswell as its subsequent systematization into seven categories based on the Digital Curation literature, namely:Aggregations, Collaborative Space, Online Curation, Education, Scientific Research, Computer Applications andCommercial Services.Results: It was found that one of the four selected institutions practices all categories of reuse and the other institutionspractice three or more of the investigated activities. Sixteen types of reuse of art data were identified, such as: productionof materials derived from images, reinterpretations, fields for comments, algorithmic recommendation programmingthrough data provided by the visitor, online exhibitions with internal and external/collaborative curation, etc.Conclusions: The expansion to the digital world of the collections of cultural institutions results in new possibilities ofservices, products, entertainment, educational action and research. Moreover, they create a closer relationship andinteraction with the public, stimulating local visitation. That expansion provides contact with valuable collections, takingthe elite status away from large collections and promoting the visibility of collections of local cultures. It can also fosterthe creative industry and enhance the work of the information units belonging to cultural institutions. |
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The digital curation in the artistic and cultural context: reuse possibilities of Art dataCuradoria digital no contexto artístico e cultural: possibilidades de reuso de dados de arteCuradoria digitalReuso de acervocultural digitalInstituições culturais Objeto digital Dado de ArteDigital CurationReuse of digital cultural heritage collectionsCultural institutionsDigital object Art dataObjective: Through the initiative of various institutions, many cultural collections have been digitized, generating materialthat has great potential for reuse. These digital art data valuable assets that, stored in repositories in cultural institutions,need visibility and dynamism. This research seeks to identify what are the types of reuse performed in culturalinstitutions, based on the principles of Digital Curation.Methods: The research starts from a specific sample of aggregators / institutions present in Europeana Collections.From specific stipulated requirements, four institutions were selected. A survey of existing practices was carried out, aswell as its subsequent systematization into seven categories based on the Digital Curation literature, namely:Aggregations, Collaborative Space, Online Curation, Education, Scientific Research, Computer Applications andCommercial Services.Results: It was found that one of the four selected institutions practices all categories of reuse and the other institutionspractice three or more of the investigated activities. Sixteen types of reuse of art data were identified, such as: productionof materials derived from images, reinterpretations, fields for comments, algorithmic recommendation programmingthrough data provided by the visitor, online exhibitions with internal and external/collaborative curation, etc.Conclusions: The expansion to the digital world of the collections of cultural institutions results in new possibilities ofservices, products, entertainment, educational action and research. Moreover, they create a closer relationship andinteraction with the public, stimulating local visitation. That expansion provides contact with valuable collections, takingthe elite status away from large collections and promoting the visibility of collections of local cultures. It can also fosterthe creative industry and enhance the work of the information units belonging to cultural institutions.Objetivo: Por meio da iniciativa de várias instituições, muitos acervos culturais foram digitalizados, gerando material que possui grande potencial de reuso. A presente pesquisa busca identificar quais são os tipos de reuso realizados nas instituições culturais, com base nos princípios da curadoria digital. Método: A pesquisa parte de uma amostra específica dos agregadores/instituições presentes na Europeana Collections. A partir de requisitos específicos estipulados, quatro instituições foram selecionadas. Um levantamento das práticas existentes foi realizado, bem como sua posterior sistematização em sete categorias fundamentadas na literatura de curadoria digital, a saber: Agregações, Espaço Colaborativo, Curadoria Online, Educação, Pesquisa Científica, Aplicativos Computacionais e Serviços Comerciais. Resultado: Constatou-se que uma das quatro instituições selecionadas pratica todas as categorias de reuso e as demais instituições praticam três ou mais das atividades investigadas. Foram identificados dezesseis tipos de reuso de dados de arte, tais como: produção de materiais derivados de imagens, reinterpretações, campos para comentários, programação algorítmica de recomendação através de dados fornecidos pelo visitante, exposições online com curadoria interna e externa/colaborativa, entre outros. Conclusões: A expansão para o mundo digital das coleções das instituições culturais resulta em novas possibilidades em termos de serviços, produtos, entretenimento, ação educativa e pesquisa. Além disso, faz nascer uma maior aproximação e interação com o público, estimulando a visitação presencial. Propicia o contato com coleções de valor, criando uma “deselitização” dos grandes acervos e promovendo a visibilidade de coleções de culturas locais. Pode ainda fomentar a indústria criativa e valorizar o trabalho das unidades de informação pertencentes às instituições culturais.Departamento de Ciência da Informação – UFSC2020-10-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa Empírica de Campoapplication/pdftext/xmlhttps://periodicos.ufsc.br/index.php/eb/article/view/7428010.5007/1518-2924.2020.e74280Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; Vol. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21Encontros Bibli: revista electrónica de bibliotecología y ciencias de la información.; Vol. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; v. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-211518-2924reponame:Encontros Bibliinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/eb/article/view/74280/44534https://periodicos.ufsc.br/index.php/eb/article/view/74280/53792Copyright (c) 2020 Klara Martha Wanderley Freire, Luana Farias Sales, Luis Fernando Sayãohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFreire, Klara Martha WanderleySales, Luana FariasSayão, Luis Fernando2023-07-18T14:47:48Zoai:periodicos.ufsc.br:article/74280Revistahttps://periodicos.ufsc.br/index.php/eb/indexPUBhttps://periodicos.ufsc.br/index.php/eb/oaiencontrosbibli@contato.ufsc.br||portaldeperiodicos.bu@contato.ufsc.br1518-29241518-2924opendoar:2023-07-18T14:47:48Encontros Bibli - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
The digital curation in the artistic and cultural context: reuse possibilities of Art data Curadoria digital no contexto artístico e cultural: possibilidades de reuso de dados de arte |
title |
The digital curation in the artistic and cultural context: reuse possibilities of Art data |
spellingShingle |
The digital curation in the artistic and cultural context: reuse possibilities of Art data Freire, Klara Martha Wanderley Curadoria digital Reuso de acervocultural digital Instituições culturais Objeto digital Dado de Arte Digital Curation Reuse of digital cultural heritage collections Cultural institutions Digital object Art data |
title_short |
The digital curation in the artistic and cultural context: reuse possibilities of Art data |
title_full |
The digital curation in the artistic and cultural context: reuse possibilities of Art data |
title_fullStr |
The digital curation in the artistic and cultural context: reuse possibilities of Art data |
title_full_unstemmed |
The digital curation in the artistic and cultural context: reuse possibilities of Art data |
title_sort |
The digital curation in the artistic and cultural context: reuse possibilities of Art data |
author |
Freire, Klara Martha Wanderley |
author_facet |
Freire, Klara Martha Wanderley Sales, Luana Farias Sayão, Luis Fernando |
author_role |
author |
author2 |
Sales, Luana Farias Sayão, Luis Fernando |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Freire, Klara Martha Wanderley Sales, Luana Farias Sayão, Luis Fernando |
dc.subject.por.fl_str_mv |
Curadoria digital Reuso de acervocultural digital Instituições culturais Objeto digital Dado de Arte Digital Curation Reuse of digital cultural heritage collections Cultural institutions Digital object Art data |
topic |
Curadoria digital Reuso de acervocultural digital Instituições culturais Objeto digital Dado de Arte Digital Curation Reuse of digital cultural heritage collections Cultural institutions Digital object Art data |
description |
Objective: Through the initiative of various institutions, many cultural collections have been digitized, generating materialthat has great potential for reuse. These digital art data valuable assets that, stored in repositories in cultural institutions,need visibility and dynamism. This research seeks to identify what are the types of reuse performed in culturalinstitutions, based on the principles of Digital Curation.Methods: The research starts from a specific sample of aggregators / institutions present in Europeana Collections.From specific stipulated requirements, four institutions were selected. A survey of existing practices was carried out, aswell as its subsequent systematization into seven categories based on the Digital Curation literature, namely:Aggregations, Collaborative Space, Online Curation, Education, Scientific Research, Computer Applications andCommercial Services.Results: It was found that one of the four selected institutions practices all categories of reuse and the other institutionspractice three or more of the investigated activities. Sixteen types of reuse of art data were identified, such as: productionof materials derived from images, reinterpretations, fields for comments, algorithmic recommendation programmingthrough data provided by the visitor, online exhibitions with internal and external/collaborative curation, etc.Conclusions: The expansion to the digital world of the collections of cultural institutions results in new possibilities ofservices, products, entertainment, educational action and research. Moreover, they create a closer relationship andinteraction with the public, stimulating local visitation. That expansion provides contact with valuable collections, takingthe elite status away from large collections and promoting the visibility of collections of local cultures. It can also fosterthe creative industry and enhance the work of the information units belonging to cultural institutions. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-10-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Pesquisa Empírica de Campo |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/eb/article/view/74280 10.5007/1518-2924.2020.e74280 |
url |
https://periodicos.ufsc.br/index.php/eb/article/view/74280 |
identifier_str_mv |
10.5007/1518-2924.2020.e74280 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/eb/article/view/74280/44534 https://periodicos.ufsc.br/index.php/eb/article/view/74280/53792 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Klara Martha Wanderley Freire, Luana Farias Sales, Luis Fernando Sayão https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Klara Martha Wanderley Freire, Luana Farias Sales, Luis Fernando Sayão https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.none.fl_str_mv |
Departamento de Ciência da Informação – UFSC |
publisher.none.fl_str_mv |
Departamento de Ciência da Informação – UFSC |
dc.source.none.fl_str_mv |
Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; Vol. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21 Encontros Bibli: revista electrónica de bibliotecología y ciencias de la información.; Vol. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21 Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; v. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21 1518-2924 reponame:Encontros Bibli instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Encontros Bibli |
collection |
Encontros Bibli |
repository.name.fl_str_mv |
Encontros Bibli - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
encontrosbibli@contato.ufsc.br||portaldeperiodicos.bu@contato.ufsc.br |
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1797067778940731392 |