The digital curation in the artistic and cultural context: reuse possibilities of Art data

Detalhes bibliográficos
Autor(a) principal: Freire, Klara Martha Wanderley
Data de Publicação: 2020
Outros Autores: Sales, Luana Farias, Sayão, Luis Fernando
Tipo de documento: Artigo
Idioma: por
Título da fonte: Encontros Bibli
Texto Completo: https://periodicos.ufsc.br/index.php/eb/article/view/74280
Resumo: Objective: Through the initiative of various institutions, many cultural collections have been digitized, generating materialthat has great potential for reuse. These digital art data valuable assets that, stored in repositories in cultural institutions,need visibility and dynamism. This research seeks to identify what are the types of reuse performed in culturalinstitutions, based on the principles of Digital Curation.Methods: The research starts from a specific sample of aggregators / institutions present in Europeana Collections.From specific stipulated requirements, four institutions were selected. A survey of existing practices was carried out, aswell as its subsequent systematization into seven categories based on the Digital Curation literature, namely:Aggregations, Collaborative Space, Online Curation, Education, Scientific Research, Computer Applications andCommercial Services.Results: It was found that one of the four selected institutions practices all categories of reuse and the other institutionspractice three or more of the investigated activities. Sixteen types of reuse of art data were identified, such as: productionof materials derived from images, reinterpretations, fields for comments, algorithmic recommendation programmingthrough data provided by the visitor, online exhibitions with internal and external/collaborative curation, etc.Conclusions: The expansion to the digital world of the collections of cultural institutions results in new possibilities ofservices, products, entertainment, educational action and research. Moreover, they create a closer relationship andinteraction with the public, stimulating local visitation. That expansion provides contact with valuable collections, takingthe elite status away from large collections and promoting the visibility of collections of local cultures. It can also fosterthe creative industry and enhance the work of the information units belonging to cultural institutions.
id UFSC-29_a30b7bbad49dc9ac6534f97c398a4dc8
oai_identifier_str oai:periodicos.ufsc.br:article/74280
network_acronym_str UFSC-29
network_name_str Encontros Bibli
repository_id_str
spelling The digital curation in the artistic and cultural context: reuse possibilities of Art dataCuradoria digital no contexto artístico e cultural: possibilidades de reuso de dados de arteCuradoria digitalReuso de acervocultural digitalInstituições culturais Objeto digital Dado de ArteDigital CurationReuse of digital cultural heritage collectionsCultural institutionsDigital object Art dataObjective: Through the initiative of various institutions, many cultural collections have been digitized, generating materialthat has great potential for reuse. These digital art data valuable assets that, stored in repositories in cultural institutions,need visibility and dynamism. This research seeks to identify what are the types of reuse performed in culturalinstitutions, based on the principles of Digital Curation.Methods: The research starts from a specific sample of aggregators / institutions present in Europeana Collections.From specific stipulated requirements, four institutions were selected. A survey of existing practices was carried out, aswell as its subsequent systematization into seven categories based on the Digital Curation literature, namely:Aggregations, Collaborative Space, Online Curation, Education, Scientific Research, Computer Applications andCommercial Services.Results: It was found that one of the four selected institutions practices all categories of reuse and the other institutionspractice three or more of the investigated activities. Sixteen types of reuse of art data were identified, such as: productionof materials derived from images, reinterpretations, fields for comments, algorithmic recommendation programmingthrough data provided by the visitor, online exhibitions with internal and external/collaborative curation, etc.Conclusions: The expansion to the digital world of the collections of cultural institutions results in new possibilities ofservices, products, entertainment, educational action and research. Moreover, they create a closer relationship andinteraction with the public, stimulating local visitation. That expansion provides contact with valuable collections, takingthe elite status away from large collections and promoting the visibility of collections of local cultures. It can also fosterthe creative industry and enhance the work of the information units belonging to cultural institutions.Objetivo: Por meio da iniciativa de várias instituições, muitos acervos culturais foram digitalizados, gerando material que possui grande potencial de reuso. A presente pesquisa busca identificar quais são os tipos de reuso realizados nas instituições culturais, com base nos princípios da curadoria digital. Método: A pesquisa parte de uma amostra específica dos agregadores/instituições presentes na Europeana Collections. A partir de requisitos específicos estipulados, quatro instituições foram selecionadas. Um levantamento das práticas existentes foi realizado, bem como sua posterior sistematização em sete categorias fundamentadas na literatura de curadoria digital, a saber: Agregações, Espaço Colaborativo, Curadoria Online, Educação, Pesquisa Científica, Aplicativos Computacionais e Serviços Comerciais. Resultado: Constatou-se que uma das quatro instituições selecionadas pratica todas as categorias de reuso e as demais instituições praticam três ou mais das atividades investigadas. Foram identificados dezesseis tipos de reuso de dados de arte, tais como: produção de materiais derivados de imagens, reinterpretações, campos para comentários, programação algorítmica de recomendação através de dados fornecidos pelo visitante, exposições online com curadoria interna e externa/colaborativa, entre outros. Conclusões: A expansão para o mundo digital das coleções das instituições culturais resulta em novas possibilidades em termos de serviços, produtos, entretenimento, ação educativa e pesquisa. Além disso, faz nascer uma maior aproximação e interação com o público, estimulando a visitação presencial. Propicia o contato com coleções de valor, criando uma “deselitização” dos grandes acervos e promovendo a visibilidade de coleções de culturas locais. Pode ainda fomentar a indústria criativa e valorizar o trabalho das unidades de informação pertencentes às instituições culturais.Departamento de Ciência da Informação – UFSC2020-10-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa Empírica de Campoapplication/pdftext/xmlhttps://periodicos.ufsc.br/index.php/eb/article/view/7428010.5007/1518-2924.2020.e74280Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; Vol. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21Encontros Bibli: revista electrónica de bibliotecología y ciencias de la información.; Vol. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; v. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-211518-2924reponame:Encontros Bibliinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/eb/article/view/74280/44534https://periodicos.ufsc.br/index.php/eb/article/view/74280/53792Copyright (c) 2020 Klara Martha Wanderley Freire, Luana Farias Sales, Luis Fernando Sayãohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFreire, Klara Martha WanderleySales, Luana FariasSayão, Luis Fernando2023-07-18T14:47:48Zoai:periodicos.ufsc.br:article/74280Revistahttps://periodicos.ufsc.br/index.php/eb/indexPUBhttps://periodicos.ufsc.br/index.php/eb/oaiencontrosbibli@contato.ufsc.br||portaldeperiodicos.bu@contato.ufsc.br1518-29241518-2924opendoar:2023-07-18T14:47:48Encontros Bibli - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv The digital curation in the artistic and cultural context: reuse possibilities of Art data
Curadoria digital no contexto artístico e cultural: possibilidades de reuso de dados de arte
title The digital curation in the artistic and cultural context: reuse possibilities of Art data
spellingShingle The digital curation in the artistic and cultural context: reuse possibilities of Art data
Freire, Klara Martha Wanderley
Curadoria digital
Reuso de acervocultural digital
Instituições culturais
Objeto digital
Dado de Arte
Digital Curation
Reuse of digital cultural heritage collections
Cultural institutions
Digital object
Art data
title_short The digital curation in the artistic and cultural context: reuse possibilities of Art data
title_full The digital curation in the artistic and cultural context: reuse possibilities of Art data
title_fullStr The digital curation in the artistic and cultural context: reuse possibilities of Art data
title_full_unstemmed The digital curation in the artistic and cultural context: reuse possibilities of Art data
title_sort The digital curation in the artistic and cultural context: reuse possibilities of Art data
author Freire, Klara Martha Wanderley
author_facet Freire, Klara Martha Wanderley
Sales, Luana Farias
Sayão, Luis Fernando
author_role author
author2 Sales, Luana Farias
Sayão, Luis Fernando
author2_role author
author
dc.contributor.author.fl_str_mv Freire, Klara Martha Wanderley
Sales, Luana Farias
Sayão, Luis Fernando
dc.subject.por.fl_str_mv Curadoria digital
Reuso de acervocultural digital
Instituições culturais
Objeto digital
Dado de Arte
Digital Curation
Reuse of digital cultural heritage collections
Cultural institutions
Digital object
Art data
topic Curadoria digital
Reuso de acervocultural digital
Instituições culturais
Objeto digital
Dado de Arte
Digital Curation
Reuse of digital cultural heritage collections
Cultural institutions
Digital object
Art data
description Objective: Through the initiative of various institutions, many cultural collections have been digitized, generating materialthat has great potential for reuse. These digital art data valuable assets that, stored in repositories in cultural institutions,need visibility and dynamism. This research seeks to identify what are the types of reuse performed in culturalinstitutions, based on the principles of Digital Curation.Methods: The research starts from a specific sample of aggregators / institutions present in Europeana Collections.From specific stipulated requirements, four institutions were selected. A survey of existing practices was carried out, aswell as its subsequent systematization into seven categories based on the Digital Curation literature, namely:Aggregations, Collaborative Space, Online Curation, Education, Scientific Research, Computer Applications andCommercial Services.Results: It was found that one of the four selected institutions practices all categories of reuse and the other institutionspractice three or more of the investigated activities. Sixteen types of reuse of art data were identified, such as: productionof materials derived from images, reinterpretations, fields for comments, algorithmic recommendation programmingthrough data provided by the visitor, online exhibitions with internal and external/collaborative curation, etc.Conclusions: The expansion to the digital world of the collections of cultural institutions results in new possibilities ofservices, products, entertainment, educational action and research. Moreover, they create a closer relationship andinteraction with the public, stimulating local visitation. That expansion provides contact with valuable collections, takingthe elite status away from large collections and promoting the visibility of collections of local cultures. It can also fosterthe creative industry and enhance the work of the information units belonging to cultural institutions.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Pesquisa Empírica de Campo
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/eb/article/view/74280
10.5007/1518-2924.2020.e74280
url https://periodicos.ufsc.br/index.php/eb/article/view/74280
identifier_str_mv 10.5007/1518-2924.2020.e74280
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/eb/article/view/74280/44534
https://periodicos.ufsc.br/index.php/eb/article/view/74280/53792
dc.rights.driver.fl_str_mv Copyright (c) 2020 Klara Martha Wanderley Freire, Luana Farias Sales, Luis Fernando Sayão
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Klara Martha Wanderley Freire, Luana Farias Sales, Luis Fernando Sayão
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.none.fl_str_mv Departamento de Ciência da Informação – UFSC
publisher.none.fl_str_mv Departamento de Ciência da Informação – UFSC
dc.source.none.fl_str_mv Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; Vol. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21
Encontros Bibli: revista electrónica de bibliotecología y ciencias de la información.; Vol. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21
Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação; v. 25 (2020): SEM CIÊNCIA NÃO HÁ FUTURO; 01-21
1518-2924
reponame:Encontros Bibli
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Encontros Bibli
collection Encontros Bibli
repository.name.fl_str_mv Encontros Bibli - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv encontrosbibli@contato.ufsc.br||portaldeperiodicos.bu@contato.ufsc.br
_version_ 1797067778940731392