Gymnastics for all and the Bahia that is not seem
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Motrivivência (Florianópolis) |
Texto Completo: | https://periodicos.ufsc.br/index.php/motrivivencia/article/view/81117 |
Resumo: | This article, an experience report, exposes the choreographic process of a group of Gymnastics for All (GfA) from Bahia and its manifestations for new dynamics of the Afro-Bahian carnival movement and Bahian blackness - space of contestation, claim due to the need for recognition and transformations in the Salvadorian art scene. The registration of choreographies and their elaboration processes can help teachers and practitioners to identify the innumerable possibilities of GfA, its challenges, possibilities and dynamics of different groups and locations in the country. This report was based on the development of choreographic composition experienced by the GEGINBA group in its first participation in GfA festivals, the records of this process were used as a data source for this article and sought to contribute to the records of GfA choreographic processes in Brazil, being this the pioneer of this locality in the country. |
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Gymnastics for all and the Bahia that is not seemGimnasia para todos y la Bahia que no se veA ginástica para todos e a Bahia que não se vêThis article, an experience report, exposes the choreographic process of a group of Gymnastics for All (GfA) from Bahia and its manifestations for new dynamics of the Afro-Bahian carnival movement and Bahian blackness - space of contestation, claim due to the need for recognition and transformations in the Salvadorian art scene. The registration of choreographies and their elaboration processes can help teachers and practitioners to identify the innumerable possibilities of GfA, its challenges, possibilities and dynamics of different groups and locations in the country. This report was based on the development of choreographic composition experienced by the GEGINBA group in its first participation in GfA festivals, the records of this process were used as a data source for this article and sought to contribute to the records of GfA choreographic processes in Brazil, being this the pioneer of this locality in the country.El presente artículo, en forma de relato de experiencia, expone el proceso coreográfico de un grupo de Gimnasia para Todos (GPT) en Bahía y sus manifestaciones para las nuevas dinámicas del movimiento carnavalesco afro-bahiano y la negritud bahiana - espacio de contestación, reclamo por la necesidad de reconocimiento y transformaciones del panorama artístico salvadoreño. El registro de coreografías y sus procesos de elaboración pueden ayudar a docentes y practicantes a identificar las innumerables posibilidades de GPT, sus desafíos, posibilidades y dinámicas de diferentes colectivos y localizaciones del país. Este informe se basó en el desarrollo de la composición coreográfica experimentado por el grupo GEGINBA en su primera participación en festivales GPT, los registros de este proceso se utilizaron como fuente de datos para este artículo y buscó contribuir a los registros de los procesos coreográficos de GPT en Brasil, siendo este el pionero de esta localidad en el país.O presente artigo, em forma de um relato de experiência, expõe o processo coreográfico de um grupo de Ginástica para Todos (GPT) da Bahia e suas manifestações para novas dinâmicas do movimento afro-baiano do carnaval e negritude baiana – espaço de contestação, reivindicação pela necessidade de reconhecimento e de transformações na cena artística soteropolitana. O registro das coreografias e de seus processos de elaboração podem vir a auxiliar professores(as) e praticantes a identificar as inúmeras possibilidades da GPT, seus desafios, possibilidades e dinâmicas de diferentes grupos e localidades do país. Este relato se pautou no desenvolvimento de composição coreográfica experienciado pelo grupo GEGINBA em sua primeira participação em festivais de GPT, sendo os registros deste processo utilizados como fonte de dados para este artigo e buscou contribuir com os registros de processos coreográficos da GPT no Brasil, sendo este o pioneiro desta localidade do país.Universidade Federal de Santa Catarina2021-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/motrivivencia/article/view/8111710.5007/2175-8042.2021.e81117Motrivivência; v. 33 n. 64 (2021); 1-182175-80420103-4111reponame:Motrivivência (Florianópolis)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/motrivivencia/article/view/81117/47210Antualpa, Kizzy Fernandes Santos, Emilena Sousa dos Lima, Letícia Bartholomeu de QueirozNascimento, Vitória Lima info:eu-repo/semantics/openAccess2023-05-31T13:42:46Zoai:periodicos.ufsc.br:article/81117Revistahttp://www.periodicos.ufsc.br/index.php/motrivivenciaPUBhttps://periodicos.ufsc.br/index.php/motrivivencia/oai||giovani.pires@ufsc.br2175-80420103-4111opendoar:2023-05-31T13:42:46Motrivivência (Florianópolis) - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Gymnastics for all and the Bahia that is not seem Gimnasia para todos y la Bahia que no se ve A ginástica para todos e a Bahia que não se vê |
title |
Gymnastics for all and the Bahia that is not seem |
spellingShingle |
Gymnastics for all and the Bahia that is not seem Antualpa, Kizzy Fernandes |
title_short |
Gymnastics for all and the Bahia that is not seem |
title_full |
Gymnastics for all and the Bahia that is not seem |
title_fullStr |
Gymnastics for all and the Bahia that is not seem |
title_full_unstemmed |
Gymnastics for all and the Bahia that is not seem |
title_sort |
Gymnastics for all and the Bahia that is not seem |
author |
Antualpa, Kizzy Fernandes |
author_facet |
Antualpa, Kizzy Fernandes Santos, Emilena Sousa dos Lima, Letícia Bartholomeu de Queiroz Nascimento, Vitória Lima |
author_role |
author |
author2 |
Santos, Emilena Sousa dos Lima, Letícia Bartholomeu de Queiroz Nascimento, Vitória Lima |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Antualpa, Kizzy Fernandes Santos, Emilena Sousa dos Lima, Letícia Bartholomeu de Queiroz Nascimento, Vitória Lima |
description |
This article, an experience report, exposes the choreographic process of a group of Gymnastics for All (GfA) from Bahia and its manifestations for new dynamics of the Afro-Bahian carnival movement and Bahian blackness - space of contestation, claim due to the need for recognition and transformations in the Salvadorian art scene. The registration of choreographies and their elaboration processes can help teachers and practitioners to identify the innumerable possibilities of GfA, its challenges, possibilities and dynamics of different groups and locations in the country. This report was based on the development of choreographic composition experienced by the GEGINBA group in its first participation in GfA festivals, the records of this process were used as a data source for this article and sought to contribute to the records of GfA choreographic processes in Brazil, being this the pioneer of this locality in the country. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-08-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/motrivivencia/article/view/81117 10.5007/2175-8042.2021.e81117 |
url |
https://periodicos.ufsc.br/index.php/motrivivencia/article/view/81117 |
identifier_str_mv |
10.5007/2175-8042.2021.e81117 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/motrivivencia/article/view/81117/47210 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Motrivivência; v. 33 n. 64 (2021); 1-18 2175-8042 0103-4111 reponame:Motrivivência (Florianópolis) instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Motrivivência (Florianópolis) |
collection |
Motrivivência (Florianópolis) |
repository.name.fl_str_mv |
Motrivivência (Florianópolis) - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
||giovani.pires@ufsc.br |
_version_ |
1799875254417358848 |