One Day at a Time: The Political Limits of the Domestic Sitcom

Detalhes bibliográficos
Autor(a) principal: Carvalho, André
Data de Publicação: 2021
Outros Autores: Dantas Tenório Leite, Marília, da Cunha Nichele, Paola
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/75557
Resumo: Most critics argue that the television comedy One Day at a Time (2017), produced in the United States, is a progressive show, mainly due to its cast, its attempt at faithfully representing an ethnic minority, and its courage in advancing relevant, sensitive topics. In order to qualify such assumptions, we will review the history of the sitcom formula, particularly the genre often defined as domestic comedies of the 1970s, and argue that its formal constraints impose unsurmountable limits on a progressive agenda. Finally, we proceed with an aesthetic analysis of the first season, which further demonstrates that the genre’s need of family stability—what we call a hierarchy of values—compromises the dramatization of political content. We hope that by examining the genre’s history and analyzing the show’s aesthetic, we can contribute to a better understanding of its inherent shortcomings and compromises.
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spelling One Day at a Time: The Political Limits of the Domestic SitcomOne Day at a Time: os limites políticos da sitcom domésticaMost critics argue that the television comedy One Day at a Time (2017), produced in the United States, is a progressive show, mainly due to its cast, its attempt at faithfully representing an ethnic minority, and its courage in advancing relevant, sensitive topics. In order to qualify such assumptions, we will review the history of the sitcom formula, particularly the genre often defined as domestic comedies of the 1970s, and argue that its formal constraints impose unsurmountable limits on a progressive agenda. Finally, we proceed with an aesthetic analysis of the first season, which further demonstrates that the genre’s need of family stability—what we call a hierarchy of values—compromises the dramatization of political content. We hope that by examining the genre’s history and analyzing the show’s aesthetic, we can contribute to a better understanding of its inherent shortcomings and compromises.A maioria dos críticos argumenta que a comédia televisiva One Day at a Time I (2017), produzida nos Estados Unidos, é um programa progressista, principalmente devido ao seu elenco, sua tentativa de representar fielmente uma minoria étnica e sua coragem em avançar relevantes e sensíveis tópicos. A fim de qualificar tais suposições, revisaremos a história da fórmula da sitcom, particularmente o gênero freqüentemente definido como comédias domésticas dos anos 1970, e argumentaremos que suas restrições formais impõem limites intransponíveis em uma agenda progressista. Por fim, procedemos com uma análise estética da primeira temporada, a qual demonstra  que a necessidade do gênero por estabilidade familiar - o que chamamos de hierarquia de valores - compromete a dramatização do conteúdo político. Esperamos que, examinando a história do gênero e analisando a estética do programa, possamos contribuir para uma melhor compreensão de suas deficiências e compromissos inerentes.UFSC2021-01-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/7555710.5007/2175-8026.2021.e75557Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): LiteratureIlha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura2175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCenghttps://periodicos.ufsc.br/index.php/desterro/article/view/75557/45305Copyright (c) 2020 André Carvalho, Marília Dantas Tenório Leite, Paola da Cunha Nichilehttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCarvalho, AndréDantas Tenório Leite, Maríliada Cunha Nichele, Paola2021-01-28T02:23:10Zoai:periodicos.ufsc.br:article/75557Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2021-01-28T02:23:10Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv One Day at a Time: The Political Limits of the Domestic Sitcom
One Day at a Time: os limites políticos da sitcom doméstica
title One Day at a Time: The Political Limits of the Domestic Sitcom
spellingShingle One Day at a Time: The Political Limits of the Domestic Sitcom
Carvalho, André
title_short One Day at a Time: The Political Limits of the Domestic Sitcom
title_full One Day at a Time: The Political Limits of the Domestic Sitcom
title_fullStr One Day at a Time: The Political Limits of the Domestic Sitcom
title_full_unstemmed One Day at a Time: The Political Limits of the Domestic Sitcom
title_sort One Day at a Time: The Political Limits of the Domestic Sitcom
author Carvalho, André
author_facet Carvalho, André
Dantas Tenório Leite, Marília
da Cunha Nichele, Paola
author_role author
author2 Dantas Tenório Leite, Marília
da Cunha Nichele, Paola
author2_role author
author
dc.contributor.author.fl_str_mv Carvalho, André
Dantas Tenório Leite, Marília
da Cunha Nichele, Paola
description Most critics argue that the television comedy One Day at a Time (2017), produced in the United States, is a progressive show, mainly due to its cast, its attempt at faithfully representing an ethnic minority, and its courage in advancing relevant, sensitive topics. In order to qualify such assumptions, we will review the history of the sitcom formula, particularly the genre often defined as domestic comedies of the 1970s, and argue that its formal constraints impose unsurmountable limits on a progressive agenda. Finally, we proceed with an aesthetic analysis of the first season, which further demonstrates that the genre’s need of family stability—what we call a hierarchy of values—compromises the dramatization of political content. We hope that by examining the genre’s history and analyzing the show’s aesthetic, we can contribute to a better understanding of its inherent shortcomings and compromises.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/75557
10.5007/2175-8026.2021.e75557
url https://periodicos.ufsc.br/index.php/desterro/article/view/75557
identifier_str_mv 10.5007/2175-8026.2021.e75557
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/75557/45305
dc.rights.driver.fl_str_mv Copyright (c) 2020 André Carvalho, Marília Dantas Tenório Leite, Paola da Cunha Nichile
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 André Carvalho, Marília Dantas Tenório Leite, Paola da Cunha Nichile
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): Literature
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
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instname_str Universidade Federal de Santa Catarina (UFSC)
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reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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