Archive fever in Linden Hilss
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Ilha do Desterro |
Texto Completo: | https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p125 |
Resumo: | In this article we examine Gloria Naylor’s novel Linden Hills, articulating the concepts of the neoarchive and the neo-slave narrative with the notion of archive as proposed by Derrida (2001) and developed by other authors (Osborne,1999; Bradley,1999; Johnson, 2014) with whom we seek to dialogue in this space. Linden Hills’s counterdiscursive narrative revisits the past by excavating the palimpsest of forgotten memories, once unidentified or not compiled, thus establishing its relationship to the neo-slave narrative. We argue that the link between the neo-slave narrative and the archive is both concrete and productive, given that it foregrounds non-sanctioned archives as counternarratives to the historical archive (mainly, but not exclusively, that of slavery), through the articulation of history and both personal and collective memory – calling to question, in this way, colonizing documented history and its official guardians. |
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Archive fever in Linden HilssMal de Arquivo em Linden HillsIn this article we examine Gloria Naylor’s novel Linden Hills, articulating the concepts of the neoarchive and the neo-slave narrative with the notion of archive as proposed by Derrida (2001) and developed by other authors (Osborne,1999; Bradley,1999; Johnson, 2014) with whom we seek to dialogue in this space. Linden Hills’s counterdiscursive narrative revisits the past by excavating the palimpsest of forgotten memories, once unidentified or not compiled, thus establishing its relationship to the neo-slave narrative. We argue that the link between the neo-slave narrative and the archive is both concrete and productive, given that it foregrounds non-sanctioned archives as counternarratives to the historical archive (mainly, but not exclusively, that of slavery), through the articulation of history and both personal and collective memory – calling to question, in this way, colonizing documented history and its official guardians. Neste artigo, examinamos o romance Linden Hills, de Gloria Naylor, articulando os conceitos de neo-arquivo e a chamada neonarrativa de escravidão com a noção de arquivo proposta por Derrida (2001), e desenvolvida por autores com os quais buscamos o diálogo neste espaço (Osborne,1999; Bradley,1999; Johnson, 2014). A narrativa contradiscursiva de Linden Hills revisita o passado, através da escavação do palimpsesto de memórias individuais e coletivas, outrora esquecidas, não identificadas, estabelecendo, assim, seu parentesco com as neonarrativas. Entendemos que o vínculo da neonarrativa de escravidão com o arquivo, por sua vez, é bastante concreto e produtivo, pois traz a lume os arquivos não-sancionados que funcionam como contranarrativas ao arquivo histórico (sobretudo, mas não somente, o da escravidão), através da articulação da história com a memória, pessoal e coletiva – questionando, desta forma, a história documentada pelo colonizador e guardada por seus arcontes oficiais.UFSC2019-02-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p12510.5007/2175-8026.2019v72n1p125Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 72 No. 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies; 125-144Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 72 n. 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies; 125-1442175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p125/38384Copyright (c) 2019 Rita de Cássia Marinho de Paivainfo:eu-repo/semantics/openAccessde Paiva, Rita de Cássia MarinhoTorres, Sonia2019-02-01T08:29:25Zoai:periodicos.ufsc.br:article/56490Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2019-02-01T08:29:25Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Archive fever in Linden Hilss Mal de Arquivo em Linden Hills |
title |
Archive fever in Linden Hilss |
spellingShingle |
Archive fever in Linden Hilss de Paiva, Rita de Cássia Marinho |
title_short |
Archive fever in Linden Hilss |
title_full |
Archive fever in Linden Hilss |
title_fullStr |
Archive fever in Linden Hilss |
title_full_unstemmed |
Archive fever in Linden Hilss |
title_sort |
Archive fever in Linden Hilss |
author |
de Paiva, Rita de Cássia Marinho |
author_facet |
de Paiva, Rita de Cássia Marinho Torres, Sonia |
author_role |
author |
author2 |
Torres, Sonia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
de Paiva, Rita de Cássia Marinho Torres, Sonia |
description |
In this article we examine Gloria Naylor’s novel Linden Hills, articulating the concepts of the neoarchive and the neo-slave narrative with the notion of archive as proposed by Derrida (2001) and developed by other authors (Osborne,1999; Bradley,1999; Johnson, 2014) with whom we seek to dialogue in this space. Linden Hills’s counterdiscursive narrative revisits the past by excavating the palimpsest of forgotten memories, once unidentified or not compiled, thus establishing its relationship to the neo-slave narrative. We argue that the link between the neo-slave narrative and the archive is both concrete and productive, given that it foregrounds non-sanctioned archives as counternarratives to the historical archive (mainly, but not exclusively, that of slavery), through the articulation of history and both personal and collective memory – calling to question, in this way, colonizing documented history and its official guardians. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-02-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p125 10.5007/2175-8026.2019v72n1p125 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p125 |
identifier_str_mv |
10.5007/2175-8026.2019v72n1p125 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2019v72n1p125/38384 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Rita de Cássia Marinho de Paiva info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Rita de Cássia Marinho de Paiva |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSC |
publisher.none.fl_str_mv |
UFSC |
dc.source.none.fl_str_mv |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 72 No. 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies; 125-144 Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 72 n. 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies; 125-144 2175-8026 0101-4846 reponame:Ilha do Desterro instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Ilha do Desterro |
collection |
Ilha do Desterro |
repository.name.fl_str_mv |
Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com |
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1789434829029244928 |