Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin

Detalhes bibliográficos
Autor(a) principal: Maia, Mateus de Novaes
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/92413
Resumo: This article discusses the connections between the comics Ronin (1983-1984), by Frank Miller, and Cangaço Overdrive (2018), by Zé Wellington and Walter Geovani. Both works were pioneers in their connection with different artistic traditions — while Ronin anticipated the cyberpunk movement, Cangaço Overdrive articulated elements that would later make up sertãopunk before the movement took shape. Both have as their starting point the resurrection of a figure from a historic past in a dystopic future, but differ in the way in which they develop the relationship between these figures and the world to which they return in their temporal displacement — that is, they deal in a radically different way with the relation between past and future. Based on this comparison, it is argued that the superficial similarities between the two works are less significant to their joint analysis than their different apprehensions of late capitalism, expressive of the literary movements to which they are associated and their respective ideological frameworks.
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spelling Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s RoninDireto da Sarjeta: diálogos possíveis entre Cangaço Overdrive, de Zé Wellington e Walter Geovani, e Ronin, de Frank MillerSertãopunkCyberpunkComicsDystopiaHybridismSertãopunkCyberpunkQuadrinhosDistopiaHibridismoThis article discusses the connections between the comics Ronin (1983-1984), by Frank Miller, and Cangaço Overdrive (2018), by Zé Wellington and Walter Geovani. Both works were pioneers in their connection with different artistic traditions — while Ronin anticipated the cyberpunk movement, Cangaço Overdrive articulated elements that would later make up sertãopunk before the movement took shape. Both have as their starting point the resurrection of a figure from a historic past in a dystopic future, but differ in the way in which they develop the relationship between these figures and the world to which they return in their temporal displacement — that is, they deal in a radically different way with the relation between past and future. Based on this comparison, it is argued that the superficial similarities between the two works are less significant to their joint analysis than their different apprehensions of late capitalism, expressive of the literary movements to which they are associated and their respective ideological frameworks.O presente artigo discute as conexões entre as HQs Cangaço Overdrive (2018), de Zé Wellington e Walter Geovani e Ronin (1983-1984), de Frank Miller. As duas obras foram pioneiras em seu trânsito por diferentes tradições artísticas — enquanto Ronin antecipou o movimento cyberpunk, Cangaço Overdrive articulou elementos que configurariam o sertãopunk ainda antes do movimento tomar forma. Ambas também tomam como ponto de partida a ressurreição de uma figura de um passado heroico em um futuro distópico, mas se diferenciam na forma como desenvolvem a relação dessas figuras com o mundo ao qual elas retornam em seu deslocamento temporal — isto é, tratam de maneira radicalmente diversa a relação do passado com o futuro. Defende-se, a partir deste cotejo, que as semelhanças superficiais entre as obras são menos significativas em sua análise conjunta do que suas diferentes apreensões do capitalismo tardio, expressivas dos movimentos literários a que se associam e de seus respectivos quadros ideológicos.UFSC2023-08-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/9241310.5007/2175-8026.2023.e92413Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 76 No. 2 (2023): (Re)creating possible futures or alternative presents through the artsIlha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 76 n. 2 (2023): (Re)creating possible futures or alternative presents through the arts2175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/92413/54046Copyright (c) 2023 Mateus de Novaes Maiahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMaia, Mateus de Novaes2023-08-22T16:27:26Zoai:periodicos.ufsc.br:article/92413Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2023-08-22T16:27:26Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin
Direto da Sarjeta: diálogos possíveis entre Cangaço Overdrive, de Zé Wellington e Walter Geovani, e Ronin, de Frank Miller
title Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin
spellingShingle Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin
Maia, Mateus de Novaes
Sertãopunk
Cyberpunk
Comics
Dystopia
Hybridism
Sertãopunk
Cyberpunk
Quadrinhos
Distopia
Hibridismo
title_short Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin
title_full Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin
title_fullStr Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin
title_full_unstemmed Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin
title_sort Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin
author Maia, Mateus de Novaes
author_facet Maia, Mateus de Novaes
author_role author
dc.contributor.author.fl_str_mv Maia, Mateus de Novaes
dc.subject.por.fl_str_mv Sertãopunk
Cyberpunk
Comics
Dystopia
Hybridism
Sertãopunk
Cyberpunk
Quadrinhos
Distopia
Hibridismo
topic Sertãopunk
Cyberpunk
Comics
Dystopia
Hybridism
Sertãopunk
Cyberpunk
Quadrinhos
Distopia
Hibridismo
description This article discusses the connections between the comics Ronin (1983-1984), by Frank Miller, and Cangaço Overdrive (2018), by Zé Wellington and Walter Geovani. Both works were pioneers in their connection with different artistic traditions — while Ronin anticipated the cyberpunk movement, Cangaço Overdrive articulated elements that would later make up sertãopunk before the movement took shape. Both have as their starting point the resurrection of a figure from a historic past in a dystopic future, but differ in the way in which they develop the relationship between these figures and the world to which they return in their temporal displacement — that is, they deal in a radically different way with the relation between past and future. Based on this comparison, it is argued that the superficial similarities between the two works are less significant to their joint analysis than their different apprehensions of late capitalism, expressive of the literary movements to which they are associated and their respective ideological frameworks.
publishDate 2023
dc.date.none.fl_str_mv 2023-08-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/92413
10.5007/2175-8026.2023.e92413
url https://periodicos.ufsc.br/index.php/desterro/article/view/92413
identifier_str_mv 10.5007/2175-8026.2023.e92413
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/92413/54046
dc.rights.driver.fl_str_mv Copyright (c) 2023 Mateus de Novaes Maia
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Mateus de Novaes Maia
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 76 No. 2 (2023): (Re)creating possible futures or alternative presents through the arts
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 76 n. 2 (2023): (Re)creating possible futures or alternative presents through the arts
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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