One brazilian poet - Lindolf Bell

Detalhes bibliográficos
Autor(a) principal: Zenith, Richard
Data de Publicação: 1982
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/9392
Resumo: By his talents and intense activity, Lindolf Bell became the recognized leader of the Poetic Catechesis movement. Founded in 1964 in a defunct Sao Paulo nightclub, it quickly established itself as a major artistic current in Brazil. The movement is concerned not so much with the poem's form as with its role and diffusion in society. To fulfill the movement's original proposal to "take the poem to the people," poets declaimed their works in auditoriums, parks, streets, and other public places. They subsequently adopted visual means, such as "poster poems" and "poem shirts," which were mass produced to make them popularly accessible. It is nowadays common to see poems posted in Brazil's public squares and on building walls. The poets of the Catechesis movement insist that poetry be not only aesthetic but also ethical, a preoccupation which is evident in the social consciousness of their poetry as well as their missionary zeal in communicating it. Says Bell: "The poem product should be delivered to the consumer by all available means; the poet should be the revelatory instrument cf whatever is poetic in each man."
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spelling One brazilian poet - Lindolf BellOne brazilian poet - Lindolf BellBy his talents and intense activity, Lindolf Bell became the recognized leader of the Poetic Catechesis movement. Founded in 1964 in a defunct Sao Paulo nightclub, it quickly established itself as a major artistic current in Brazil. The movement is concerned not so much with the poem's form as with its role and diffusion in society. To fulfill the movement's original proposal to "take the poem to the people," poets declaimed their works in auditoriums, parks, streets, and other public places. They subsequently adopted visual means, such as "poster poems" and "poem shirts," which were mass produced to make them popularly accessible. It is nowadays common to see poems posted in Brazil's public squares and on building walls. The poets of the Catechesis movement insist that poetry be not only aesthetic but also ethical, a preoccupation which is evident in the social consciousness of their poetry as well as their missionary zeal in communicating it. Says Bell: "The poem product should be delivered to the consumer by all available means; the poet should be the revelatory instrument cf whatever is poetic in each man."By his talents and intense activity, Lindolf Bell became the recognized leader of the Poetic Catechesis movement. Founded in 1964 in a defunct Sao Paulo nightclub, it quickly established itself as a major artistic current in Brazil. The movement is concerned not so much with the poem's form as with its role and diffusion in society. To fulfill the movement's original proposal to "take the poem to the people," poets declaimed their works in auditoriums, parks, streets, and other public places. They subsequently adopted visual means, such as "poster poems" and "poem shirts," which were mass produced to make them popularly accessible. It is nowadays common to see poems posted in Brazil's public squares and on building walls. The poets of the Catechesis movement insist that poetry be not only aesthetic but also ethical, a preoccupation which is evident in the social consciousness of their poetry as well as their missionary zeal in communicating it. Says Bell: "The poem product should be delivered to the consumer by all available means; the poet should be the revelatory instrument cf whatever is poetic in each man."UFSC1982-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/9392Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 3 No. 8 (1982); 089-112Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 3 n. 8 (1982); 089-1122175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/9392/8646Copyright (c) 1982 Richard Zenithhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessZenith, Richard2022-12-06T12:17:42Zoai:periodicos.ufsc.br:article/9392Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2022-12-06T12:17:42Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv One brazilian poet - Lindolf Bell
One brazilian poet - Lindolf Bell
title One brazilian poet - Lindolf Bell
spellingShingle One brazilian poet - Lindolf Bell
Zenith, Richard
title_short One brazilian poet - Lindolf Bell
title_full One brazilian poet - Lindolf Bell
title_fullStr One brazilian poet - Lindolf Bell
title_full_unstemmed One brazilian poet - Lindolf Bell
title_sort One brazilian poet - Lindolf Bell
author Zenith, Richard
author_facet Zenith, Richard
author_role author
dc.contributor.author.fl_str_mv Zenith, Richard
description By his talents and intense activity, Lindolf Bell became the recognized leader of the Poetic Catechesis movement. Founded in 1964 in a defunct Sao Paulo nightclub, it quickly established itself as a major artistic current in Brazil. The movement is concerned not so much with the poem's form as with its role and diffusion in society. To fulfill the movement's original proposal to "take the poem to the people," poets declaimed their works in auditoriums, parks, streets, and other public places. They subsequently adopted visual means, such as "poster poems" and "poem shirts," which were mass produced to make them popularly accessible. It is nowadays common to see poems posted in Brazil's public squares and on building walls. The poets of the Catechesis movement insist that poetry be not only aesthetic but also ethical, a preoccupation which is evident in the social consciousness of their poetry as well as their missionary zeal in communicating it. Says Bell: "The poem product should be delivered to the consumer by all available means; the poet should be the revelatory instrument cf whatever is poetic in each man."
publishDate 1982
dc.date.none.fl_str_mv 1982-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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format article
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dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/9392
url https://periodicos.ufsc.br/index.php/desterro/article/view/9392
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/9392/8646
dc.rights.driver.fl_str_mv Copyright (c) 1982 Richard Zenith
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 1982 Richard Zenith
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 3 No. 8 (1982); 089-112
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 3 n. 8 (1982); 089-112
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
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instname_str Universidade Federal de Santa Catarina (UFSC)
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repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
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