Virginia woolf's criticism: towards theoretical assumptions on the art of fiction
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Publication Date: | 1990 |
Format: | Article |
Language: | por |
Source: | Ilha do Desterro |
Download full: | https://periodicos.ufsc.br/index.php/desterro/article/view/8789 |
Summary: | If in her practice as a fiction writer Virginia Woolf wrested the novel form from the prison-house of prevailing rules and onventions, as a literary critic she placed herself in a position that can be defined today as revolutionary. Revolutionary in the sense that her essays, for all their courage and daring, expressed a wilful break from the dominant critical discourse of her time as far as her views on the novel were concerned. In numerous reviews and essays in which she examined ither individual authors or particular literary works, Woolf revealed a deep concern with fiction and rendered her thoughts about what she conceived as being its relation to life, its scope, its form as well as about her notions of character and perspective, notions that obviously grew out of her very own fictional practice. |
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Virginia woolf's criticism: towards theoretical assumptions on the art of fictionVirginia woolf's criticism: towards theoretical assumptions on the art of fictionIf in her practice as a fiction writer Virginia Woolf wrested the novel form from the prison-house of prevailing rules and onventions, as a literary critic she placed herself in a position that can be defined today as revolutionary. Revolutionary in the sense that her essays, for all their courage and daring, expressed a wilful break from the dominant critical discourse of her time as far as her views on the novel were concerned. In numerous reviews and essays in which she examined ither individual authors or particular literary works, Woolf revealed a deep concern with fiction and rendered her thoughts about what she conceived as being its relation to life, its scope, its form as well as about her notions of character and perspective, notions that obviously grew out of her very own fictional practice.If in her practice as a fiction writer Virginia Woolf wrested the novel form from the prison-house of prevailing rules and onventions, as a literary critic she placed herself in a position that can be defined today as revolutionary. Revolutionary in the sense that her essays, for all their courage and daring, expressed a wilful break from the dominant critical discourse of her time as far as her views on the novel were concerned. In numerous reviews and essays in which she examined ither individual authors or particular literary works, Woolf revealed a deep concern with fiction and rendered her thoughts about what she conceived as being its relation to life, its scope, its form as well as about her notions of character and perspective, notions that obviously grew out of her very own fictional practice.UFSC1990-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/8789Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 24 (1990); 092-101Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 24 (1990); 092-1012175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/8789/8151Copyright (c) 1990 Rita Terezinha Schmidthttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSchmidt, Rita Terezinha2022-12-06T13:32:22Zoai:periodicos.ufsc.br:article/8789Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2022-12-06T13:32:22Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Virginia woolf's criticism: towards theoretical assumptions on the art of fiction |
title |
Virginia woolf's criticism: towards theoretical assumptions on the art of fiction |
spellingShingle |
Virginia woolf's criticism: towards theoretical assumptions on the art of fiction Schmidt, Rita Terezinha |
title_short |
Virginia woolf's criticism: towards theoretical assumptions on the art of fiction |
title_full |
Virginia woolf's criticism: towards theoretical assumptions on the art of fiction |
title_fullStr |
Virginia woolf's criticism: towards theoretical assumptions on the art of fiction |
title_full_unstemmed |
Virginia woolf's criticism: towards theoretical assumptions on the art of fiction |
title_sort |
Virginia woolf's criticism: towards theoretical assumptions on the art of fiction |
author |
Schmidt, Rita Terezinha |
author_facet |
Schmidt, Rita Terezinha |
author_role |
author |
dc.contributor.author.fl_str_mv |
Schmidt, Rita Terezinha |
description |
If in her practice as a fiction writer Virginia Woolf wrested the novel form from the prison-house of prevailing rules and onventions, as a literary critic she placed herself in a position that can be defined today as revolutionary. Revolutionary in the sense that her essays, for all their courage and daring, expressed a wilful break from the dominant critical discourse of her time as far as her views on the novel were concerned. In numerous reviews and essays in which she examined ither individual authors or particular literary works, Woolf revealed a deep concern with fiction and rendered her thoughts about what she conceived as being its relation to life, its scope, its form as well as about her notions of character and perspective, notions that obviously grew out of her very own fictional practice. |
publishDate |
1990 |
dc.date.none.fl_str_mv |
1990-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/8789 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/8789 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/8789/8151 |
dc.rights.driver.fl_str_mv |
Copyright (c) 1990 Rita Terezinha Schmidt http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 1990 Rita Terezinha Schmidt http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSC |
publisher.none.fl_str_mv |
UFSC |
dc.source.none.fl_str_mv |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 24 (1990); 092-101 Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 24 (1990); 092-101 2175-8026 0101-4846 reponame:Ilha do Desterro instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Ilha do Desterro |
collection |
Ilha do Desterro |
repository.name.fl_str_mv |
Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com |
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1789434818400878592 |