Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction
Autor(a) principal: | |
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Data de Publicação: | 2002 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Ilha do Desterro |
Texto Completo: | https://periodicos.ufsc.br/index.php/desterro/article/view/7460 |
Resumo: | Social scientists have argued that identity is a socially constructed phenomenon, responsive to considerations of place, power, and circumstance. Bharati Mukherjee writes about what she calls the cultural hybridization of the new America and explores, in violent and often grotesque contexts, aspects of the collisions between the Indian and American cultures. Mukherjee sets her texts against a background of intertwined, transnational economic activities and mass uprootings in the Third World. In her fiction, Mukherjee presents a new view of postmodern, globalized America, in which the notion of the Indian immigrant as global cosmopolitan adds a transformative element to American multiculturalism. |
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Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fictionRewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fictionSocial scientists have argued that identity is a socially constructed phenomenon, responsive to considerations of place, power, and circumstance. Bharati Mukherjee writes about what she calls the cultural hybridization of the new America and explores, in violent and often grotesque contexts, aspects of the collisions between the Indian and American cultures. Mukherjee sets her texts against a background of intertwined, transnational economic activities and mass uprootings in the Third World. In her fiction, Mukherjee presents a new view of postmodern, globalized America, in which the notion of the Indian immigrant as global cosmopolitan adds a transformative element to American multiculturalism.Os cientistas sociais argumentam que a identidade é um fenômeno socialmente construído, ligado, portanto, a questões de lugar, poder e a incidentes circunstanciais. Bharati Mukherjee escreve sobre o que denomina a hibridização cultural da nova América e explora, em contextos violentos e muitas vezes grotescos, aspectos do conflito entre as culturas indiana e americana. Mukherjee situa seus textos tendo como pano de fundo as imbricações das economias transnacionais e o deslocamento de grandes contingentes humanos do Terceiro Mundo. Em sua ficção, Mukherjee apresenta uma nova visão da América pósmoderna e globalizada, na qual a idéia de um imigrante indiano como um ser cosmopolita acrescenta um elemento transformador ao multiculturalismo americano.UFSC2002-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/7460Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 42 (2002); 275-290Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 42 (2002); 275-2902175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/7460/6841Copyright (c) 2002 Peonia Viana Guedeshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGuedes, Peonia Viana2022-12-07T11:41:31Zoai:periodicos.ufsc.br:article/7460Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2022-12-07T11:41:31Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction |
title |
Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction |
spellingShingle |
Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction Guedes, Peonia Viana |
title_short |
Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction |
title_full |
Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction |
title_fullStr |
Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction |
title_full_unstemmed |
Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction |
title_sort |
Rewriting paradigms of social and cultural identity: the new indian immigrant in bharati mukherjee’s fiction |
author |
Guedes, Peonia Viana |
author_facet |
Guedes, Peonia Viana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Guedes, Peonia Viana |
description |
Social scientists have argued that identity is a socially constructed phenomenon, responsive to considerations of place, power, and circumstance. Bharati Mukherjee writes about what she calls the cultural hybridization of the new America and explores, in violent and often grotesque contexts, aspects of the collisions between the Indian and American cultures. Mukherjee sets her texts against a background of intertwined, transnational economic activities and mass uprootings in the Third World. In her fiction, Mukherjee presents a new view of postmodern, globalized America, in which the notion of the Indian immigrant as global cosmopolitan adds a transformative element to American multiculturalism. |
publishDate |
2002 |
dc.date.none.fl_str_mv |
2002-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/7460 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/7460 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/7460/6841 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2002 Peonia Viana Guedes http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2002 Peonia Viana Guedes http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSC |
publisher.none.fl_str_mv |
UFSC |
dc.source.none.fl_str_mv |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 42 (2002); 275-290 Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 42 (2002); 275-290 2175-8026 0101-4846 reponame:Ilha do Desterro instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Ilha do Desterro |
collection |
Ilha do Desterro |
repository.name.fl_str_mv |
Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com |
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1799875274782801920 |