“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
Autor(a) principal: | |
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Data de Publicação: | 1999 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Ilha do Desterro |
Texto Completo: | https://periodicos.ufsc.br/index.php/desterro/article/view/8194 |
Resumo: | Peter Daubeny, founder-director of the World Theatre Season (WTS), selected Umabatha to open the ninth season at the Aldwych theatre on 3 April 1972. A prominent South African journalist envisaged the opening as “unquestionably the most dramatic happening in the history of South African theatre” (Reinhardt). The response was, for the WTS, unprecedented: every performance in the three-week run received a standing ovation, and box-office returns broke the record set by Peter Brook’s 1970 A Midsummer Night’s Dream (“Umabatha a sell-out”). Daubeny described the production as “the greatest hit of all [his] years of bringing exotic theatre to London” (qtd. in Baneshik). |
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“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu MacbethPeter Daubeny, founder-director of the World Theatre Season (WTS), selected Umabatha to open the ninth season at the Aldwych theatre on 3 April 1972. A prominent South African journalist envisaged the opening as “unquestionably the most dramatic happening in the history of South African theatre” (Reinhardt). The response was, for the WTS, unprecedented: every performance in the three-week run received a standing ovation, and box-office returns broke the record set by Peter Brook’s 1970 A Midsummer Night’s Dream (“Umabatha a sell-out”). Daubeny described the production as “the greatest hit of all [his] years of bringing exotic theatre to London” (qtd. in Baneshik).Peter Daubeny, founder-director of the World Theatre Season (WTS), selected Umabatha to open the ninth season at the Aldwych theatre on 3 April 1972. A prominent South African journalist envisaged the opening as “unquestionably the most dramatic happening in the history of South African theatre” (Reinhardt). The response was, for the WTS, unprecedented: every performance in the three-week run received a standing ovation, and box-office returns broke the record set by Peter Brook’s 1970 A Midsummer Night’s Dream (“Umabatha a sell-out”). Daubeny described the production as “the greatest hit of all [his] years of bringing exotic theatre to London” (qtd. in Baneshik).UFSC1999-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/8194Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 36 (1999); 309-335Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 36 (1999); 309-3352175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/8194/7548Copyright (c) 1999 Mervyn McMurtryhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMcMurtry, Mervyn2022-12-07T11:17:51Zoai:periodicos.ufsc.br:article/8194Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2022-12-07T11:17:51Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth |
title |
“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth |
spellingShingle |
“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth McMurtry, Mervyn |
title_short |
“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth |
title_full |
“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth |
title_fullStr |
“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth |
title_full_unstemmed |
“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth |
title_sort |
“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth |
author |
McMurtry, Mervyn |
author_facet |
McMurtry, Mervyn |
author_role |
author |
dc.contributor.author.fl_str_mv |
McMurtry, Mervyn |
description |
Peter Daubeny, founder-director of the World Theatre Season (WTS), selected Umabatha to open the ninth season at the Aldwych theatre on 3 April 1972. A prominent South African journalist envisaged the opening as “unquestionably the most dramatic happening in the history of South African theatre” (Reinhardt). The response was, for the WTS, unprecedented: every performance in the three-week run received a standing ovation, and box-office returns broke the record set by Peter Brook’s 1970 A Midsummer Night’s Dream (“Umabatha a sell-out”). Daubeny described the production as “the greatest hit of all [his] years of bringing exotic theatre to London” (qtd. in Baneshik). |
publishDate |
1999 |
dc.date.none.fl_str_mv |
1999-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/8194 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/8194 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/8194/7548 |
dc.rights.driver.fl_str_mv |
Copyright (c) 1999 Mervyn McMurtry http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 1999 Mervyn McMurtry http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSC |
publisher.none.fl_str_mv |
UFSC |
dc.source.none.fl_str_mv |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 36 (1999); 309-335 Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 36 (1999); 309-335 2175-8026 0101-4846 reponame:Ilha do Desterro instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Ilha do Desterro |
collection |
Ilha do Desterro |
repository.name.fl_str_mv |
Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com |
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1799875275207475200 |