“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth

Detalhes bibliográficos
Autor(a) principal: McMurtry, Mervyn
Data de Publicação: 1999
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/8194
Resumo: Peter Daubeny, founder-director of the World Theatre Season (WTS), selected Umabatha to open the ninth season at the Aldwych theatre on 3 April 1972. A prominent South African journalist envisaged the opening as “unquestionably the most dramatic happening in the history of South African theatre” (Reinhardt). The response was, for the WTS, unprecedented: every performance in the three-week run received a standing ovation, and box-office returns broke the record set by Peter Brook’s 1970 A Midsummer Night’s Dream (“Umabatha a sell-out”). Daubeny described the production as “the greatest hit of all [his] years of bringing exotic theatre to London” (qtd. in Baneshik).
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spelling “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu MacbethPeter Daubeny, founder-director of the World Theatre Season (WTS), selected Umabatha to open the ninth season at the Aldwych theatre on 3 April 1972. A prominent South African journalist envisaged the opening as “unquestionably the most dramatic happening in the history of South African theatre” (Reinhardt). The response was, for the WTS, unprecedented: every performance in the three-week run received a standing ovation, and box-office returns broke the record set by Peter Brook’s 1970 A Midsummer Night’s Dream (“Umabatha a sell-out”). Daubeny described the production as “the greatest hit of all [his] years of bringing exotic theatre to London” (qtd. in Baneshik).Peter Daubeny, founder-director of the World Theatre Season (WTS), selected Umabatha to open the ninth season at the Aldwych theatre on 3 April 1972. A prominent South African journalist envisaged the opening as “unquestionably the most dramatic happening in the history of South African theatre” (Reinhardt). The response was, for the WTS, unprecedented: every performance in the three-week run received a standing ovation, and box-office returns broke the record set by Peter Brook’s 1970 A Midsummer Night’s Dream (“Umabatha a sell-out”). Daubeny described the production as “the greatest hit of all [his] years of bringing exotic theatre to London” (qtd. in Baneshik).UFSC1999-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/8194Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 36 (1999); 309-335Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 36 (1999); 309-3352175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/8194/7548Copyright (c) 1999 Mervyn McMurtryhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMcMurtry, Mervyn2022-12-07T11:17:51Zoai:periodicos.ufsc.br:article/8194Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2022-12-07T11:17:51Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
title “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
spellingShingle “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
McMurtry, Mervyn
title_short “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
title_full “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
title_fullStr “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
title_full_unstemmed “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
title_sort “Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth
author McMurtry, Mervyn
author_facet McMurtry, Mervyn
author_role author
dc.contributor.author.fl_str_mv McMurtry, Mervyn
description Peter Daubeny, founder-director of the World Theatre Season (WTS), selected Umabatha to open the ninth season at the Aldwych theatre on 3 April 1972. A prominent South African journalist envisaged the opening as “unquestionably the most dramatic happening in the history of South African theatre” (Reinhardt). The response was, for the WTS, unprecedented: every performance in the three-week run received a standing ovation, and box-office returns broke the record set by Peter Brook’s 1970 A Midsummer Night’s Dream (“Umabatha a sell-out”). Daubeny described the production as “the greatest hit of all [his] years of bringing exotic theatre to London” (qtd. in Baneshik).
publishDate 1999
dc.date.none.fl_str_mv 1999-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/8194
url https://periodicos.ufsc.br/index.php/desterro/article/view/8194
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/8194/7548
dc.rights.driver.fl_str_mv Copyright (c) 1999 Mervyn McMurtry
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 1999 Mervyn McMurtry
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 36 (1999); 309-335
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 36 (1999); 309-335
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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