Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney

Detalhes bibliográficos
Autor(a) principal: Camati, Anna Stegh
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2010n58p113
Resumo: The contemporary debate regarding the new languages of the stage has developed into multiple directions. In Molly Sweeney (1994), Brian Friel rejects dramatic progression and interpersonal dialogue to privilege direct interaction with the audience that intensifies the production of presence. He combines conventional and postdramatic features in his presentation of alternating monologues by three speakers - Molly, Frank and Mr. Rice - whose solo voices create an allegory on the unwillingness of communication in our time. The emerging landscapes of the mind force the audience to deal with the indeterminacy of meaning, extending representation beyond dramatic action in the theatre.
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spelling Landscapes of the mind: postdramatic features in Brian Friel's Molly SweeneyThe contemporary debate regarding the new languages of the stage has developed into multiple directions. In Molly Sweeney (1994), Brian Friel rejects dramatic progression and interpersonal dialogue to privilege direct interaction with the audience that intensifies the production of presence. He combines conventional and postdramatic features in his presentation of alternating monologues by three speakers - Molly, Frank and Mr. Rice - whose solo voices create an allegory on the unwillingness of communication in our time. The emerging landscapes of the mind force the audience to deal with the indeterminacy of meaning, extending representation beyond dramatic action in the theatre.UFSC2010-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2010n58p11310.5007/2175-8026.2010n58p113Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 58 (2010); 113-133Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 58 (2010); 113-1332175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2010n58p113/15004Copyright (c) 2010 Anna Stegh Camatiinfo:eu-repo/semantics/openAccessCamati, Anna Stegh2022-11-21T14:16:39Zoai:periodicos.ufsc.br:article/16422Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2022-11-21T14:16:39Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
title Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
spellingShingle Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
Camati, Anna Stegh
title_short Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
title_full Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
title_fullStr Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
title_full_unstemmed Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
title_sort Landscapes of the mind: postdramatic features in Brian Friel's Molly Sweeney
author Camati, Anna Stegh
author_facet Camati, Anna Stegh
author_role author
dc.contributor.author.fl_str_mv Camati, Anna Stegh
description The contemporary debate regarding the new languages of the stage has developed into multiple directions. In Molly Sweeney (1994), Brian Friel rejects dramatic progression and interpersonal dialogue to privilege direct interaction with the audience that intensifies the production of presence. He combines conventional and postdramatic features in his presentation of alternating monologues by three speakers - Molly, Frank and Mr. Rice - whose solo voices create an allegory on the unwillingness of communication in our time. The emerging landscapes of the mind force the audience to deal with the indeterminacy of meaning, extending representation beyond dramatic action in the theatre.
publishDate 2010
dc.date.none.fl_str_mv 2010-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2010n58p113
10.5007/2175-8026.2010n58p113
url https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2010n58p113
identifier_str_mv 10.5007/2175-8026.2010n58p113
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2010n58p113/15004
dc.rights.driver.fl_str_mv Copyright (c) 2010 Anna Stegh Camati
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2010 Anna Stegh Camati
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 58 (2010); 113-133
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 58 (2010); 113-133
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
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instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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