TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGS

Detalhes bibliográficos
Autor(a) principal: Pinho, João Pedro
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/617
Resumo: In this article, I present an initial analysis of how I May Destroy You and Better Things bring stories and representations that, permeated by the identities of their creators-scriptwriters-protagonists Michaela Coel and Pamela Adlon, sustain a certain level of narrative autonomy (MENDES, 2008) by refusing representational, textual and structural standards propagated by the American television industry and its hegemonic productions. Continuing my research dedicated to semi-autobiographical series, I discuss how these transgression factors are also linked to the way an ultrapersonalist autofictionalization process is operationalized in the script of such productions, which has been proliferating more and more on TV.
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spelling TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGSSEMI-AUTOBIOGRAFIAS TELEVISIVAS E AUTONOMIA NARRATIVA: MODOS OUTROS DE CONTAR E REPRESENTAR NAS SÉRIES I MAY DESTROY YOU E BETTER THINGSficção seriada televisivaautoficçãonarrativatv showsautofictionnarrative studiesIn this article, I present an initial analysis of how I May Destroy You and Better Things bring stories and representations that, permeated by the identities of their creators-scriptwriters-protagonists Michaela Coel and Pamela Adlon, sustain a certain level of narrative autonomy (MENDES, 2008) by refusing representational, textual and structural standards propagated by the American television industry and its hegemonic productions. Continuing my research dedicated to semi-autobiographical series, I discuss how these transgression factors are also linked to the way an ultrapersonalist autofictionalization process is operationalized in the script of such productions, which has been proliferating more and more on TV.Neste artigo, trago uma análise inicial de como I May Destroy You e Better Things trazem histórias e representações que, atravessadas pelas identidades de suas criadoras-roteiristas-protagonistas Michaela Coel e Pamela Adlon, sustentam um certo nível de autonomia narrativa (MENDES, 2008) ao recusar padrões tanto representacionais quanto textuais e estruturais propagados pela indústria televisiva americana e suas produções hegemônicas. Dando continuidade à minha pesquisa dedicada a séries semi-autobiográficas, debato como esses fatores de transgressão estão ligados também à maneira como se operacionaliza um processo de autoficcionalização ultrapersonalista no roteiro de tais produções, que vem se proliferando cada vez mais na TV.UFSCar2021-11-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/61710.53450/2179-1465.RG.2021v12i2p101-127Revista GEMInIS; v. 12 n. 2 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 2; 101-127Revista GEMInIS; Vol. 12 No. 2 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 2; 101-127Revista GEMInIS; Vol. 12 Núm. 2 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 2; 101-1272179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/617/438Copyright (c) 2021 João Pedro Pinhoinfo:eu-repo/semantics/openAccessPinho, João Pedro2021-11-12T01:55:28Zoai:ojs.pkp.sfu.ca:article/617Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2021-11-12T01:55:28Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGS
SEMI-AUTOBIOGRAFIAS TELEVISIVAS E AUTONOMIA NARRATIVA: MODOS OUTROS DE CONTAR E REPRESENTAR NAS SÉRIES I MAY DESTROY YOU E BETTER THINGS
title TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGS
spellingShingle TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGS
Pinho, João Pedro
ficção seriada televisiva
autoficção
narrativa
tv shows
autofiction
narrative studies
title_short TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGS
title_full TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGS
title_fullStr TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGS
title_full_unstemmed TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGS
title_sort TELEVISION’S SEMI-AUTOBIOGRAPHIES AND NARRATIVE AUTONOMY: OTHER WAYS OF TELLING AND REPRESENTING IN I MAY DESTROY YOU AND BETTER THINGS
author Pinho, João Pedro
author_facet Pinho, João Pedro
author_role author
dc.contributor.author.fl_str_mv Pinho, João Pedro
dc.subject.por.fl_str_mv ficção seriada televisiva
autoficção
narrativa
tv shows
autofiction
narrative studies
topic ficção seriada televisiva
autoficção
narrativa
tv shows
autofiction
narrative studies
description In this article, I present an initial analysis of how I May Destroy You and Better Things bring stories and representations that, permeated by the identities of their creators-scriptwriters-protagonists Michaela Coel and Pamela Adlon, sustain a certain level of narrative autonomy (MENDES, 2008) by refusing representational, textual and structural standards propagated by the American television industry and its hegemonic productions. Continuing my research dedicated to semi-autobiographical series, I discuss how these transgression factors are also linked to the way an ultrapersonalist autofictionalization process is operationalized in the script of such productions, which has been proliferating more and more on TV.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/617
10.53450/2179-1465.RG.2021v12i2p101-127
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/617
identifier_str_mv 10.53450/2179-1465.RG.2021v12i2p101-127
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/617/438
dc.rights.driver.fl_str_mv Copyright (c) 2021 João Pedro Pinho
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 João Pedro Pinho
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 12 n. 2 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 2; 101-127
Revista GEMInIS; Vol. 12 No. 2 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 2; 101-127
Revista GEMInIS; Vol. 12 Núm. 2 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 2; 101-127
2179-1465
reponame:Revista GEMInIS
instname:Universidade Federal de São Carlos (UFSCAR)
instacron:UFSCAR
instname_str Universidade Federal de São Carlos (UFSCAR)
instacron_str UFSCAR
institution UFSCAR
reponame_str Revista GEMInIS
collection Revista GEMInIS
repository.name.fl_str_mv Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)
repository.mail.fl_str_mv ||revista.geminisufscar@gmail.com
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