Conversations about transmedia storytelling: productive alternatives - Interview with Rafael Nunes

Detalhes bibliográficos
Autor(a) principal: Castilho, Fernanda
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/198
Resumo: Rafael Antunes recently realized in Portugal projects of fiction oriented by the transmedia logic applied to storytelling. Both Blue Pencil and Mutter were able to have an impact on the Portuguese media, but the producer admits that there is still a great chasm between the transmediation projects and the logic of traditional film and television production. Rafael Antunes is part of the CIAKL project, European course in entrepreneurship for the creative industries, which involves several European Universities and companies in the field in search of new business models for the creative industries. In addition, he has developed his PhD in Communication Sciences at the Lusophone University of Humanities and Technologies, an institution that has supported the development of his projects in conjunction with the SIC (Independent Communication Society), in which he has been working since 2001. His The curriculum also counts on the realization of short films awarded by Portuguese festivals.
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spelling Conversations about transmedia storytelling: productive alternatives - Interview with Rafael NunesConversas sobre transmedia storytelling: alternativas produtivas - Entrevista com Rafael Nunesportugaltransmediamodelos de negócioRafael Antunes recently realized in Portugal projects of fiction oriented by the transmedia logic applied to storytelling. Both Blue Pencil and Mutter were able to have an impact on the Portuguese media, but the producer admits that there is still a great chasm between the transmediation projects and the logic of traditional film and television production. Rafael Antunes is part of the CIAKL project, European course in entrepreneurship for the creative industries, which involves several European Universities and companies in the field in search of new business models for the creative industries. In addition, he has developed his PhD in Communication Sciences at the Lusophone University of Humanities and Technologies, an institution that has supported the development of his projects in conjunction with the SIC (Independent Communication Society), in which he has been working since 2001. His The curriculum also counts on the realization of short films awarded by Portuguese festivals.Rafael Antunes realizou recentemente em Portugal projetos de ficção orientados pela lógica transmedia aplicada ao storytelling. Tanto Lápis Azul como Mutter conseguiram ter impacto na mídia portuguesa, mas o produtor admite que ainda existe um grande abismo entre os projetos transmídia e a lógica de produção tradicional do cinema e da televisão. Rafael Antunes integra o projeto CIAKL, European course in entrepreneurship for the creative industries, que envolve várias Universidades Europeias e empresas do ramo na procura de novos modelos de negócio para as indústrias criativas. Para além disso, desenvolve o seu doutoramento em Ciências da Comunicação na Universidade Lusófona de Humanidades e Tecnologias, instituição que tem apoiado o desenvolvimento dos seus projetos em conjunto com a emissora SIC (Sociedade Independente de Comunicação), na qual trabalha desde 2001. O seu currículo ainda conta com a realização de curtas-metragens premiados por festivais portugueses.UFSCar2014-07-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/198Revista GEMInIS; v. 5 n. 2 (2014): Televisão e Convergências; 204-209Revista GEMInIS; Vol. 5 No. 2 (2014): Televisão e Convergências; 204-209Revista GEMInIS; Vol. 5 Núm. 2 (2014): Televisão e Convergências; 204-2092179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/198/167Castilho, Fernandainfo:eu-repo/semantics/openAccess2020-08-10T20:11:18Zoai:ojs.pkp.sfu.ca:article/198Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:11:18Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv Conversations about transmedia storytelling: productive alternatives - Interview with Rafael Nunes
Conversas sobre transmedia storytelling: alternativas produtivas - Entrevista com Rafael Nunes
title Conversations about transmedia storytelling: productive alternatives - Interview with Rafael Nunes
spellingShingle Conversations about transmedia storytelling: productive alternatives - Interview with Rafael Nunes
Castilho, Fernanda
portugal
transmedia
modelos de negócio
title_short Conversations about transmedia storytelling: productive alternatives - Interview with Rafael Nunes
title_full Conversations about transmedia storytelling: productive alternatives - Interview with Rafael Nunes
title_fullStr Conversations about transmedia storytelling: productive alternatives - Interview with Rafael Nunes
title_full_unstemmed Conversations about transmedia storytelling: productive alternatives - Interview with Rafael Nunes
title_sort Conversations about transmedia storytelling: productive alternatives - Interview with Rafael Nunes
author Castilho, Fernanda
author_facet Castilho, Fernanda
author_role author
dc.contributor.author.fl_str_mv Castilho, Fernanda
dc.subject.por.fl_str_mv portugal
transmedia
modelos de negócio
topic portugal
transmedia
modelos de negócio
description Rafael Antunes recently realized in Portugal projects of fiction oriented by the transmedia logic applied to storytelling. Both Blue Pencil and Mutter were able to have an impact on the Portuguese media, but the producer admits that there is still a great chasm between the transmediation projects and the logic of traditional film and television production. Rafael Antunes is part of the CIAKL project, European course in entrepreneurship for the creative industries, which involves several European Universities and companies in the field in search of new business models for the creative industries. In addition, he has developed his PhD in Communication Sciences at the Lusophone University of Humanities and Technologies, an institution that has supported the development of his projects in conjunction with the SIC (Independent Communication Society), in which he has been working since 2001. His The curriculum also counts on the realization of short films awarded by Portuguese festivals.
publishDate 2014
dc.date.none.fl_str_mv 2014-07-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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format article
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dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/198
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/198
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/198/167
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 5 n. 2 (2014): Televisão e Convergências; 204-209
Revista GEMInIS; Vol. 5 No. 2 (2014): Televisão e Convergências; 204-209
Revista GEMInIS; Vol. 5 Núm. 2 (2014): Televisão e Convergências; 204-209
2179-1465
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