Narrative unfolding, cognition, and the complex transmissive reception of fans in our times

Detalhes bibliográficos
Autor(a) principal: Marlet, Ramon Queiroz
Data de Publicação: 2014
Outros Autores: Batista, Leandro Leonardo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/203
Resumo: This article aims to cognitively study the transmissive reception from the narrative unfoldings elaborated by the fans themselves, who interact virtually with their peers in communities of online discussion forums. Fan communities, or Fandom, carry a series of elements that converge around a work already chosen by the public (Miranda, 2009), in the case analyzed, the narratives of "The Hobbit" and "Lord of the Rings" by JRR Tolkien , which have recently won their cinematic versions, and which also constitute their fictional universes transmídias through platforms like games, RPGs, animations, among others. In this process, we aim to observe apoliphonia of meanings and voices produced by its different interpretations, besides the anchoring, adjustment and associative activations made in the discussion of different hypotheses formulated through the initial source material.
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spelling Narrative unfolding, cognition, and the complex transmissive reception of fans in our timesDesdobramentos narrativos, cognição e a complexa recepção transmidiática dos fãs em nossa atualidadeStorytelling transmídiaCogniçãoRecepçãoAncoragemPolifoniaThis article aims to cognitively study the transmissive reception from the narrative unfoldings elaborated by the fans themselves, who interact virtually with their peers in communities of online discussion forums. Fan communities, or Fandom, carry a series of elements that converge around a work already chosen by the public (Miranda, 2009), in the case analyzed, the narratives of "The Hobbit" and "Lord of the Rings" by JRR Tolkien , which have recently won their cinematic versions, and which also constitute their fictional universes transmídias through platforms like games, RPGs, animations, among others. In this process, we aim to observe apoliphonia of meanings and voices produced by its different interpretations, besides the anchoring, adjustment and associative activations made in the discussion of different hypotheses formulated through the initial source material.O presente artigo visa estudar cognitivamente a recepção transmidiática a partir dos desdobramentosnarrativos elaborados pelos próprios fãs, que interagem virtualmente com seus pares em comunidadesde fóruns de discussão online. As comunidades de fãs, ou Fandom, comportam uma série de elementosque convergem em torno de uma obra já escolhida pelo público (Miranda, 2009), no caso analisado, asnarrativas de “O Hobbit” e “O Senhor dos Anéis”, de J. R. R. Tolkien, que ganharam suas versões cinematográficasrecentemente, e que também constituem seus universos ficcionais transmídias atravésde plataformas como games, RPG, animações, entre outros. Neste processo, objetivamos observar apolifonia de sentidos e vozes produzida por suas diferentes interpretações, além da ancoragem, ajustamentose ativações associativas feitas na discussão de diferentes hipóteses formuladas através domaterial fonte inicial.UFSCar2014-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/203Revista GEMInIS; v. 5 n. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 47-62Revista GEMInIS; Vol. 5 No. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 47-62Revista GEMInIS; Vol. 5 Núm. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 47-622179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/203/173Marlet, Ramon QueirozBatista, Leandro Leonardoinfo:eu-repo/semantics/openAccess2020-08-10T20:11:15Zoai:ojs.pkp.sfu.ca:article/203Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:11:15Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv Narrative unfolding, cognition, and the complex transmissive reception of fans in our times
Desdobramentos narrativos, cognição e a complexa recepção transmidiática dos fãs em nossa atualidade
title Narrative unfolding, cognition, and the complex transmissive reception of fans in our times
spellingShingle Narrative unfolding, cognition, and the complex transmissive reception of fans in our times
Marlet, Ramon Queiroz
Storytelling transmídia
Cognição
Recepção
Ancoragem
Polifonia
title_short Narrative unfolding, cognition, and the complex transmissive reception of fans in our times
title_full Narrative unfolding, cognition, and the complex transmissive reception of fans in our times
title_fullStr Narrative unfolding, cognition, and the complex transmissive reception of fans in our times
title_full_unstemmed Narrative unfolding, cognition, and the complex transmissive reception of fans in our times
title_sort Narrative unfolding, cognition, and the complex transmissive reception of fans in our times
author Marlet, Ramon Queiroz
author_facet Marlet, Ramon Queiroz
Batista, Leandro Leonardo
author_role author
author2 Batista, Leandro Leonardo
author2_role author
dc.contributor.author.fl_str_mv Marlet, Ramon Queiroz
Batista, Leandro Leonardo
dc.subject.por.fl_str_mv Storytelling transmídia
Cognição
Recepção
Ancoragem
Polifonia
topic Storytelling transmídia
Cognição
Recepção
Ancoragem
Polifonia
description This article aims to cognitively study the transmissive reception from the narrative unfoldings elaborated by the fans themselves, who interact virtually with their peers in communities of online discussion forums. Fan communities, or Fandom, carry a series of elements that converge around a work already chosen by the public (Miranda, 2009), in the case analyzed, the narratives of "The Hobbit" and "Lord of the Rings" by JRR Tolkien , which have recently won their cinematic versions, and which also constitute their fictional universes transmídias through platforms like games, RPGs, animations, among others. In this process, we aim to observe apoliphonia of meanings and voices produced by its different interpretations, besides the anchoring, adjustment and associative activations made in the discussion of different hypotheses formulated through the initial source material.
publishDate 2014
dc.date.none.fl_str_mv 2014-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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format article
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dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/203
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/203
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/203/173
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 5 n. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 47-62
Revista GEMInIS; Vol. 5 No. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 47-62
Revista GEMInIS; Vol. 5 Núm. 3 (2014): Jornada Internacional GEMInIS (JIG 2014): Entretenimento Transmídia; 47-62
2179-1465
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