WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICS

Detalhes bibliográficos
Autor(a) principal: Garcia, Yuri
Data de Publicação: 2021
Outros Autores: Lima, Ellen Alves
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/588
Resumo: Wonder Woman (2017) emerges as a film that portrays a female protagonist in a markedly male universe. With one of the biggest box office of the year, it presents itself as an advance of the space occupied by women in the cinematographic medium. In 2019, Captain Marvel retrieves this achievement and advances the agenda on representativeness with greater creative liberty and more female professionals in her production. The aim of this article is to analyze the issues related to female representativeness and protagonism in these works that appear as an important stage in a process of conquering space for women in films based on Comics.
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spelling WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICSMULHER MARAVILHA (2017) E CAPITÃ MARVEL (2019): A REPRESENTAÇÃO DA PROTAGONISTA FEMININA NO UNIVERSO CINEMATOGRÁFICO DAS HQSMulher MaravilhaCapitã MarvelRepresentatividadeWonder WomanCaptain MarvelRepresentativenessWonder Woman (2017) emerges as a film that portrays a female protagonist in a markedly male universe. With one of the biggest box office of the year, it presents itself as an advance of the space occupied by women in the cinematographic medium. In 2019, Captain Marvel retrieves this achievement and advances the agenda on representativeness with greater creative liberty and more female professionals in her production. The aim of this article is to analyze the issues related to female representativeness and protagonism in these works that appear as an important stage in a process of conquering space for women in films based on Comics.Mulher Maravilha (2017) surge como um filme que retrata uma protagonista feminina em um universo marcadamente masculino. Com uma das maiores bilheterias do ano, se apresenta como um avanço do espaço ocupado pelas mulheres no meio cinematográfico. Em 2019, Capitã Marvel retoma essa conquista e avança na pauta sobre representatividade com maior liberdade criativa e mais profissionais femininas em sua produção. O objetivo desse artigo é analisar as questões relativas à representatividade e protagonismo feminino nessas obras que surgem como uma importante etapa em um processo de conquista de espaço para as mulheres nos filmes baseados em Histórias em Quadrinhos.UFSCar2021-06-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/58810.53450/2179-1465.RG.2021v12i1p116-133Revista GEMInIS; v. 12 n. 1 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 1; 116-133Revista GEMInIS; Vol. 12 No. 1 (2021): Challenges, Trends and Research: Audiovisual Scripts - Part 1; 116-133Revista GEMInIS; Vol. 12 Núm. 1 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 1; 116-1332179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/588/412Copyright (c) 2021 Yuri Garcia, Ellen Alves Limainfo:eu-repo/semantics/openAccessGarcia, YuriLima, Ellen Alves2021-10-31T18:37:36Zoai:ojs.pkp.sfu.ca:article/588Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2021-10-31T18:37:36Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICS
MULHER MARAVILHA (2017) E CAPITÃ MARVEL (2019): A REPRESENTAÇÃO DA PROTAGONISTA FEMININA NO UNIVERSO CINEMATOGRÁFICO DAS HQS
title WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICS
spellingShingle WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICS
Garcia, Yuri
Mulher Maravilha
Capitã Marvel
Representatividade
Wonder Woman
Captain Marvel
Representativeness
title_short WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICS
title_full WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICS
title_fullStr WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICS
title_full_unstemmed WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICS
title_sort WONDER WOMAN (2017) AND CAPTAIN MARVEL (2019): THE REPRESENTATION OF THE FEMALE PROTAGONIST IN THE CINEMATOGRAPHIC UNIVERSE OF COMICS
author Garcia, Yuri
author_facet Garcia, Yuri
Lima, Ellen Alves
author_role author
author2 Lima, Ellen Alves
author2_role author
dc.contributor.author.fl_str_mv Garcia, Yuri
Lima, Ellen Alves
dc.subject.por.fl_str_mv Mulher Maravilha
Capitã Marvel
Representatividade
Wonder Woman
Captain Marvel
Representativeness
topic Mulher Maravilha
Capitã Marvel
Representatividade
Wonder Woman
Captain Marvel
Representativeness
description Wonder Woman (2017) emerges as a film that portrays a female protagonist in a markedly male universe. With one of the biggest box office of the year, it presents itself as an advance of the space occupied by women in the cinematographic medium. In 2019, Captain Marvel retrieves this achievement and advances the agenda on representativeness with greater creative liberty and more female professionals in her production. The aim of this article is to analyze the issues related to female representativeness and protagonism in these works that appear as an important stage in a process of conquering space for women in films based on Comics.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/588
10.53450/2179-1465.RG.2021v12i1p116-133
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/588
identifier_str_mv 10.53450/2179-1465.RG.2021v12i1p116-133
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/588/412
dc.rights.driver.fl_str_mv Copyright (c) 2021 Yuri Garcia, Ellen Alves Lima
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Yuri Garcia, Ellen Alves Lima
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 12 n. 1 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 1; 116-133
Revista GEMInIS; Vol. 12 No. 1 (2021): Challenges, Trends and Research: Audiovisual Scripts - Part 1; 116-133
Revista GEMInIS; Vol. 12 Núm. 1 (2021): Desafios, Tendências e Pesquisas: Roteiros Audiovisuais - Parte 1; 116-133
2179-1465
reponame:Revista GEMInIS
instname:Universidade Federal de São Carlos (UFSCAR)
instacron:UFSCAR
instname_str Universidade Federal de São Carlos (UFSCAR)
instacron_str UFSCAR
institution UFSCAR
reponame_str Revista GEMInIS
collection Revista GEMInIS
repository.name.fl_str_mv Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)
repository.mail.fl_str_mv ||revista.geminisufscar@gmail.com
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