AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES.
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/482 |
Resumo: | This paper is a report about research experiments on permanent technological questions in audiovisual environments and their effects in space and time, inspired by the ideas of Harold A. Innis. These experiments aim to organize notes on intersections and convergencies between technological patterns stablished by the moving pictures, dealing with ruptures that guides to the establishment of new technological environments as characteristics of the contemporary audiovisual space. The purpose is to identify technological milestones and their consequences in order to organize reflections about changes in the dynamics of production and circulation audiovisual systems. |
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AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES.Tecnologias audiovisuais, espaço e tempo. Notas sobre convergências, interseções e rupturas.audiovisual technologiesspace and timeaudiovisual industriestecnologias audiovisuaisespaço e tempoindústria audiovisualThis paper is a report about research experiments on permanent technological questions in audiovisual environments and their effects in space and time, inspired by the ideas of Harold A. Innis. These experiments aim to organize notes on intersections and convergencies between technological patterns stablished by the moving pictures, dealing with ruptures that guides to the establishment of new technological environments as characteristics of the contemporary audiovisual space. The purpose is to identify technological milestones and their consequences in order to organize reflections about changes in the dynamics of production and circulation audiovisual systems.Este artigo é um relato de experimentos de pesquisa sobre questões tecnológicas recorrentes no audiovisual e seus desdobramentos espaciais e temporais, com inspiração teórica nos enunciados de Harold H. Innis. Os experimentos organizam recortes de interseções e convergências entre padrões tecnológicos estabelecidos pelo cinema, as rupturas decorrentes e a construção de novos ambientes tecnológicos que caracterizam o espaço audiovisual contemporâneo. O objetivo é identificar marcos tecnológicos e seus desdobramentos e organizar reflexões sobre transformações nas dinâmicas dos sistemas de produção e circulação da obra audiovisual.UFSCar2020-06-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/482Revista GEMInIS; v. 11 n. 1 (2020); 48-64Revista GEMInIS; Vol. 11 No. 1 (2020); 48-64Revista GEMInIS; Vol. 11 Núm. 1 (2020); 48-642179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/482/368Copyright (c) 2020 João Guilherme Barone Reis e Silvainfo:eu-repo/semantics/openAccessBarone Reis e Silva, João Guilherme2020-08-10T14:06:32Zoai:ojs.pkp.sfu.ca:article/482Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T14:06:32Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES. Tecnologias audiovisuais, espaço e tempo. Notas sobre convergências, interseções e rupturas. |
title |
AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES. |
spellingShingle |
AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES. Barone Reis e Silva, João Guilherme audiovisual technologies space and time audiovisual industries tecnologias audiovisuais espaço e tempo indústria audiovisual |
title_short |
AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES. |
title_full |
AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES. |
title_fullStr |
AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES. |
title_full_unstemmed |
AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES. |
title_sort |
AUDIOVISUAL TECNOLOGIES, SPACE AND TIME. NOTES ON CONVERGENCIES, INTERSECCTIONS AND RUPTURES. |
author |
Barone Reis e Silva, João Guilherme |
author_facet |
Barone Reis e Silva, João Guilherme |
author_role |
author |
dc.contributor.author.fl_str_mv |
Barone Reis e Silva, João Guilherme |
dc.subject.por.fl_str_mv |
audiovisual technologies space and time audiovisual industries tecnologias audiovisuais espaço e tempo indústria audiovisual |
topic |
audiovisual technologies space and time audiovisual industries tecnologias audiovisuais espaço e tempo indústria audiovisual |
description |
This paper is a report about research experiments on permanent technological questions in audiovisual environments and their effects in space and time, inspired by the ideas of Harold A. Innis. These experiments aim to organize notes on intersections and convergencies between technological patterns stablished by the moving pictures, dealing with ruptures that guides to the establishment of new technological environments as characteristics of the contemporary audiovisual space. The purpose is to identify technological milestones and their consequences in order to organize reflections about changes in the dynamics of production and circulation audiovisual systems. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/482 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/482 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/482/368 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 João Guilherme Barone Reis e Silva info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 João Guilherme Barone Reis e Silva |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 11 n. 1 (2020); 48-64 Revista GEMInIS; Vol. 11 No. 1 (2020); 48-64 Revista GEMInIS; Vol. 11 Núm. 1 (2020); 48-64 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
instname_str |
Universidade Federal de São Carlos (UFSCAR) |
instacron_str |
UFSCAR |
institution |
UFSCAR |
reponame_str |
Revista GEMInIS |
collection |
Revista GEMInIS |
repository.name.fl_str_mv |
Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
repository.mail.fl_str_mv |
||revista.geminisufscar@gmail.com |
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1789434638541783040 |