Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício Master

Detalhes bibliográficos
Autor(a) principal: Oliveira Teixeira de Carvalho, Helena
Data de Publicação: 2019
Outros Autores: Pernisa Júnior, Carlos
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/358
Resumo: The article intends to do a study of the documentary mise-en-scène and the way the characters stand before the camera in the film Edifício Master (2002), by director Eduardo Coutinho. The documentary brings testimonials from residents of the Edifício Master, which is located in Copacabana - RJ, where we can observe how each one takes the stage and builds his staging before the director and the camera. The concept of automise-en-scène by the French author Jean-Louis Comolli will be worked on to analyze this self-representation of each one. In addition, it will also be analyzed how Coutinho explicitly explains the film process and the mise-en-scene to the viewer.
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spelling Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício MasterLUZ, CÂMERA, AÇÃO:: COMO AS PERSONAGENS CONSTRÓEM SUA AUTO REPRESENTAÇÃO DIANTE DA CÂMERA NO DOCUMENTÁRIO EDIFÍCIO MASTERdocumentarymise-en-scènestagingEduardo Coutinhodocumentáriomise-en-scèneencenaçãoEduardo CoutinhoThe article intends to do a study of the documentary mise-en-scène and the way the characters stand before the camera in the film Edifício Master (2002), by director Eduardo Coutinho. The documentary brings testimonials from residents of the Edifício Master, which is located in Copacabana - RJ, where we can observe how each one takes the stage and builds his staging before the director and the camera. The concept of automise-en-scène by the French author Jean-Louis Comolli will be worked on to analyze this self-representation of each one. In addition, it will also be analyzed how Coutinho explicitly explains the film process and the mise-en-scene to the viewer.O artigo pretende fazer um estudo da mise-en-scène documentária e da forma como as personagens se colocam diante da câmera no filme Edifício Master (2002), do diretor Eduardo Coutinho. O documentário traz depoimentos de moradores do Edifício Master, que fica em Copacabana – RJ, em que podemos observar como cada um se coloca em cena e constrói sua encenação diante do diretor e da câmera. Será trabalhado o conceito de automise-en-scène, do autor francês Jean-Louis Comolli para analisar essa auto representação de cada um. Além disso, também será analisado como Coutinho explicita o processo fílmico e a mise-en-scène para o espectador.UFSCar2019-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/358Revista GEMInIS; v. 10 n. 1 (2019): Comunicação Multiplataforma; 124-136Revista GEMInIS; Vol. 10 No. 1 (2019): Multiplatform Communication; 124-136Revista GEMInIS; Vol. 10 Núm. 1 (2019): Comunicação Multiplataforma; 124-1362179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/358/338Copyright (c) 2019 Helena Oliveira Teixeira de Carvalho, Carlos Pernisa Júniorinfo:eu-repo/semantics/openAccessOliveira Teixeira de Carvalho, HelenaPernisa Júnior, Carlos2020-08-10T20:09:57Zoai:ojs.pkp.sfu.ca:article/358Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:09:57Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício Master
LUZ, CÂMERA, AÇÃO:: COMO AS PERSONAGENS CONSTRÓEM SUA AUTO REPRESENTAÇÃO DIANTE DA CÂMERA NO DOCUMENTÁRIO EDIFÍCIO MASTER
title Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício Master
spellingShingle Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício Master
Oliveira Teixeira de Carvalho, Helena
documentary
mise-en-scène
staging
Eduardo Coutinho
documentário
mise-en-scène
encenação
Eduardo Coutinho
title_short Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício Master
title_full Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício Master
title_fullStr Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício Master
title_full_unstemmed Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício Master
title_sort Light, Camera, Action:: how the characters built their auto representation before the camera in the documentary Edifício Master
author Oliveira Teixeira de Carvalho, Helena
author_facet Oliveira Teixeira de Carvalho, Helena
Pernisa Júnior, Carlos
author_role author
author2 Pernisa Júnior, Carlos
author2_role author
dc.contributor.author.fl_str_mv Oliveira Teixeira de Carvalho, Helena
Pernisa Júnior, Carlos
dc.subject.por.fl_str_mv documentary
mise-en-scène
staging
Eduardo Coutinho
documentário
mise-en-scène
encenação
Eduardo Coutinho
topic documentary
mise-en-scène
staging
Eduardo Coutinho
documentário
mise-en-scène
encenação
Eduardo Coutinho
description The article intends to do a study of the documentary mise-en-scène and the way the characters stand before the camera in the film Edifício Master (2002), by director Eduardo Coutinho. The documentary brings testimonials from residents of the Edifício Master, which is located in Copacabana - RJ, where we can observe how each one takes the stage and builds his staging before the director and the camera. The concept of automise-en-scène by the French author Jean-Louis Comolli will be worked on to analyze this self-representation of each one. In addition, it will also be analyzed how Coutinho explicitly explains the film process and the mise-en-scene to the viewer.
publishDate 2019
dc.date.none.fl_str_mv 2019-07-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/358
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/358
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/358/338
dc.rights.driver.fl_str_mv Copyright (c) 2019 Helena Oliveira Teixeira de Carvalho, Carlos Pernisa Júnior
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Helena Oliveira Teixeira de Carvalho, Carlos Pernisa Júnior
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 10 n. 1 (2019): Comunicação Multiplataforma; 124-136
Revista GEMInIS; Vol. 10 No. 1 (2019): Multiplatform Communication; 124-136
Revista GEMInIS; Vol. 10 Núm. 1 (2019): Comunicação Multiplataforma; 124-136
2179-1465
reponame:Revista GEMInIS
instname:Universidade Federal de São Carlos (UFSCAR)
instacron:UFSCAR
instname_str Universidade Federal de São Carlos (UFSCAR)
instacron_str UFSCAR
institution UFSCAR
reponame_str Revista GEMInIS
collection Revista GEMInIS
repository.name.fl_str_mv Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)
repository.mail.fl_str_mv ||revista.geminisufscar@gmail.com
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