DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITING
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/473 |
Resumo: | The short film “Only what you need to know about me” is the starting point for some thoughts on the process of creating a screenplay. The research starts from my personal experience as the screenwriter and director of the film and analyses how the experience of working with a transgender character brought to the writing process an intense relation of dialogue and exchance. It was also through the observations on this interaction that approached the present analysis with the concepts of rhizome formulated by the french philosophers Gilles Deleuze and Felix Guatarri and the constellation and threshold concept formulated by the german Walter Benjamin, thus potentializing the reflections about the art of writing a script by crossing it with philosophicals thoughts. |
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DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITINGDIÁLOGO E ALTERIDADE NO PROCESSO DE CRIAÇÃO DO ROTEIRO CINEMATOGRÁFICOscreenplayrhizomeconstellationthrersholdothernessroteiro cinematográficorizomaconstelaçãoalteridadeThe short film “Only what you need to know about me” is the starting point for some thoughts on the process of creating a screenplay. The research starts from my personal experience as the screenwriter and director of the film and analyses how the experience of working with a transgender character brought to the writing process an intense relation of dialogue and exchance. It was also through the observations on this interaction that approached the present analysis with the concepts of rhizome formulated by the french philosophers Gilles Deleuze and Felix Guatarri and the constellation and threshold concept formulated by the german Walter Benjamin, thus potentializing the reflections about the art of writing a script by crossing it with philosophicals thoughts.O curta-metragem “Apenas o que você precisa saber sobre mim” é o ponto de partida para algumas reflexões sobre o processo de criação de um roteiro cinematográfico. A investigação parte de minha experiência pessoal enquanto roteirista e diretora do filme e analisa como trabalhar com uma personagem transexual trouxe para o processo de escrita uma intensa relação de diálogo e troca. Foi também através das observações sobre essa interação o que aproximou a presente análise dos conceitos de rizoma dos franceses Gilles Deleuze e Félix Guatarri e de constelação e limiar do alemão Walter Benjamin, potencializando assim as reflexões sobre o fazer do roteirista ao cruzá-las com o pensamento filosófico.UFSCar2019-09-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/473Revista GEMInIS; v. 10 n. 2 (2019): Cocriação de Conteúdo Transmídia; 204-211Revista GEMInIS; Vol. 10 No. 2 (2019): Cocriação de Conteúdo Transmídia; 204-211Revista GEMInIS; Vol. 10 Núm. 2 (2019): Cocriação de Conteúdo Transmídia; 204-2112179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/473/353https://www.revistageminis.ufscar.br/index.php/geminis/article/view/473/354Copyright (c) 2019 Maria Augusta Vilalba Nunesinfo:eu-repo/semantics/openAccessAugusta Vilalba Nunes, Maria2020-08-10T20:09:51Zoai:ojs.pkp.sfu.ca:article/473Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:09:51Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITING DIÁLOGO E ALTERIDADE NO PROCESSO DE CRIAÇÃO DO ROTEIRO CINEMATOGRÁFICO |
title |
DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITING |
spellingShingle |
DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITING Augusta Vilalba Nunes, Maria screenplay rhizome constellation thrershold otherness roteiro cinematográfico rizoma constelação alteridade |
title_short |
DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITING |
title_full |
DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITING |
title_fullStr |
DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITING |
title_full_unstemmed |
DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITING |
title_sort |
DIALOGUE AND ALTERITY IN THE PROCESS OF SCREENWRITING |
author |
Augusta Vilalba Nunes, Maria |
author_facet |
Augusta Vilalba Nunes, Maria |
author_role |
author |
dc.contributor.author.fl_str_mv |
Augusta Vilalba Nunes, Maria |
dc.subject.por.fl_str_mv |
screenplay rhizome constellation thrershold otherness roteiro cinematográfico rizoma constelação alteridade |
topic |
screenplay rhizome constellation thrershold otherness roteiro cinematográfico rizoma constelação alteridade |
description |
The short film “Only what you need to know about me” is the starting point for some thoughts on the process of creating a screenplay. The research starts from my personal experience as the screenwriter and director of the film and analyses how the experience of working with a transgender character brought to the writing process an intense relation of dialogue and exchance. It was also through the observations on this interaction that approached the present analysis with the concepts of rhizome formulated by the french philosophers Gilles Deleuze and Felix Guatarri and the constellation and threshold concept formulated by the german Walter Benjamin, thus potentializing the reflections about the art of writing a script by crossing it with philosophicals thoughts. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-09-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/473 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/473 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/473/353 https://www.revistageminis.ufscar.br/index.php/geminis/article/view/473/354 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Maria Augusta Vilalba Nunes info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Maria Augusta Vilalba Nunes |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 10 n. 2 (2019): Cocriação de Conteúdo Transmídia; 204-211 Revista GEMInIS; Vol. 10 No. 2 (2019): Cocriação de Conteúdo Transmídia; 204-211 Revista GEMInIS; Vol. 10 Núm. 2 (2019): Cocriação de Conteúdo Transmídia; 204-211 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
instname_str |
Universidade Federal de São Carlos (UFSCAR) |
instacron_str |
UFSCAR |
institution |
UFSCAR |
reponame_str |
Revista GEMInIS |
collection |
Revista GEMInIS |
repository.name.fl_str_mv |
Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
repository.mail.fl_str_mv |
||revista.geminisufscar@gmail.com |
_version_ |
1789434638531297280 |