The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrative

Detalhes bibliográficos
Autor(a) principal: Ossanes, Carlos
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Literatura e Autoritarismo
Texto Completo: http://periodicos.ufsm.br/LA/article/view/26599
Resumo: Although it is not an intersemiotic translation, the movie Stranger than Fiction (2006), directed by Marc Forster, brings to light of the discussions on the Theory of the Adaptation an interesting example on what André Gaudreault denominated mega-narrator: an extradiegetic entity that manages the narrative. In the play, the character Karen Eiffel writes a novel about the life of a man named Harold Crick, not knowing that he really exists. The character acquires a different narrative voice when within the primary diegese, for Harold to happen everything that she typed of its story. This fact is marked, in the film, by the moment in which the character begins to hear the voice of its author to narrate, prescriptively and descriptively, the actions of its day. This narrative structure yields an approximation between the narrative method of literature with the recurrent cinematographic narratives, generating a problematic about the discursive faculties of each one of the languages, focus of this work.
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spelling The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrativeA entidade meganarradora em Mais estranho que a ficção: aproximações entre a narração literária e a cinematográficaMega-narratorNarratorTheory of AdaptationMeganarradorNarradorTeoria da AdaptaçãoAlthough it is not an intersemiotic translation, the movie Stranger than Fiction (2006), directed by Marc Forster, brings to light of the discussions on the Theory of the Adaptation an interesting example on what André Gaudreault denominated mega-narrator: an extradiegetic entity that manages the narrative. In the play, the character Karen Eiffel writes a novel about the life of a man named Harold Crick, not knowing that he really exists. The character acquires a different narrative voice when within the primary diegese, for Harold to happen everything that she typed of its story. This fact is marked, in the film, by the moment in which the character begins to hear the voice of its author to narrate, prescriptively and descriptively, the actions of its day. This narrative structure yields an approximation between the narrative method of literature with the recurrent cinematographic narratives, generating a problematic about the discursive faculties of each one of the languages, focus of this work.Ainda que não se trate de uma tradução intersemiótica, o longa Mais estranho que a ficção (Stranger than Fiction, 2006), dirigido por Marc Forster, traz à luz das discussões sobre a Teoria da Adaptação um exemplo interessante a respeito do que André Gaudreault denominou meganarrador cinematográfico: uma entidade extradiegética que administra a narrativa. Na obra, a personagem Karen Eiffel escreve um romance sobre a vida de um homem chamado Harold Crick, sem saber que ele realmente existe. A personagem adquire uma voz narrativa diferente quando dentro da diegese primária, por acontecer com Harold tudo aquilo que ela datilografa de sua história. Esse fato é marcado, na película, pelo momento em que a personagem passa a ouvir a voz de sua autora a narrar, prescritiva e descritivamente, as ações do seu dia. Essa estrutura narrativa rende uma aproximação entre o método narrativo da literatura com as recorrentes narrativas cinematográficas, gerando uma problemática acerca das faculdades discursivas de cada uma das linguagens, foco deste trabalho.Universidade Federal de Santa Maria2022-03-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/2659910.5902/1679849X26599Literatura e Autoritarismo; n. 19 (2017): Dossiê "ÍCARO"1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/26599/46186Copyright (c) 2017 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessOssanes, Carlos2023-05-24T03:02:08Zoai:ojs.pkp.sfu.ca:article/26599Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T03:02:08Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrative
A entidade meganarradora em Mais estranho que a ficção: aproximações entre a narração literária e a cinematográfica
title The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrative
spellingShingle The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrative
Ossanes, Carlos
Mega-narrator
Narrator
Theory of Adaptation
Meganarrador
Narrador
Teoria da Adaptação
title_short The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrative
title_full The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrative
title_fullStr The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrative
title_full_unstemmed The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrative
title_sort The meganarritive entity in ‘Mais estranho que a ficção’: proximations between literary and cinematographic narrative
author Ossanes, Carlos
author_facet Ossanes, Carlos
author_role author
dc.contributor.author.fl_str_mv Ossanes, Carlos
dc.subject.por.fl_str_mv Mega-narrator
Narrator
Theory of Adaptation
Meganarrador
Narrador
Teoria da Adaptação
topic Mega-narrator
Narrator
Theory of Adaptation
Meganarrador
Narrador
Teoria da Adaptação
description Although it is not an intersemiotic translation, the movie Stranger than Fiction (2006), directed by Marc Forster, brings to light of the discussions on the Theory of the Adaptation an interesting example on what André Gaudreault denominated mega-narrator: an extradiegetic entity that manages the narrative. In the play, the character Karen Eiffel writes a novel about the life of a man named Harold Crick, not knowing that he really exists. The character acquires a different narrative voice when within the primary diegese, for Harold to happen everything that she typed of its story. This fact is marked, in the film, by the moment in which the character begins to hear the voice of its author to narrate, prescriptively and descriptively, the actions of its day. This narrative structure yields an approximation between the narrative method of literature with the recurrent cinematographic narratives, generating a problematic about the discursive faculties of each one of the languages, focus of this work.
publishDate 2022
dc.date.none.fl_str_mv 2022-03-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/LA/article/view/26599
10.5902/1679849X26599
url http://periodicos.ufsm.br/LA/article/view/26599
identifier_str_mv 10.5902/1679849X26599
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/LA/article/view/26599/46186
dc.rights.driver.fl_str_mv Copyright (c) 2017 Literatura e Autoritarismo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Literatura e Autoritarismo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Literatura e Autoritarismo; n. 19 (2017): Dossiê "ÍCARO"
1679-849X
1679-849X
reponame:Literatura e Autoritarismo
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Literatura e Autoritarismo
collection Literatura e Autoritarismo
repository.name.fl_str_mv Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv gla@mail.ufsm.br||jlourique@pq.cnpq.br
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