Glory made of satire: The great war of Mario Monicelli
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/44357 |
Resumo: | This work aims to investigate the film The Great War (1959), by Italian director Mario Monicelli. Accused of anti-patriotism at the time of its release, the work revisits the conflicts of World War I in a cynical and tragicomic record. Monicelli is considered one of the most expressive names in the Commedia all'italiana genre, a popular style that dominated Italian cinema in the 1960s and 1970s, characterized by social criticism and moral satire. With The Great War, the director established himself as a reference in world cinematography by making one of the first productions in Italy to deviate from the standard and portray the first war outside the fascist molds of representation. From an analysis of its narrative resources and visual devices, this essay seeks to explore the connections Monicelli's film establishes with history, particularly in relation to the propaganda rhetoric of the fascist era cinema. |
id |
UFSM-13_5854394d56143ae4644bed9d40dde293 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/44357 |
network_acronym_str |
UFSM-13 |
network_name_str |
Literatura e Autoritarismo |
repository_id_str |
|
spelling |
Glory made of satire: The great war of Mario MonicelliGlória feita de sátira: A grande guerra de Mario MonicelliMario MonicelliThe Great WarItalian cinema.Mario MonicelliA Grande Guerracinema italiano.This work aims to investigate the film The Great War (1959), by Italian director Mario Monicelli. Accused of anti-patriotism at the time of its release, the work revisits the conflicts of World War I in a cynical and tragicomic record. Monicelli is considered one of the most expressive names in the Commedia all'italiana genre, a popular style that dominated Italian cinema in the 1960s and 1970s, characterized by social criticism and moral satire. With The Great War, the director established himself as a reference in world cinematography by making one of the first productions in Italy to deviate from the standard and portray the first war outside the fascist molds of representation. From an analysis of its narrative resources and visual devices, this essay seeks to explore the connections Monicelli's film establishes with history, particularly in relation to the propaganda rhetoric of the fascist era cinema.Esse trabalho pretende investigar o filme A grande guerra (1959), do diretor italiano Mario Monicelli. Acusado de anti-patriotismo à época de seu lançamento, a obra revisita os conflitos da Primeira Guerra Mundial em um registro cínico e tragicômico. Monicelli é considerado um dos nomes mais expressivos do gênero das Commedia all'italiana, um estilo popular que dominou o cinema italiano nas décadas de 60 e 70, caracterizado pela crítica social e sátira de costumes. Com A Grande Guerra, o diretor consagrou-se como referência na cinematografia mundial ao realizar uma das primeiras produções na Itália a desviar do padrão e retratar a primeira guerra fora dos moldes fascistas de representação. A partir de uma análise de seus recursos narrativos e dispositivos visuais, essa comunicação busca explorar as conexões que o filme de Monicelli estabelece com a história, particularmente em relação à retórica de propaganda do cinema da era fascista.Universidade Federal de Santa Maria2020-09-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/4435710.5902/1679849X44357Literatura e Autoritarismo; n. 24 (2020): Dossiê "1918: O fim do século XIX, 100 anos depois"1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/44357/23906Copyright (c) 2020 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessFernandes, Ana Carolina2023-05-24T03:10:16Zoai:ojs.pkp.sfu.ca:article/44357Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T03:10:16Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Glory made of satire: The great war of Mario Monicelli Glória feita de sátira: A grande guerra de Mario Monicelli |
title |
Glory made of satire: The great war of Mario Monicelli |
spellingShingle |
Glory made of satire: The great war of Mario Monicelli Fernandes, Ana Carolina Mario Monicelli The Great War Italian cinema. Mario Monicelli A Grande Guerra cinema italiano. |
title_short |
Glory made of satire: The great war of Mario Monicelli |
title_full |
Glory made of satire: The great war of Mario Monicelli |
title_fullStr |
Glory made of satire: The great war of Mario Monicelli |
title_full_unstemmed |
Glory made of satire: The great war of Mario Monicelli |
title_sort |
Glory made of satire: The great war of Mario Monicelli |
author |
Fernandes, Ana Carolina |
author_facet |
Fernandes, Ana Carolina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Fernandes, Ana Carolina |
dc.subject.por.fl_str_mv |
Mario Monicelli The Great War Italian cinema. Mario Monicelli A Grande Guerra cinema italiano. |
topic |
Mario Monicelli The Great War Italian cinema. Mario Monicelli A Grande Guerra cinema italiano. |
description |
This work aims to investigate the film The Great War (1959), by Italian director Mario Monicelli. Accused of anti-patriotism at the time of its release, the work revisits the conflicts of World War I in a cynical and tragicomic record. Monicelli is considered one of the most expressive names in the Commedia all'italiana genre, a popular style that dominated Italian cinema in the 1960s and 1970s, characterized by social criticism and moral satire. With The Great War, the director established himself as a reference in world cinematography by making one of the first productions in Italy to deviate from the standard and portray the first war outside the fascist molds of representation. From an analysis of its narrative resources and visual devices, this essay seeks to explore the connections Monicelli's film establishes with history, particularly in relation to the propaganda rhetoric of the fascist era cinema. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/44357 10.5902/1679849X44357 |
url |
http://periodicos.ufsm.br/LA/article/view/44357 |
identifier_str_mv |
10.5902/1679849X44357 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/44357/23906 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 24 (2020): Dossiê "1918: O fim do século XIX, 100 anos depois" 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944020674215936 |