Rebecca West and the feminine writing of the First War in The Return Of The Soldier
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/44354 |
Resumo: | It is the aim of this paper to analyze women writing of war trauma in Rebecca West's The Return of The Soldier (1918), and to address, more specifically, how both men and women suffered from the trauma inflicted by World War I. Chris Baldry is a soldier who returns from the war front struck by traumatic amnesia, which prevents him from remembering what his life was like before the war. Back home, he finds three women living in his house: his wife, Kitty, whom he does not recognize; Chris's ex-lover, Margaret, who still loves him; and, finally, his cousin, Jenny. In symbolic terms, it is possible to think that the house where the three women live in with Chris represents a kind of "laboratory", a locus from which they observe World War I and formulate their views on this conflict. |
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Rebecca West and the feminine writing of the First War in The Return Of The SoldierRebecca West e a escrita feminina da Primeira Guerra em The Return Of The SoldierWorld War IWomen Writing of War TraumaTrauma Theory.Primeira Guerra MundialEscrita feminina do trauma de guerraTeoria do Trauma.It is the aim of this paper to analyze women writing of war trauma in Rebecca West's The Return of The Soldier (1918), and to address, more specifically, how both men and women suffered from the trauma inflicted by World War I. Chris Baldry is a soldier who returns from the war front struck by traumatic amnesia, which prevents him from remembering what his life was like before the war. Back home, he finds three women living in his house: his wife, Kitty, whom he does not recognize; Chris's ex-lover, Margaret, who still loves him; and, finally, his cousin, Jenny. In symbolic terms, it is possible to think that the house where the three women live in with Chris represents a kind of "laboratory", a locus from which they observe World War I and formulate their views on this conflict.Este artigo tem como objetivos analisar a escrita feminina do trauma de guerra no romance The Return of The Soldier (1918), da autora inglesa Rebecca West, e verificar, mais especificamente, como homens e mulheres foram igualmente afetados pelo trauma da Primeira Guerra. O soldado Chris Baldry retorna do front afetado por uma amnésia traumática que o impede de recordar como era sua vida antes da guerra. De volta ao lar, ele reencontra três mulheres vivendo em sua casa: sua esposa, Kitty, a quem ele não reconhece; a sua ex-amante, Margaret, que ainda o ama; e, por último, sua prima, Jenny. Em termos simbólicos, é possível pensar que a casa onde as três mulheres vivem com Chris representa uma espécie de “laboratório”; um locus de onde elas observam a guerra e formulam seus pontos de vista a respeito desse conflito.Universidade Federal de Santa Maria2020-09-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/4435410.5902/1679849X44354Literatura e Autoritarismo; n. 24 (2020): Dossiê "1918: O fim do século XIX, 100 anos depois"1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/44354/23903Copyright (c) 2020 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessBorille, Denise2023-05-24T03:10:16Zoai:ojs.pkp.sfu.ca:article/44354Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T03:10:16Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Rebecca West and the feminine writing of the First War in The Return Of The Soldier Rebecca West e a escrita feminina da Primeira Guerra em The Return Of The Soldier |
title |
Rebecca West and the feminine writing of the First War in The Return Of The Soldier |
spellingShingle |
Rebecca West and the feminine writing of the First War in The Return Of The Soldier Borille, Denise World War I Women Writing of War Trauma Trauma Theory. Primeira Guerra Mundial Escrita feminina do trauma de guerra Teoria do Trauma. |
title_short |
Rebecca West and the feminine writing of the First War in The Return Of The Soldier |
title_full |
Rebecca West and the feminine writing of the First War in The Return Of The Soldier |
title_fullStr |
Rebecca West and the feminine writing of the First War in The Return Of The Soldier |
title_full_unstemmed |
Rebecca West and the feminine writing of the First War in The Return Of The Soldier |
title_sort |
Rebecca West and the feminine writing of the First War in The Return Of The Soldier |
author |
Borille, Denise |
author_facet |
Borille, Denise |
author_role |
author |
dc.contributor.author.fl_str_mv |
Borille, Denise |
dc.subject.por.fl_str_mv |
World War I Women Writing of War Trauma Trauma Theory. Primeira Guerra Mundial Escrita feminina do trauma de guerra Teoria do Trauma. |
topic |
World War I Women Writing of War Trauma Trauma Theory. Primeira Guerra Mundial Escrita feminina do trauma de guerra Teoria do Trauma. |
description |
It is the aim of this paper to analyze women writing of war trauma in Rebecca West's The Return of The Soldier (1918), and to address, more specifically, how both men and women suffered from the trauma inflicted by World War I. Chris Baldry is a soldier who returns from the war front struck by traumatic amnesia, which prevents him from remembering what his life was like before the war. Back home, he finds three women living in his house: his wife, Kitty, whom he does not recognize; Chris's ex-lover, Margaret, who still loves him; and, finally, his cousin, Jenny. In symbolic terms, it is possible to think that the house where the three women live in with Chris represents a kind of "laboratory", a locus from which they observe World War I and formulate their views on this conflict. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/44354 10.5902/1679849X44354 |
url |
http://periodicos.ufsm.br/LA/article/view/44354 |
identifier_str_mv |
10.5902/1679849X44354 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/44354/23903 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 24 (2020): Dossiê "1918: O fim do século XIX, 100 anos depois" 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944020668973056 |