The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/35244 |
Resumo: | At the heart of this production the theoretical relevance is to discuss the device of the delation, an element present in the novel Soledad no Recife by the author Urariano Mota and in the testimony No corpo e na Alma of Derlei Catarina de Luca, starting from a comparative analysis between the works. For this purpose I use as a tool the archaeological methodology taught by Michael Foucault to identify the facets of what I have named as the device of the delation and the conjectures of the theorist Giorgio Agamben, which helps us to think about the Sovereign power and the maturable bodies, considering that the narratives have as composition of plot the Brazilian dictatorial period, whose persecution and violence to the militants was habitual practice of the regime. |
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The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’O dispositivo da delação nas obras Soledad no Recife e No corpo e na almaDelationDeviceMilitary DictatorshipKillable BodiesSovereign PowerDelaçãoDispositivoDitadura MilitarCorpos matáveisPoder SoberanoAt the heart of this production the theoretical relevance is to discuss the device of the delation, an element present in the novel Soledad no Recife by the author Urariano Mota and in the testimony No corpo e na Alma of Derlei Catarina de Luca, starting from a comparative analysis between the works. For this purpose I use as a tool the archaeological methodology taught by Michael Foucault to identify the facets of what I have named as the device of the delation and the conjectures of the theorist Giorgio Agamben, which helps us to think about the Sovereign power and the maturable bodies, considering that the narratives have as composition of plot the Brazilian dictatorial period, whose persecution and violence to the militants was habitual practice of the regime.No cerne desta produção a relevância teórica é discutir a respeito do dispositivo da delação, elemento presente no romance Soledad no Recife do autor Urariano Mota e no testemunho No corpo e na Alma de Derlei Catarina de Luca, partindo de uma análise comparativa entre as obras. Para tal objetivo uso como ferramenta a metodologia arqueológica – ensinada por Michael Foucault – para identificar as facetas daquilo que nomeio como dispositivo da delação e as conjecturas do teórico Giorgio Agamben, que nos ajuda a pensar a respeito do poder Soberano e os corpos matáveis, tendo em vista que as narrativas têm como composição de enredo o período ditatorial brasileiro, cuja perseguição e violência aos militantes era prática habitual do regime. Universidade Federal de Santa Maria2019-08-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/3524410.5902/1679849X35244Literatura e Autoritarismo; n. 21 (2019): Dossiê "Catástrofe e Biopolítica na Literatura: Contribuições para a crítica literária"1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/35244/p.%20119-130Copyright (c) 2019 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessde Oliveira, Samantha Carolina Vieira2023-05-24T03:08:01Zoai:ojs.pkp.sfu.ca:article/35244Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T03:08:01Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’ O dispositivo da delação nas obras Soledad no Recife e No corpo e na alma |
title |
The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’ |
spellingShingle |
The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’ de Oliveira, Samantha Carolina Vieira Delation Device Military Dictatorship Killable Bodies Sovereign Power Delação Dispositivo Ditadura Militar Corpos matáveis Poder Soberano |
title_short |
The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’ |
title_full |
The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’ |
title_fullStr |
The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’ |
title_full_unstemmed |
The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’ |
title_sort |
The device of denunciation in the works ‘Soledad no Recife’ and ‘No corpo e na alma’ |
author |
de Oliveira, Samantha Carolina Vieira |
author_facet |
de Oliveira, Samantha Carolina Vieira |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Oliveira, Samantha Carolina Vieira |
dc.subject.por.fl_str_mv |
Delation Device Military Dictatorship Killable Bodies Sovereign Power Delação Dispositivo Ditadura Militar Corpos matáveis Poder Soberano |
topic |
Delation Device Military Dictatorship Killable Bodies Sovereign Power Delação Dispositivo Ditadura Militar Corpos matáveis Poder Soberano |
description |
At the heart of this production the theoretical relevance is to discuss the device of the delation, an element present in the novel Soledad no Recife by the author Urariano Mota and in the testimony No corpo e na Alma of Derlei Catarina de Luca, starting from a comparative analysis between the works. For this purpose I use as a tool the archaeological methodology taught by Michael Foucault to identify the facets of what I have named as the device of the delation and the conjectures of the theorist Giorgio Agamben, which helps us to think about the Sovereign power and the maturable bodies, considering that the narratives have as composition of plot the Brazilian dictatorial period, whose persecution and violence to the militants was habitual practice of the regime. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/35244 10.5902/1679849X35244 |
url |
http://periodicos.ufsm.br/LA/article/view/35244 |
identifier_str_mv |
10.5902/1679849X35244 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/35244/p.%20119-130 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 21 (2019): Dossiê "Catástrofe e Biopolítica na Literatura: Contribuições para a crítica literária" 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944020292534272 |