Witness in and out: violence, trauma and memory in Martyrs (2008)
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/38251 |
Resumo: | This paper proposes to discuss the relationship between pleasure and viewer’s horror in the face of violence imaginary representation in the French-Canadian film Martyrs (2008), directed and written by Pascal Laugier. This movie belongs a new generation of French horror films that are characterized by the extreme violence and scripts that avoid clichés. However, these movies sometimes fall unreasonably into the gratuitous violence representation and other structural plot problems. From this perspective, it is analyzed how Martyrs construction contributes for the diffusion of the debate on violence, trauma and memory in cultural productions. As a theoretical contribution, in order to analyses the imaginary elements that compose the movie, we base our studies into the Gilbert Durand researches on anthropological structures of the imaginary. |
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Literatura e Autoritarismo |
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Witness in and out: violence, trauma and memory in Martyrs (2008)Testemunha dentro e fora: violência, trauma e memória em Martyrs (2008)MartyrsImages of violenceHorror movieImaginaryGilbert DurandMartyrsImagens de violênciaFilme de horrorImaginárioGilbert DurandThis paper proposes to discuss the relationship between pleasure and viewer’s horror in the face of violence imaginary representation in the French-Canadian film Martyrs (2008), directed and written by Pascal Laugier. This movie belongs a new generation of French horror films that are characterized by the extreme violence and scripts that avoid clichés. However, these movies sometimes fall unreasonably into the gratuitous violence representation and other structural plot problems. From this perspective, it is analyzed how Martyrs construction contributes for the diffusion of the debate on violence, trauma and memory in cultural productions. As a theoretical contribution, in order to analyses the imaginary elements that compose the movie, we base our studies into the Gilbert Durand researches on anthropological structures of the imaginary.O presente estudo propõe discutir a relação entre o prazer e o horror do espectador diante da representação imaginária da violência a partir da análise do filme franco-canadense Martyrs (2008), do diretor e roteirista francês Pascal Laugier. Tal obra faz parte da nova safra de filmes franceses de horror que são caracterizados pela extrema violência e por roteiros que fogem dos clichês, no entanto, por vezes, caem despropositadamente na violência gratuita e outros problemas estruturais de enredo. Nessa perspectiva, analisa-se como a construção fílmica da obra contribui para a difusão do debate sobre violência, trauma e memória em produções culturais. Como aporte teórico, para desvendar o significado de alguns elementos do imaginário que compõe o filme, pautamos nos estudos de Gilbert Durand acerca das estruturas antropológicas do imaginário.Universidade Federal de Santa Maria2019-10-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/3825110.5902/1679849X38251Literatura e Autoritarismo; n. 22 (2019): Dossiê "Resistência e Distopia"1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/38251/21831Copyright (c) 2019 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessMachado, Silas RodriguesGuizzo, Antonio RediverFaria, Fernando Mesquita de2023-05-24T03:06:30Zoai:ojs.pkp.sfu.ca:article/38251Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T03:06:30Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Witness in and out: violence, trauma and memory in Martyrs (2008) Testemunha dentro e fora: violência, trauma e memória em Martyrs (2008) |
title |
Witness in and out: violence, trauma and memory in Martyrs (2008) |
spellingShingle |
Witness in and out: violence, trauma and memory in Martyrs (2008) Machado, Silas Rodrigues Martyrs Images of violence Horror movie Imaginary Gilbert Durand Martyrs Imagens de violência Filme de horror Imaginário Gilbert Durand |
title_short |
Witness in and out: violence, trauma and memory in Martyrs (2008) |
title_full |
Witness in and out: violence, trauma and memory in Martyrs (2008) |
title_fullStr |
Witness in and out: violence, trauma and memory in Martyrs (2008) |
title_full_unstemmed |
Witness in and out: violence, trauma and memory in Martyrs (2008) |
title_sort |
Witness in and out: violence, trauma and memory in Martyrs (2008) |
author |
Machado, Silas Rodrigues |
author_facet |
Machado, Silas Rodrigues Guizzo, Antonio Rediver Faria, Fernando Mesquita de |
author_role |
author |
author2 |
Guizzo, Antonio Rediver Faria, Fernando Mesquita de |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Machado, Silas Rodrigues Guizzo, Antonio Rediver Faria, Fernando Mesquita de |
dc.subject.por.fl_str_mv |
Martyrs Images of violence Horror movie Imaginary Gilbert Durand Martyrs Imagens de violência Filme de horror Imaginário Gilbert Durand |
topic |
Martyrs Images of violence Horror movie Imaginary Gilbert Durand Martyrs Imagens de violência Filme de horror Imaginário Gilbert Durand |
description |
This paper proposes to discuss the relationship between pleasure and viewer’s horror in the face of violence imaginary representation in the French-Canadian film Martyrs (2008), directed and written by Pascal Laugier. This movie belongs a new generation of French horror films that are characterized by the extreme violence and scripts that avoid clichés. However, these movies sometimes fall unreasonably into the gratuitous violence representation and other structural plot problems. From this perspective, it is analyzed how Martyrs construction contributes for the diffusion of the debate on violence, trauma and memory in cultural productions. As a theoretical contribution, in order to analyses the imaginary elements that compose the movie, we base our studies into the Gilbert Durand researches on anthropological structures of the imaginary. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-10-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/38251 10.5902/1679849X38251 |
url |
http://periodicos.ufsm.br/LA/article/view/38251 |
identifier_str_mv |
10.5902/1679849X38251 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/38251/21831 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 22 (2019): Dossiê "Resistência e Distopia" 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944020603961344 |