Space in "Quem me dera ser onda", by Manuel Rui
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/23420 |
Resumo: | This article aims the accomplishment of a study about the space category. The approach focu-ses on the markedly emblematic work of its time in the contribution’s context to its country literature’s enrichment and periodization. It is the Angolan Manuel Rui’s Quem me dera ser onda (2005). Quem me dera ser onda is a novel that depicts the circumstances of a population that, because of the Revolution (that is, the end of the colonial war, in 1975) tries to adapt to the new reality that is the result of the achie-vements of that Revolution. We can track the movement of suburb’s population towards Luanda urban areas and the challenges, the surprises with which they face this new life reality. Thus, it is narrated Angola’s post-independence events. Quem me dera ser onda has as its fundamental space the Angolan capital, Luanda great city that is going through a new experience due to people’s achievements, a demo-graphical expansion, in an unidirectional movement, from the suburb to the city, to the unknown. We will use an analytical and descriptive methodology supported by space’s concepts of authors such as Reis and Lopes (2000); Paz and Moniz (2004); Umbelino (2011) and especially Bourneuf and Ouellet (1976), who show the oppressive space as prevalent in contemporary novels. Because of the events’ confluence in the space Luanda, we consider it is important to deepen this category in the text. |
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Literatura e Autoritarismo |
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Space in "Quem me dera ser onda", by Manuel Rui O espaço em Quem me dera ser onda, de Manuel RuiThis article aims the accomplishment of a study about the space category. The approach focu-ses on the markedly emblematic work of its time in the contribution’s context to its country literature’s enrichment and periodization. It is the Angolan Manuel Rui’s Quem me dera ser onda (2005). Quem me dera ser onda is a novel that depicts the circumstances of a population that, because of the Revolution (that is, the end of the colonial war, in 1975) tries to adapt to the new reality that is the result of the achie-vements of that Revolution. We can track the movement of suburb’s population towards Luanda urban areas and the challenges, the surprises with which they face this new life reality. Thus, it is narrated Angola’s post-independence events. Quem me dera ser onda has as its fundamental space the Angolan capital, Luanda great city that is going through a new experience due to people’s achievements, a demo-graphical expansion, in an unidirectional movement, from the suburb to the city, to the unknown. We will use an analytical and descriptive methodology supported by space’s concepts of authors such as Reis and Lopes (2000); Paz and Moniz (2004); Umbelino (2011) and especially Bourneuf and Ouellet (1976), who show the oppressive space as prevalent in contemporary novels. Because of the events’ confluence in the space Luanda, we consider it is important to deepen this category in the text.O presente artigo tem em vista a realização de um estudo em torno da categoria espaço. A abordagem centra-se na obra marcadamente emblemática de sua época no contexto da contribuição para o enriquecimento e a periodização da literatura de seu país. Trata-se da obra Quem me dera ser onda (2005), do angolano Manuel Rui. Quem me dera ser onda é uma novela que retrata a situação de uma população que, por força da Revolução, isto é, com o final da guerra colonial em 1975, procura adaptar-se à nova realidade fruto das conquistas dessa mesma Revolução. Verifica-se o movimento da população do subúrbio em direção às áreas urbanizadas de Luanda e os desafios, os choques com que se enfrenta essa nova realidade de vida. Assim, narram-se fatos ocorridos no pós-independência de Angola. Quem me dera ser onda tem como espaço fundamental a capital angolana, a grande cidade luandense que está vivendo uma experiência nova fruto das conquistas do povo, uma explosão demográfica, em um movimento unidirecional, do subúrbio para o urbano, para o desconhecido. Será adotada uma metodologia analítica e descritiva apoiada em conceitos sobre espaço a partir de teóricos como Reis e Lopes (2000); Paz e Moniz (2004); Umbelino (2011) e, sobretudo, Bourneuf e Ouellet (1976), que apresentam o espaço opressivo como sendo predominante nos romances contemporânes. Dada a confluência de eventos no espaço Luanda, acha-se importante o aprofundamento desta categoria na obra.Universidade Federal de Santa Maria2022-03-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/2342010.5902/1679849X23420Literatura e Autoritarismo; n. 29 (2017): Literatura e Autoritarismo: Censura e Violência1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/23420/46206Copyright (c) 2017 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessFrancisco, Chimica2022-03-16T21:04:43Zoai:ojs.pkp.sfu.ca:article/23420Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2022-03-16T21:04:43Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Space in "Quem me dera ser onda", by Manuel Rui O espaço em Quem me dera ser onda, de Manuel Rui |
title |
Space in "Quem me dera ser onda", by Manuel Rui |
spellingShingle |
Space in "Quem me dera ser onda", by Manuel Rui Francisco, Chimica |
title_short |
Space in "Quem me dera ser onda", by Manuel Rui |
title_full |
Space in "Quem me dera ser onda", by Manuel Rui |
title_fullStr |
Space in "Quem me dera ser onda", by Manuel Rui |
title_full_unstemmed |
Space in "Quem me dera ser onda", by Manuel Rui |
title_sort |
Space in "Quem me dera ser onda", by Manuel Rui |
author |
Francisco, Chimica |
author_facet |
Francisco, Chimica |
author_role |
author |
dc.contributor.author.fl_str_mv |
Francisco, Chimica |
description |
This article aims the accomplishment of a study about the space category. The approach focu-ses on the markedly emblematic work of its time in the contribution’s context to its country literature’s enrichment and periodization. It is the Angolan Manuel Rui’s Quem me dera ser onda (2005). Quem me dera ser onda is a novel that depicts the circumstances of a population that, because of the Revolution (that is, the end of the colonial war, in 1975) tries to adapt to the new reality that is the result of the achie-vements of that Revolution. We can track the movement of suburb’s population towards Luanda urban areas and the challenges, the surprises with which they face this new life reality. Thus, it is narrated Angola’s post-independence events. Quem me dera ser onda has as its fundamental space the Angolan capital, Luanda great city that is going through a new experience due to people’s achievements, a demo-graphical expansion, in an unidirectional movement, from the suburb to the city, to the unknown. We will use an analytical and descriptive methodology supported by space’s concepts of authors such as Reis and Lopes (2000); Paz and Moniz (2004); Umbelino (2011) and especially Bourneuf and Ouellet (1976), who show the oppressive space as prevalent in contemporary novels. Because of the events’ confluence in the space Luanda, we consider it is important to deepen this category in the text. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/23420 10.5902/1679849X23420 |
url |
http://periodicos.ufsm.br/LA/article/view/23420 |
identifier_str_mv |
10.5902/1679849X23420 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/23420/46206 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 29 (2017): Literatura e Autoritarismo: Censura e Violência 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944019833257984 |