Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970s

Detalhes bibliográficos
Autor(a) principal: Sacramento, Igor
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Literatura e Autoritarismo
Texto Completo: http://periodicos.ufsm.br/LA/article/view/75237
Resumo: This paper analyzes the hybridizations of different aesthetical sources of Dias Gomes’ soap operas in the 1970s that relied on a negative hero as protagonist: Bandeira 2, O Bem-Amado e Sinal de Alerta. Tucão, Odorico and Tião are characters with bad morals lives, which can lead to alienation and anger, but they also are endearing, comic and promote identification. This ambiguity in the construction dates back to a diverse set of dramaturgical aesthetics: the comedy of manners, the Brechtian epic theater, tragedy, melodrama, farce, parody and satire. In the context of Brazilian military dictatorship, Dias Gomes sought to continue the project of a national-popular drama on television. If, on the one hand, these mixtures corresponded to the political and cultural communist platform for building a "broad front" of resistance to dictatorship and critique of conservative modernization, on the other, contributed to the modernization of Brazilian TV drama.
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spelling Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970sEntre o dramático e o épico: o herói negativo e as hibridizações estéticas na teledramaturgia de Dias Gomes nos anos 1970HybridismDramaNational-popularNegative heroTelevisionHibridismoDramaturgiaNacional-popularHerói negativoTelevisãoThis paper analyzes the hybridizations of different aesthetical sources of Dias Gomes’ soap operas in the 1970s that relied on a negative hero as protagonist: Bandeira 2, O Bem-Amado e Sinal de Alerta. Tucão, Odorico and Tião are characters with bad morals lives, which can lead to alienation and anger, but they also are endearing, comic and promote identification. This ambiguity in the construction dates back to a diverse set of dramaturgical aesthetics: the comedy of manners, the Brechtian epic theater, tragedy, melodrama, farce, parody and satire. In the context of Brazilian military dictatorship, Dias Gomes sought to continue the project of a national-popular drama on television. If, on the one hand, these mixtures corresponded to the political and cultural communist platform for building a "broad front" of resistance to dictatorship and critique of conservative modernization, on the other, contributed to the modernization of Brazilian TV drama.Este artigo analisa as hibridizações de diferentes matrizes estéticas nas telenovelas assinadas por Dias Gomes na década de 1970 que contaram com um herói negativo como protagonista: Bandeira 2, O Bem-Amado e Sinal de Alerta. Tucão, Odorico e Tião são figuras com condutas reprimíveis, que podem provocar estranhamento e indignação, mas também são simpáticas, cômicas e promovem identificação. Essa ambiguidade na construção remonta a um conjunto diverso de estéticas dramatúrgicas: a comédia de costumes, o teatro épico brechtiano, a tragédia, o melodrama, a farsa, a paródia e a sátira. No contexto da ditadura militar, Dias Gomes procurou dar continuidade na televisão ao projeto de constituição de um teatro político e popular, que foi consolidado nos anos 1960. Se, por um lado, essas mesclas correspondiam à plataforma político-cultural pecebista para a construção de uma “frente ampla” de resistência à ditadura e de crítica à modernização conservadora, por outro, contribuíram para a modernização da teledramaturgia nacional.Universidade Federal de Santa Maria2012-05-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/7523710.5902/1679849X75237Literatura e Autoritarismo; n. 7 (2012): Dossiê "Artistas e cultura em tempos de autoritarismo"; 247-2711679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/75237/52343Copyright (c) 2023 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessSacramento, Igor2023-05-24T02:35:00Zoai:ojs.pkp.sfu.ca:article/75237Revistahttp://periodicos.ufsm.br/index.php/LA/PUBhttp://periodicos.ufsm.br/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T02:35Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970s
Entre o dramático e o épico: o herói negativo e as hibridizações estéticas na teledramaturgia de Dias Gomes nos anos 1970
title Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970s
spellingShingle Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970s
Sacramento, Igor
Hybridism
Drama
National-popular
Negative hero
Television
Hibridismo
Dramaturgia
Nacional-popular
Herói negativo
Televisão
title_short Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970s
title_full Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970s
title_fullStr Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970s
title_full_unstemmed Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970s
title_sort Between the dramatic and the epic: the negative hero and aesthetic hybridizations in Dias Gomes' teledramaturgy in the 1970s
author Sacramento, Igor
author_facet Sacramento, Igor
author_role author
dc.contributor.author.fl_str_mv Sacramento, Igor
dc.subject.por.fl_str_mv Hybridism
Drama
National-popular
Negative hero
Television
Hibridismo
Dramaturgia
Nacional-popular
Herói negativo
Televisão
topic Hybridism
Drama
National-popular
Negative hero
Television
Hibridismo
Dramaturgia
Nacional-popular
Herói negativo
Televisão
description This paper analyzes the hybridizations of different aesthetical sources of Dias Gomes’ soap operas in the 1970s that relied on a negative hero as protagonist: Bandeira 2, O Bem-Amado e Sinal de Alerta. Tucão, Odorico and Tião are characters with bad morals lives, which can lead to alienation and anger, but they also are endearing, comic and promote identification. This ambiguity in the construction dates back to a diverse set of dramaturgical aesthetics: the comedy of manners, the Brechtian epic theater, tragedy, melodrama, farce, parody and satire. In the context of Brazilian military dictatorship, Dias Gomes sought to continue the project of a national-popular drama on television. If, on the one hand, these mixtures corresponded to the political and cultural communist platform for building a "broad front" of resistance to dictatorship and critique of conservative modernization, on the other, contributed to the modernization of Brazilian TV drama.
publishDate 2012
dc.date.none.fl_str_mv 2012-05-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/LA/article/view/75237
10.5902/1679849X75237
url http://periodicos.ufsm.br/LA/article/view/75237
identifier_str_mv 10.5902/1679849X75237
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/LA/article/view/75237/52343
dc.rights.driver.fl_str_mv Copyright (c) 2023 Literatura e Autoritarismo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Literatura e Autoritarismo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Literatura e Autoritarismo; n. 7 (2012): Dossiê "Artistas e cultura em tempos de autoritarismo"; 247-271
1679-849X
reponame:Literatura e Autoritarismo
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Literatura e Autoritarismo
collection Literatura e Autoritarismo
repository.name.fl_str_mv Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv gla@mail.ufsm.br||jlourique@pq.cnpq.br
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