The Poetics of Devastation by Yan Lianke
Autor(a) principal: | |
---|---|
Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/75245 |
Resumo: | This article presents an analysis of the work of Chinese writer Yan Lianke. A contemporary fiction writer, Lianke became recognized worldwide for his critical approach about the developmental race practised in the China of Mao Tse-Tung and of his Communist Party since the Cultural Revolution. Having been pursued by the Party's censorship, Lianke recognizes the self-censoring process in his writing. That way, Lianke's “allegoric” style acquires a double functionality: it links itself directly to the codified forms of a millenarian culture that remains alive in the small agricultural villages of a relegated China, and on the other hand, it also directly attacks a devastating and monolithic regime that hides human tragedies under a developmental propaganda. The discussion made in this paper will closely focus on Lianke's novel Days, months, years, published in 2009. |
id |
UFSM-13_ed5dc9296830c7740425ae6ba0c40e13 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/75245 |
network_acronym_str |
UFSM-13 |
network_name_str |
Literatura e Autoritarismo |
repository_id_str |
|
spelling |
The Poetics of Devastation by Yan LiankeA poética da devastação de Yan LiankeDroughtFamineCensorshipAuthoritarianismGenocideSecaFomeCensuraAutoritarismoGenocídioThis article presents an analysis of the work of Chinese writer Yan Lianke. A contemporary fiction writer, Lianke became recognized worldwide for his critical approach about the developmental race practised in the China of Mao Tse-Tung and of his Communist Party since the Cultural Revolution. Having been pursued by the Party's censorship, Lianke recognizes the self-censoring process in his writing. That way, Lianke's “allegoric” style acquires a double functionality: it links itself directly to the codified forms of a millenarian culture that remains alive in the small agricultural villages of a relegated China, and on the other hand, it also directly attacks a devastating and monolithic regime that hides human tragedies under a developmental propaganda. The discussion made in this paper will closely focus on Lianke's novel Days, months, years, published in 2009.Este artigo toma como objeto de análise a obra do escritor chinês Yan Lianke. Autor contemporâneo de ficções, Lianke tornou-se mundialmente reconhecido pela crítica contumaz, que faz em suas narrativas, à corrida desenvolvimentista colocada em prática desde a Revolução Cultural implementada pelo Partido Comunista na China de Mao Tsé-Tung. Perseguido pela censura do partido, Lianke reconhece o processo de autocensura que se impõe na escrita de seus livros. Neste sentido, seu estilo “alegórico” adquire uma dupla funcionalidade, a saber, liga-se diretamente às formas codificadas de uma cultura milenar que permanece viva no seio das pequenas províncias agrícolas de uma China relegada, e, por outro lado, ataca de frente uma política monolítica devastadora que oculta as tragédias humanas com uma propaganda de desenvolvimento. Abordaremos, mais detidamente, neste atrigo, seu livro Les jours, les mois, les années (Dias, meses, anos), publicado em 2009.Universidade Federal de Santa Maria2012-06-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/7524510.5902/1679849X75245Literatura e Autoritarismo; n. 8 (2012): Dossiê "Imagens de Devastação"; 32-451679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/75245/52350Copyright (c) 2012 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessBione, Carlos Eduardo2023-05-24T02:35:25Zoai:ojs.pkp.sfu.ca:article/75245Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T02:35:25Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
The Poetics of Devastation by Yan Lianke A poética da devastação de Yan Lianke |
title |
The Poetics of Devastation by Yan Lianke |
spellingShingle |
The Poetics of Devastation by Yan Lianke Bione, Carlos Eduardo Drought Famine Censorship Authoritarianism Genocide Seca Fome Censura Autoritarismo Genocídio |
title_short |
The Poetics of Devastation by Yan Lianke |
title_full |
The Poetics of Devastation by Yan Lianke |
title_fullStr |
The Poetics of Devastation by Yan Lianke |
title_full_unstemmed |
The Poetics of Devastation by Yan Lianke |
title_sort |
The Poetics of Devastation by Yan Lianke |
author |
Bione, Carlos Eduardo |
author_facet |
Bione, Carlos Eduardo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bione, Carlos Eduardo |
dc.subject.por.fl_str_mv |
Drought Famine Censorship Authoritarianism Genocide Seca Fome Censura Autoritarismo Genocídio |
topic |
Drought Famine Censorship Authoritarianism Genocide Seca Fome Censura Autoritarismo Genocídio |
description |
This article presents an analysis of the work of Chinese writer Yan Lianke. A contemporary fiction writer, Lianke became recognized worldwide for his critical approach about the developmental race practised in the China of Mao Tse-Tung and of his Communist Party since the Cultural Revolution. Having been pursued by the Party's censorship, Lianke recognizes the self-censoring process in his writing. That way, Lianke's “allegoric” style acquires a double functionality: it links itself directly to the codified forms of a millenarian culture that remains alive in the small agricultural villages of a relegated China, and on the other hand, it also directly attacks a devastating and monolithic regime that hides human tragedies under a developmental propaganda. The discussion made in this paper will closely focus on Lianke's novel Days, months, years, published in 2009. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-06-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/75245 10.5902/1679849X75245 |
url |
http://periodicos.ufsm.br/LA/article/view/75245 |
identifier_str_mv |
10.5902/1679849X75245 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/75245/52350 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2012 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2012 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 8 (2012): Dossiê "Imagens de Devastação"; 32-45 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944022318383104 |