Internet memes, visualities and humorous speech
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Data de Publicação: | 2018 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/31728 |
Resumo: | This article aims to discuss regimes of visualities reproduced in internet memes, especially those that bring in their image constitution the representation of Barbara Kely, an artist from Amapá who gained evidence in the city of Macapá and came to be conveyed in these digital artifacts. The analysis of the images intends to problematize the relationships that the internet memes establish in the media visual culture and its discursive unfolding. Theoretical contributions of authors such as Mirzoeff (2016), Mitchell (2002), Shifman (2014), Bergson (2004) and Butler (2001) are used to construct an analytical field that articulates the concepts of humor, difference and heteronormativity based on the perspective of visual culture. |
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Internet memes, visualities and humorous speechMemes de internet, visualidades e discurso humorísticoInternet memesVisualitiesHumorHeteronormativityMemes de internetVisualidadesHumorHeteronormatividadeThis article aims to discuss regimes of visualities reproduced in internet memes, especially those that bring in their image constitution the representation of Barbara Kely, an artist from Amapá who gained evidence in the city of Macapá and came to be conveyed in these digital artifacts. The analysis of the images intends to problematize the relationships that the internet memes establish in the media visual culture and its discursive unfolding. Theoretical contributions of authors such as Mirzoeff (2016), Mitchell (2002), Shifman (2014), Bergson (2004) and Butler (2001) are used to construct an analytical field that articulates the concepts of humor, difference and heteronormativity based on the perspective of visual culture.Este artigo tem por objetivo discutir regimes de visualidades reproduzidos em memes de internet, especialmente àqueles que trazem na sua constituição imagética a representação de Barbara Kely, artista amapaense que ganhou evidência na cidade de Macapá e passou a ser veiculada nesses artefatos digitais. A análise das imagens busca problematizar as relações que os memes de internet estabelecem na cultura visual midiatizada e seus desdobramentos discursivos. Contribuições teóricas de autores(as) como Mirzoeff (2016), Mitchell (2002), Shifman (2014), Bergson (2004) e Butler (2001) são utilizadas para construir um campo analítico que articula os conceitos de humor, diferença e heteronormatividade a partir da perspectiva da cultura visual.Universidade Federal de Santa Maria2018-04-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/3172810.5902/1983734831728Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 121-139Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 121-1391983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/31728/pdfCopyright (c) 2018 Revista Digital do LAVinfo:eu-repo/semantics/openAccessCoelho, ClíciaMartins, Raimundo2020-06-18T13:55:49Zoai:ojs.pkp.sfu.ca:article/31728Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-18T13:55:49Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Internet memes, visualities and humorous speech Memes de internet, visualidades e discurso humorístico |
title |
Internet memes, visualities and humorous speech |
spellingShingle |
Internet memes, visualities and humorous speech Coelho, Clícia Internet memes Visualities Humor Heteronormativity Memes de internet Visualidades Humor Heteronormatividade |
title_short |
Internet memes, visualities and humorous speech |
title_full |
Internet memes, visualities and humorous speech |
title_fullStr |
Internet memes, visualities and humorous speech |
title_full_unstemmed |
Internet memes, visualities and humorous speech |
title_sort |
Internet memes, visualities and humorous speech |
author |
Coelho, Clícia |
author_facet |
Coelho, Clícia Martins, Raimundo |
author_role |
author |
author2 |
Martins, Raimundo |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Coelho, Clícia Martins, Raimundo |
dc.subject.por.fl_str_mv |
Internet memes Visualities Humor Heteronormativity Memes de internet Visualidades Humor Heteronormatividade |
topic |
Internet memes Visualities Humor Heteronormativity Memes de internet Visualidades Humor Heteronormatividade |
description |
This article aims to discuss regimes of visualities reproduced in internet memes, especially those that bring in their image constitution the representation of Barbara Kely, an artist from Amapá who gained evidence in the city of Macapá and came to be conveyed in these digital artifacts. The analysis of the images intends to problematize the relationships that the internet memes establish in the media visual culture and its discursive unfolding. Theoretical contributions of authors such as Mirzoeff (2016), Mitchell (2002), Shifman (2014), Bergson (2004) and Butler (2001) are used to construct an analytical field that articulates the concepts of humor, difference and heteronormativity based on the perspective of visual culture. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-04-02 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/31728 10.5902/1983734831728 |
url |
http://periodicos.ufsm.br/revislav/article/view/31728 |
identifier_str_mv |
10.5902/1983734831728 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/31728/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Digital do LAV info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Digital do LAV |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 121-139 Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 121-139 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
_version_ |
1789434628970381312 |