Image on the wall, a game in the hammock reflection on images and pixelated daily life

• Autor(a) principal: Cirino, Renato
• Data de Publicação: 2012
• Outros Autores: Martins, Alice Fátima
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
• Texto Completo: http://periodicos.ufsm.br/revislav/article/view/4093
• topic: Techniques images; Dazzling; Game; Vilém Flusser; Imagens técnicas; Deslumbramento; Jogo; Vilém Flusser

In this paper, we propose a reflection about the dialogues articulated on projections and representations of the telematics networks users imaginary. The discussion begins with the involvement of these users with the techniques images and with the proximity established by technological devices. In processes of enchantment and dazzling within the universe formatted by null-dimensional pixels, projections represent and simulate the natural world through imaginary surfaces. This universe composed entirely of intangible information, where the binary codes organize the pixels to form images on screens where there are no dimensions. It is in this null-dimensional space that has arises the condition for the affair between the man and the technological devices. In this game, the participant‟s role is to act as programmed by the algorithms of these environments. To observe these relationships, we have done the analysis of the artistic performance Casa_Comigo, based on some lectures of Vilém Flusser. The artistic act consisted of a site and projected images inside the home of the artist-author. The result of the analysis led to the central question of this article: the techniques images are effective ways to establish dialogic relations between people?