Alejandro Pasquale’s masked children
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/30450 |
Resumo: | This paper aims to analyze three paintings of the Maskaras series by the Argentinean Alejandro Pasquale through the theoretical perspective of the signs and the syntagmatic chain that allows us to understand how the contemporary artist expresses his feelings and memories in his masked children. Authors such as Oliveira (2005), Barbisan (1995), and Barthes (2004) present the theoretical framework on signs and their meaning processes, while Bachelard (1993), Izquierdo (2002), and Halbwachs (2003) are presented to discuss poetic and memories. The methodologies used are the applied semiotics by Santaella (2005) and the microscopic phenomenology by Bachelard (1993). As a result, I present the poetic composition of the paintings with a sensitive appeal to the artist's personal history with the loss of a nephew and the rescue of his own childhood. |
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Alejandro Pasquale’s masked childrenAs crianças mascaradas de Alejandro PasqualeAlejandro PasqualeSignPoeticArtMemoriesAlejandro PasqualeSignoPoéticaArteMemóriasThis paper aims to analyze three paintings of the Maskaras series by the Argentinean Alejandro Pasquale through the theoretical perspective of the signs and the syntagmatic chain that allows us to understand how the contemporary artist expresses his feelings and memories in his masked children. Authors such as Oliveira (2005), Barbisan (1995), and Barthes (2004) present the theoretical framework on signs and their meaning processes, while Bachelard (1993), Izquierdo (2002), and Halbwachs (2003) are presented to discuss poetic and memories. The methodologies used are the applied semiotics by Santaella (2005) and the microscopic phenomenology by Bachelard (1993). As a result, I present the poetic composition of the paintings with a sensitive appeal to the artist's personal history with the loss of a nephew and the rescue of his own childhood.Este artigo tem o objetivo de analisar três pinturas da série Maskaras, do argentino Alejandro Pasquale, através da perspectiva teórica dos signos e da cadeia sintagmática que permite compreender como o artista na contemporaneidade exprime seus sentimentos e memórias em suas crianças mascaradas. Autores como Oliveira (2005), Barbisan (1995), Barthes (2004) trazem o arcabouço teórico a respeito dos signos e seus processos de significação, enquanto Bachelard (1993), Izquierdo (2002) e Halbwachs (2003) são apresentados para discorrer sobre poética e memórias. As metodologias utilizadas são as da semiótica aplicada de Santaella (2005) e a de fenomenologia microscópica de Bachelard (1993). Como resultado, apresento a composição poética das pinturas com um apelo sensível à história pessoal do artista com a perda de um sobrinho e com o resgate de sua própria infância. Universidade Federal de Santa Maria2018-04-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/3045010.5902/1983734830450Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 083-102Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 083-1021983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/30450/pdfCopyright (c) 2018 Revista Digital do LAVinfo:eu-repo/semantics/openAccessWeber, Cristiane2020-06-18T13:48:41Zoai:ojs.pkp.sfu.ca:article/30450Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-18T13:48:41Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Alejandro Pasquale’s masked children As crianças mascaradas de Alejandro Pasquale |
title |
Alejandro Pasquale’s masked children |
spellingShingle |
Alejandro Pasquale’s masked children Weber, Cristiane Alejandro Pasquale Sign Poetic Art Memories Alejandro Pasquale Signo Poética Arte Memórias |
title_short |
Alejandro Pasquale’s masked children |
title_full |
Alejandro Pasquale’s masked children |
title_fullStr |
Alejandro Pasquale’s masked children |
title_full_unstemmed |
Alejandro Pasquale’s masked children |
title_sort |
Alejandro Pasquale’s masked children |
author |
Weber, Cristiane |
author_facet |
Weber, Cristiane |
author_role |
author |
dc.contributor.author.fl_str_mv |
Weber, Cristiane |
dc.subject.por.fl_str_mv |
Alejandro Pasquale Sign Poetic Art Memories Alejandro Pasquale Signo Poética Arte Memórias |
topic |
Alejandro Pasquale Sign Poetic Art Memories Alejandro Pasquale Signo Poética Arte Memórias |
description |
This paper aims to analyze three paintings of the Maskaras series by the Argentinean Alejandro Pasquale through the theoretical perspective of the signs and the syntagmatic chain that allows us to understand how the contemporary artist expresses his feelings and memories in his masked children. Authors such as Oliveira (2005), Barbisan (1995), and Barthes (2004) present the theoretical framework on signs and their meaning processes, while Bachelard (1993), Izquierdo (2002), and Halbwachs (2003) are presented to discuss poetic and memories. The methodologies used are the applied semiotics by Santaella (2005) and the microscopic phenomenology by Bachelard (1993). As a result, I present the poetic composition of the paintings with a sensitive appeal to the artist's personal history with the loss of a nephew and the rescue of his own childhood. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-04-02 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/30450 10.5902/1983734830450 |
url |
http://periodicos.ufsm.br/revislav/article/view/30450 |
identifier_str_mv |
10.5902/1983734830450 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/30450/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Digital do LAV info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Digital do LAV |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 083-102 Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 1, jan./abr. 2018; 083-102 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
_version_ |
1789434628952555520 |