The performative photography by Claude Cahun
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/32200 |
Resumo: | This essay aims to contextualize Claude Cahun's literary and artistic works which remain to this day, as well as in the early 20th century, unclassifiable. Her work lies, apparently, in a place in-between places: denominations, languages, genres, reality and autofiction, between the unprecedented and the mythic. Cahun's radical experiences in the Arts, Literature and Politics made her, simultaneously, a vanguardist and an outsider. She proposed fluidity amongst identity roles, because she had no interest in repeating herself to others, even less to herself. She broke off with binary categories and dualisms imposed by social norms and in agreement with the effervescence instituted to modern thinking, from Marxism to psychoanalysis, the interpretation of subjectivity and the numerous philosophic inquiries regarding the subject's presence in the world, obviously approached in Art, Claude definitely put the quest for ‘the Truth' under suspicion. |
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The performative photography by Claude CahunA fotografia performática de Claude CahunClaude CahunPhotographyIdentityPerformancePersonaClaude CahunFotografiaIdentidadePerformancePersonaThis essay aims to contextualize Claude Cahun's literary and artistic works which remain to this day, as well as in the early 20th century, unclassifiable. Her work lies, apparently, in a place in-between places: denominations, languages, genres, reality and autofiction, between the unprecedented and the mythic. Cahun's radical experiences in the Arts, Literature and Politics made her, simultaneously, a vanguardist and an outsider. She proposed fluidity amongst identity roles, because she had no interest in repeating herself to others, even less to herself. She broke off with binary categories and dualisms imposed by social norms and in agreement with the effervescence instituted to modern thinking, from Marxism to psychoanalysis, the interpretation of subjectivity and the numerous philosophic inquiries regarding the subject's presence in the world, obviously approached in Art, Claude definitely put the quest for ‘the Truth' under suspicion.Este ensaio busca contextualizar a obra literária e artística de Claude Cahun que, assim como no início do século XX, ainda hoje continua inclassificável. Seu trabalho situa-se, aparentemente, em algum lugar entre lugares: denominações, linguagens, gêneros, realidade e autoficção, entre o inédito e o mítico. Suas experiências radicais na arte, literatura e na política fizeram-na, simultaneamente, tanto vanguardista quanto outsider. Propôs a fluidez entre os papéis identitários pois não lhe interessava repetir-se para os outros, muito menos para si propria. Rompeu com as categorias binárias e dualismos impostos pela normativa social e em concordância com a efervescência instituída ao pensamento moderno, do marxismo à psicanálise, da interpretação da subjetividade e as inúmeras indagações filosóficas sobre a presença do sujeito no mundo, obviamente abordadas na arte, Claude colocou a busca pela ‘Verdade' sob suspeita.Universidade Federal de Santa Maria2019-04-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/3220010.5902/1983734832200Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 1, jan./abr. 2019; 055-081Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 1, jan./abr. 2019; 055-0811983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/32200/pdfCopyright (c) 2019 Revista Digital do LAVinfo:eu-repo/semantics/openAccessSabiá, Ana Paula2020-06-19T12:17:42Zoai:ojs.pkp.sfu.ca:article/32200Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-19T12:17:42Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
The performative photography by Claude Cahun A fotografia performática de Claude Cahun |
title |
The performative photography by Claude Cahun |
spellingShingle |
The performative photography by Claude Cahun Sabiá, Ana Paula Claude Cahun Photography Identity Performance Persona Claude Cahun Fotografia Identidade Performance Persona |
title_short |
The performative photography by Claude Cahun |
title_full |
The performative photography by Claude Cahun |
title_fullStr |
The performative photography by Claude Cahun |
title_full_unstemmed |
The performative photography by Claude Cahun |
title_sort |
The performative photography by Claude Cahun |
author |
Sabiá, Ana Paula |
author_facet |
Sabiá, Ana Paula |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sabiá, Ana Paula |
dc.subject.por.fl_str_mv |
Claude Cahun Photography Identity Performance Persona Claude Cahun Fotografia Identidade Performance Persona |
topic |
Claude Cahun Photography Identity Performance Persona Claude Cahun Fotografia Identidade Performance Persona |
description |
This essay aims to contextualize Claude Cahun's literary and artistic works which remain to this day, as well as in the early 20th century, unclassifiable. Her work lies, apparently, in a place in-between places: denominations, languages, genres, reality and autofiction, between the unprecedented and the mythic. Cahun's radical experiences in the Arts, Literature and Politics made her, simultaneously, a vanguardist and an outsider. She proposed fluidity amongst identity roles, because she had no interest in repeating herself to others, even less to herself. She broke off with binary categories and dualisms imposed by social norms and in agreement with the effervescence instituted to modern thinking, from Marxism to psychoanalysis, the interpretation of subjectivity and the numerous philosophic inquiries regarding the subject's presence in the world, obviously approached in Art, Claude definitely put the quest for ‘the Truth' under suspicion. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-04-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/32200 10.5902/1983734832200 |
url |
http://periodicos.ufsm.br/revislav/article/view/32200 |
identifier_str_mv |
10.5902/1983734832200 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/32200/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Revista Digital do LAV info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Revista Digital do LAV |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 1, jan./abr. 2019; 055-081 Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 1, jan./abr. 2019; 055-081 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
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