The performative photography by Claude Cahun

Detalhes bibliográficos
Autor(a) principal: Sabiá, Ana Paula
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/32200
Resumo: This essay aims to contextualize Claude Cahun's literary and artistic works which remain to this day, as well as in the early 20th century, unclassifiable. Her work lies, apparently, in a place in-between places: denominations, languages, genres, reality and autofiction, between the unprecedented and the mythic. Cahun's radical experiences in the Arts, Literature and Politics made her, simultaneously, a vanguardist and an outsider. She proposed fluidity amongst identity roles, because she had no interest in repeating herself to others, even less to herself. She broke off with binary categories and dualisms imposed by social norms and in agreement with the effervescence instituted to modern thinking, from Marxism to psychoanalysis, the interpretation of subjectivity and the numerous philosophic inquiries regarding the subject's presence in the world, obviously approached in Art, Claude definitely put the quest for ‘the Truth' under suspicion.
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spelling The performative photography by Claude CahunA fotografia performática de Claude CahunClaude CahunPhotographyIdentityPerformancePersonaClaude CahunFotografiaIdentidadePerformancePersonaThis essay aims to contextualize Claude Cahun's literary and artistic works which remain to this day, as well as in the early 20th century, unclassifiable. Her work lies, apparently, in a place in-between places: denominations, languages, genres, reality and autofiction, between the unprecedented and the mythic. Cahun's radical experiences in the Arts, Literature and Politics made her, simultaneously, a vanguardist and an outsider. She proposed fluidity amongst identity roles, because she had no interest in repeating herself to others, even less to herself. She broke off with binary categories and dualisms imposed by social norms and in agreement with the effervescence instituted to modern thinking, from Marxism to psychoanalysis, the interpretation of subjectivity and the numerous philosophic inquiries regarding the subject's presence in the world, obviously approached in Art, Claude definitely put the quest for ‘the Truth' under suspicion.Este ensaio busca contextualizar a obra literária e artística de Claude Cahun que, assim como no início do século XX, ainda hoje continua inclassificável. Seu trabalho situa-se, aparentemente, em algum lugar entre lugares: denominações, linguagens, gêneros, realidade e autoficção, entre o inédito e o mítico. Suas experiências radicais na arte, literatura e na política fizeram-na, simultaneamente, tanto vanguardista quanto outsider. Propôs a fluidez entre os papéis identitários pois não lhe interessava repetir-se para os outros, muito menos para si propria. Rompeu com as categorias binárias e dualismos impostos pela normativa social e em concordância com a efervescência instituída ao pensamento moderno, do marxismo à psicanálise, da interpretação da subjetividade e as inúmeras indagações filosóficas sobre a presença do sujeito no mundo, obviamente abordadas na arte, Claude colocou a busca pela ‘Verdade' sob suspeita.Universidade Federal de Santa Maria2019-04-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/3220010.5902/1983734832200Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 1, jan./abr. 2019; 055-081Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 1, jan./abr. 2019; 055-0811983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/32200/pdfCopyright (c) 2019 Revista Digital do LAVinfo:eu-repo/semantics/openAccessSabiá, Ana Paula2020-06-19T12:17:42Zoai:ojs.pkp.sfu.ca:article/32200Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-19T12:17:42Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv The performative photography by Claude Cahun
A fotografia performática de Claude Cahun
title The performative photography by Claude Cahun
spellingShingle The performative photography by Claude Cahun
Sabiá, Ana Paula
Claude Cahun
Photography
Identity
Performance
Persona
Claude Cahun
Fotografia
Identidade
Performance
Persona
title_short The performative photography by Claude Cahun
title_full The performative photography by Claude Cahun
title_fullStr The performative photography by Claude Cahun
title_full_unstemmed The performative photography by Claude Cahun
title_sort The performative photography by Claude Cahun
author Sabiá, Ana Paula
author_facet Sabiá, Ana Paula
author_role author
dc.contributor.author.fl_str_mv Sabiá, Ana Paula
dc.subject.por.fl_str_mv Claude Cahun
Photography
Identity
Performance
Persona
Claude Cahun
Fotografia
Identidade
Performance
Persona
topic Claude Cahun
Photography
Identity
Performance
Persona
Claude Cahun
Fotografia
Identidade
Performance
Persona
description This essay aims to contextualize Claude Cahun's literary and artistic works which remain to this day, as well as in the early 20th century, unclassifiable. Her work lies, apparently, in a place in-between places: denominations, languages, genres, reality and autofiction, between the unprecedented and the mythic. Cahun's radical experiences in the Arts, Literature and Politics made her, simultaneously, a vanguardist and an outsider. She proposed fluidity amongst identity roles, because she had no interest in repeating herself to others, even less to herself. She broke off with binary categories and dualisms imposed by social norms and in agreement with the effervescence instituted to modern thinking, from Marxism to psychoanalysis, the interpretation of subjectivity and the numerous philosophic inquiries regarding the subject's presence in the world, obviously approached in Art, Claude definitely put the quest for ‘the Truth' under suspicion.
publishDate 2019
dc.date.none.fl_str_mv 2019-04-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/32200
10.5902/1983734832200
url http://periodicos.ufsm.br/revislav/article/view/32200
identifier_str_mv 10.5902/1983734832200
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/32200/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2019 Revista Digital do LAV
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Revista Digital do LAV
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 1, jan./abr. 2019; 055-081
Revista Digital do LAV; 2019: Revista Digital do LAV - v. 12, n. 1, jan./abr. 2019; 055-081
1983-7348
1983-7348
reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)
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reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
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repository.name.fl_str_mv Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv revistadigitaldolav@gmail.com||daniel@rswa.com.br
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