Contemporary photography as a discursive and / or narrative device
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/2193 |
Resumo: | This article proposes to examine the discursive and/ or the narrative ability involving the photographic images, more specifically, the contemporary ones. Following Barthes’ framework, this examination accounts for the linguistic nature of photographic images in terms of their two-folded aspect as connotative image and denotative image in which any image is closely connected with the cultural context. In this sense, other concepts and authors such as Jean-Marie Schaeffer, Philippe Dubois, Régis Durand, Victor Burgin and Martine Joly have also been considered in order to broaden the discussion. Thus, this article conveys, following Jacques Aumont, in its broader sense, the narrative structure as well as its particular aspects which, in turn, may facilitate their incorporation into contemporary photographic practice. |
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Contemporary photography as a discursive and / or narrative deviceLa fotografía contemporánea como dispositivo discursivo y/o narrativoPhotographyContemporary photographyPhotography discursive devicePhotography narrative deviceFotografíaFotografía contemporáneaCapacidad narrativa fotográficaCapacidad discursiva fotográficaThis article proposes to examine the discursive and/ or the narrative ability involving the photographic images, more specifically, the contemporary ones. Following Barthes’ framework, this examination accounts for the linguistic nature of photographic images in terms of their two-folded aspect as connotative image and denotative image in which any image is closely connected with the cultural context. In this sense, other concepts and authors such as Jean-Marie Schaeffer, Philippe Dubois, Régis Durand, Victor Burgin and Martine Joly have also been considered in order to broaden the discussion. Thus, this article conveys, following Jacques Aumont, in its broader sense, the narrative structure as well as its particular aspects which, in turn, may facilitate their incorporation into contemporary photographic practice.Este texto propone una reflexión sobre la capacidad discursiva y / o narrativa de las imágenes fotográficas en general y de las fotografías en la contemporaneidad, en particular. De acuerdo con los planteamientos de Roland Barthes, la reflexión sitúa la cuestión de la ‘naturaleza lingüística’ de las imágenes fotográficas en su doble condición de imagen connotada e imagen denotada, por lo cual, una imagen que está en conexión con el contexto cultural. A esta idea y autor se añaden otros planteamientos y pensadores como Jean-Marie Schaeffer, Philippe Dubois, Régis Durand, Victor Burgin y Martine Joly con el propósito de ampliar referencias. Luego, la reflexión, caracteriza, siguiendo a Jacques Aumont, en el ámbito general, la narratividad, subrayando aspectos particulares de este tipo de estructura que, se comprende, podrá facilitar la aplicación de los entendimientos al uso de la fotografía contemporánea específicamente.Universidade Federal de Santa Maria2010-10-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/219310.5902/198373482193Revista Digital do LAV; No. 3 (2009): Revista Digital do LAV - Ano II – Número 03 – Setembro de 2009; 121-146Revista Digital do LAV; n. 3 (2009): Revista Digital do LAV - Ano II – Número 03 – Setembro de 2009; 121-1461983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/2193/1349Lenzi, Teresainfo:eu-repo/semantics/openAccess2020-06-08T15:18:09Zoai:ojs.pkp.sfu.ca:article/2193Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-08T15:18:09Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Contemporary photography as a discursive and / or narrative device La fotografía contemporánea como dispositivo discursivo y/o narrativo |
title |
Contemporary photography as a discursive and / or narrative device |
spellingShingle |
Contemporary photography as a discursive and / or narrative device Lenzi, Teresa Photography Contemporary photography Photography discursive device Photography narrative device Fotografía Fotografía contemporánea Capacidad narrativa fotográfica Capacidad discursiva fotográfica |
title_short |
Contemporary photography as a discursive and / or narrative device |
title_full |
Contemporary photography as a discursive and / or narrative device |
title_fullStr |
Contemporary photography as a discursive and / or narrative device |
title_full_unstemmed |
Contemporary photography as a discursive and / or narrative device |
title_sort |
Contemporary photography as a discursive and / or narrative device |
author |
Lenzi, Teresa |
author_facet |
Lenzi, Teresa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lenzi, Teresa |
dc.subject.por.fl_str_mv |
Photography Contemporary photography Photography discursive device Photography narrative device Fotografía Fotografía contemporánea Capacidad narrativa fotográfica Capacidad discursiva fotográfica |
topic |
Photography Contemporary photography Photography discursive device Photography narrative device Fotografía Fotografía contemporánea Capacidad narrativa fotográfica Capacidad discursiva fotográfica |
description |
This article proposes to examine the discursive and/ or the narrative ability involving the photographic images, more specifically, the contemporary ones. Following Barthes’ framework, this examination accounts for the linguistic nature of photographic images in terms of their two-folded aspect as connotative image and denotative image in which any image is closely connected with the cultural context. In this sense, other concepts and authors such as Jean-Marie Schaeffer, Philippe Dubois, Régis Durand, Victor Burgin and Martine Joly have also been considered in order to broaden the discussion. Thus, this article conveys, following Jacques Aumont, in its broader sense, the narrative structure as well as its particular aspects which, in turn, may facilitate their incorporation into contemporary photographic practice. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-10-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/2193 10.5902/198373482193 |
url |
http://periodicos.ufsm.br/revislav/article/view/2193 |
identifier_str_mv |
10.5902/198373482193 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/2193/1349 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; No. 3 (2009): Revista Digital do LAV - Ano II – Número 03 – Setembro de 2009; 121-146 Revista Digital do LAV; n. 3 (2009): Revista Digital do LAV - Ano II – Número 03 – Setembro de 2009; 121-146 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
_version_ |
1789434624193069056 |