Between the piano and the pianist/researcher/teacher: some relations of i/material culture
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/71971 |
Resumo: | The article deals with the discussion about artists who are simultaneously researchers and Art teachers throughout their careers/lives. The conceptual premise is in the understanding that the knowledge produced through the Arts, as space and object, contributes to the subjective constructions of the subjects. One of the concerns translated into question was: what would be the relations of i/material culture between the piano and the pianist/researcher/teacher? Thus, the objective is to reflect on the relations of i/material culture found from the playing/research/teaching through the piano and the life/profession narrative of the first author of this article. Therefore, the methodology chosen was A/r/tography, being one of the methodologies of Educational Research Based on Arts used in Social Sciences and Human Sciences. This interdisciplinary approach constitutes a significant construction of projects, different methodologies and other textual forms, entering the universe of arts (music) and scientific knowledge. In the investigation process, some results were found, among them: that materiality and immateriality are unison/inseparable and that the consonance between the being of things and the being is perceptible, both in the sensitive look and in the listening. The contemplation of the piano as a material object is visual, the sound of the piano, in turn, can be ephemeral, im/material and sensitive, which is sometimes produced by the musician, sometimes by the researcher, and sometimes by the music teacher. music, bringing interdisciplinary contributions in the fields of Music, Cultural Heritage, Social Sciences and Education, without losing the subjectivities inherent to the human being. |
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Between the piano and the pianist/researcher/teacher: some relations of i/material cultureEntre o piano e a pianista/pesquisadora/professora: algumas relações da cultura i/materialI/materialityPianoA/r/tographyI/materialidadePianoA/r/tografiaThe article deals with the discussion about artists who are simultaneously researchers and Art teachers throughout their careers/lives. The conceptual premise is in the understanding that the knowledge produced through the Arts, as space and object, contributes to the subjective constructions of the subjects. One of the concerns translated into question was: what would be the relations of i/material culture between the piano and the pianist/researcher/teacher? Thus, the objective is to reflect on the relations of i/material culture found from the playing/research/teaching through the piano and the life/profession narrative of the first author of this article. Therefore, the methodology chosen was A/r/tography, being one of the methodologies of Educational Research Based on Arts used in Social Sciences and Human Sciences. This interdisciplinary approach constitutes a significant construction of projects, different methodologies and other textual forms, entering the universe of arts (music) and scientific knowledge. In the investigation process, some results were found, among them: that materiality and immateriality are unison/inseparable and that the consonance between the being of things and the being is perceptible, both in the sensitive look and in the listening. The contemplation of the piano as a material object is visual, the sound of the piano, in turn, can be ephemeral, im/material and sensitive, which is sometimes produced by the musician, sometimes by the researcher, and sometimes by the music teacher. music, bringing interdisciplinary contributions in the fields of Music, Cultural Heritage, Social Sciences and Education, without losing the subjectivities inherent to the human being.O artigo trata da discussão sobre artistas que simultaneamente são pesquisadores e professores de Artes ao longo de suas carreiras/vidas. A premissa conceitual está no entendimento de que o conhecimento produzido por meio das Artes, como espaço e objeto, contribui nas construções subjetivas dos sujeitos. Uma das inquietudes traduzidas em questão foi: quais seriam as relações da cultura i/material entre o piano e a pianista/pesquisadora/professora? Assim, o objetivo é refletir sobre as relações da cultura i/material encontradas a partir do tocar/pesquisar/ensinar por meio do piano e da narrativa vida/profissão da primeira autora deste artigo. Portanto, a metodologia escolhida foi A/r/tografia, sendo uma das metodologias de Pesquisa Educacional Baseada em Artes utilizada nas Ciências Sociais e Ciências Humanas. Esta abordagem interdisciplinar, constitui-se em significativa construção de projetos, diferentes metodologias e outras formas textuais, adentrando no universo das artes (música) e do conhecimento científico. No processo da investigação foram constados alguns resultados, entre eles: que materialidade e imaterialidade são uníssonas/inseparáveis e que a consonância entre o ser das coisas e o ser, é perceptível, tanto no olhar sensível quanto na escuta. A contemplação do piano enquanto objeto material é visual, a sonoridade do piano, por sua vez pode ser efêmera, i/material e sensível, que por vezes, é produzida pela musicista, outras, pela pesquisadora, e em algumas vezes, pela professora de música, trazendo contribuições interdisciplinares nos campos da Música, do Patrimônio Cultural, das Ciências Sociais e da Educação, sem perda das subjetividades, inerentes ao ser humano.Universidade Federal de Santa Maria2023-04-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttp://periodicos.ufsm.br/revislav/article/view/7197110.5902/1983734871971Revista Digital do LAV; Vol. 16 No. 1 (2023): Revista Digital do LAV, Jan./Dez. – Publicação contínua; e2/1-16Revista Digital do LAV; v. 16 n. 1 (2023): Revista Digital do LAV, Jan./Dez. – Publicação contínua; e2/1-161983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/71971/52308http://periodicos.ufsm.br/revislav/article/view/71971/52309Copyright (c) 2023 Revista Digital do LAVinfo:eu-repo/semantics/openAccessStrapazzon, Mirtes Antunes LocatelliBandeira, Dione da RochaGuedes, Sandra Paschoal Leite de Camargo2024-03-26T20:16:44Zoai:ojs.pkp.sfu.ca:article/71971Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2024-03-26T20:16:44Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Between the piano and the pianist/researcher/teacher: some relations of i/material culture Entre o piano e a pianista/pesquisadora/professora: algumas relações da cultura i/material |
title |
Between the piano and the pianist/researcher/teacher: some relations of i/material culture |
spellingShingle |
Between the piano and the pianist/researcher/teacher: some relations of i/material culture Strapazzon, Mirtes Antunes Locatelli I/materiality Piano A/r/tography I/materialidade Piano A/r/tografia |
title_short |
Between the piano and the pianist/researcher/teacher: some relations of i/material culture |
title_full |
Between the piano and the pianist/researcher/teacher: some relations of i/material culture |
title_fullStr |
Between the piano and the pianist/researcher/teacher: some relations of i/material culture |
title_full_unstemmed |
Between the piano and the pianist/researcher/teacher: some relations of i/material culture |
title_sort |
Between the piano and the pianist/researcher/teacher: some relations of i/material culture |
author |
Strapazzon, Mirtes Antunes Locatelli |
author_facet |
Strapazzon, Mirtes Antunes Locatelli Bandeira, Dione da Rocha Guedes, Sandra Paschoal Leite de Camargo |
author_role |
author |
author2 |
Bandeira, Dione da Rocha Guedes, Sandra Paschoal Leite de Camargo |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Strapazzon, Mirtes Antunes Locatelli Bandeira, Dione da Rocha Guedes, Sandra Paschoal Leite de Camargo |
dc.subject.por.fl_str_mv |
I/materiality Piano A/r/tography I/materialidade Piano A/r/tografia |
topic |
I/materiality Piano A/r/tography I/materialidade Piano A/r/tografia |
description |
The article deals with the discussion about artists who are simultaneously researchers and Art teachers throughout their careers/lives. The conceptual premise is in the understanding that the knowledge produced through the Arts, as space and object, contributes to the subjective constructions of the subjects. One of the concerns translated into question was: what would be the relations of i/material culture between the piano and the pianist/researcher/teacher? Thus, the objective is to reflect on the relations of i/material culture found from the playing/research/teaching through the piano and the life/profession narrative of the first author of this article. Therefore, the methodology chosen was A/r/tography, being one of the methodologies of Educational Research Based on Arts used in Social Sciences and Human Sciences. This interdisciplinary approach constitutes a significant construction of projects, different methodologies and other textual forms, entering the universe of arts (music) and scientific knowledge. In the investigation process, some results were found, among them: that materiality and immateriality are unison/inseparable and that the consonance between the being of things and the being is perceptible, both in the sensitive look and in the listening. The contemplation of the piano as a material object is visual, the sound of the piano, in turn, can be ephemeral, im/material and sensitive, which is sometimes produced by the musician, sometimes by the researcher, and sometimes by the music teacher. music, bringing interdisciplinary contributions in the fields of Music, Cultural Heritage, Social Sciences and Education, without losing the subjectivities inherent to the human being. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-04-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/71971 10.5902/1983734871971 |
url |
http://periodicos.ufsm.br/revislav/article/view/71971 |
identifier_str_mv |
10.5902/1983734871971 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/71971/52308 http://periodicos.ufsm.br/revislav/article/view/71971/52309 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Revista Digital do LAV info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Revista Digital do LAV |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; Vol. 16 No. 1 (2023): Revista Digital do LAV, Jan./Dez. – Publicação contínua; e2/1-16 Revista Digital do LAV; v. 16 n. 1 (2023): Revista Digital do LAV, Jan./Dez. – Publicação contínua; e2/1-16 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
_version_ |
1799874722421276672 |