(cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona

Detalhes bibliográficos
Autor(a) principal: Thürler, Djalma
Data de Publicação: 2020
Outros Autores: Woyda, Duda, Valois, Olinson
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/43828
Resumo: This interdisciplinary essay seeks to understand the universe of meanings in the works "Amém" (2015) and "Make America Great Again" (2017), by Spanish artist Abel Azcona from the perspective of performance, of pieces from the "real world" that seek to break the border between art and life, emphasizing aspects of contemporary artistic practices in movements that do not ignore current political conditions. The analyzed works demonstrate a complex structure between the private and the public of performances and happenings, and highlight Abel Azcona as one of the most provocative artists nowadays.
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spelling (cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona(cu)nhantã tem, (cu)rumim também: políticas de subjetivação em imagens de Abel AzconaAbel Azconaperformancecontemporary art.Abel Azconaperformancearte contemporâneaThis interdisciplinary essay seeks to understand the universe of meanings in the works "Amém" (2015) and "Make America Great Again" (2017), by Spanish artist Abel Azcona from the perspective of performance, of pieces from the "real world" that seek to break the border between art and life, emphasizing aspects of contemporary artistic practices in movements that do not ignore current political conditions. The analyzed works demonstrate a complex structure between the private and the public of performances and happenings, and highlight Abel Azcona as one of the most provocative artists nowadays.O ensaio interdisciplinar procura entender o universo de significados das obras “Amém” (2015) e “Make America Great Again” (2017), do artista espanhol Abel Azcona e sob o ponto de vista da performance, de peças do “mundo real” que buscam romper a fronteira entre arte e vida enfatizando aspectos das práticas artísticas contemporâneas em movimentos que não ignoram as condições políticas atuais. Os trabalhos analisados demonstram estrutura complexa entre o privado e o público das performances e dos happenings e destacam Abel Azcona como um dos artistas mais provocadores da atualidade.Universidade Federal de Santa Maria2020-07-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/4382810.5902/1983734843828Revista Digital do LAV; 2020: Revista Digital do LAV - v. 13, n. 2, jan./abr. 2020; 076-099Revista Digital do LAV; 2020: Revista Digital do LAV - v. 13, n. 2, mai./ago. 2020; 076-0991983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/43828/pdfCopyright (c) 2020 Revista Digital do LAVinfo:eu-repo/semantics/openAccessThürler, DjalmaWoyda, DudaValois, Olinson2020-07-28T00:59:22Zoai:ojs.pkp.sfu.ca:article/43828Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-07-28T00:59:22Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv (cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona
(cu)nhantã tem, (cu)rumim também: políticas de subjetivação em imagens de Abel Azcona
title (cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona
spellingShingle (cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona
Thürler, Djalma
Abel Azcona
performance
contemporary art.
Abel Azcona
performance
arte contemporânea
title_short (cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona
title_full (cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona
title_fullStr (cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona
title_full_unstemmed (cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona
title_sort (cu)nhantã has it, (cu)rumim too: subjectivation polices in images of Abel Azcona
author Thürler, Djalma
author_facet Thürler, Djalma
Woyda, Duda
Valois, Olinson
author_role author
author2 Woyda, Duda
Valois, Olinson
author2_role author
author
dc.contributor.author.fl_str_mv Thürler, Djalma
Woyda, Duda
Valois, Olinson
dc.subject.por.fl_str_mv Abel Azcona
performance
contemporary art.
Abel Azcona
performance
arte contemporânea
topic Abel Azcona
performance
contemporary art.
Abel Azcona
performance
arte contemporânea
description This interdisciplinary essay seeks to understand the universe of meanings in the works "Amém" (2015) and "Make America Great Again" (2017), by Spanish artist Abel Azcona from the perspective of performance, of pieces from the "real world" that seek to break the border between art and life, emphasizing aspects of contemporary artistic practices in movements that do not ignore current political conditions. The analyzed works demonstrate a complex structure between the private and the public of performances and happenings, and highlight Abel Azcona as one of the most provocative artists nowadays.
publishDate 2020
dc.date.none.fl_str_mv 2020-07-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/43828
10.5902/1983734843828
url http://periodicos.ufsm.br/revislav/article/view/43828
identifier_str_mv 10.5902/1983734843828
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/43828/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2020 Revista Digital do LAV
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Revista Digital do LAV
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; 2020: Revista Digital do LAV - v. 13, n. 2, jan./abr. 2020; 076-099
Revista Digital do LAV; 2020: Revista Digital do LAV - v. 13, n. 2, mai./ago. 2020; 076-099
1983-7348
1983-7348
reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
collection Revista Digital do LAV ( Laboratório de Artes Visuais)
repository.name.fl_str_mv Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv revistadigitaldolav@gmail.com||daniel@rswa.com.br
_version_ 1789434629129764864

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