Art and afrobrasilidade as exponents of struggle and resistance

Detalhes bibliográficos
Autor(a) principal: Alves, Sirlene Ribeiro
Data de Publicação: 2017
Outros Autores: Rodrigues, Marcelino Euzébio
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/26911
Resumo: The text interacts with the cultural production of the visual arts of Afro-Brazilian artists in four significant exponents for Brazilian art: the Baroque period, where blacks and their descendants created singularities and specificities in the field of the arts; The Imperial Academy of Fine Arts, which, although it was a Eurocentric environment, integrated some significant black artists and transgressors of the hegemonic order; The Brazilian Modernity, a moment of transformation in the representation of the black population and Contemporaneity, where racial issues assume new political contours and affirm militant positions. Anchored the theoretical reference on coloniality QUIJANO (2009), MIGNOLO (2010), MALDONADO-TORRES (2007), in the studies of CONDURU (2007, 2013), BAZIN (1993), DOSSIN (2000), ARAJOJO (2000), we intend to evidence the Work of black artists, produced by negotiation, conflict and dialogue with the forces of white hegemony. These artistic powers are, in the first instance, the first struggles for representativeness in the field of visual arts in Brazil
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spelling Art and afrobrasilidade as exponents of struggle and resistanceArte e afrobrasilidade como expoentes de luta e resistênciaAfro-BrazilianVisual artsAfro-Brazilian historyAfrobrasilidadeArtes visuaisHistória negraThe text interacts with the cultural production of the visual arts of Afro-Brazilian artists in four significant exponents for Brazilian art: the Baroque period, where blacks and their descendants created singularities and specificities in the field of the arts; The Imperial Academy of Fine Arts, which, although it was a Eurocentric environment, integrated some significant black artists and transgressors of the hegemonic order; The Brazilian Modernity, a moment of transformation in the representation of the black population and Contemporaneity, where racial issues assume new political contours and affirm militant positions. Anchored the theoretical reference on coloniality QUIJANO (2009), MIGNOLO (2010), MALDONADO-TORRES (2007), in the studies of CONDURU (2007, 2013), BAZIN (1993), DOSSIN (2000), ARAJOJO (2000), we intend to evidence the Work of black artists, produced by negotiation, conflict and dialogue with the forces of white hegemony. These artistic powers are, in the first instance, the first struggles for representativeness in the field of visual arts in BrazilO texto dialoga com a produção cultural das artes visuais de artistas afro- brasileiros em quatro expoentes significativos para arte brasileira: o Barroco, período onde negros e seus descendentes criaram singularidades e especificidades no campo das artes; a Academia Imperial de Belas Artes, que mesmo sendo um ambiente eurocentrado integrou alguns artistas negros significativos e transgressores da ordem hegemônica; a Modernidade brasileira, momento de transformação na representação da população negra e a Contemporaneidade, onde as questões raciais assumem novos contornos políticos e afirmam posicionamentos militantes. Ancorados nos estudos de CONDURU (2007, 2013), BAZIN (1993), DOSSIN (2000) pretendemos evidenciar o trabalho de artistas negros, produzidos não só por oposição ao branco, mas, também, pela negociação, pelo conflito e pelo diálogo com as forças da hegemonia branca. Essas potencias artísticas são em primeira instancia, as primeiras lutas por representatividade no campo das artes visuais no Brasil.Universidade Federal de Santa Maria2017-08-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/2691110.5902/1983734826911Revista Digital do LAV; 2017: Revista Digital do LAV - v. 10, n. 2, mai./ago. 2017; 162-189Revista Digital do LAV; 2017: Revista Digital do LAV - v. 10, n. 2, mai./ago. 2017; 162-1891983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/26911/pdfCopyright (c) 2017 Revista Digital do LAVinfo:eu-repo/semantics/openAccessAlves, Sirlene RibeiroRodrigues, Marcelino Euzébio2020-06-18T12:22:37Zoai:ojs.pkp.sfu.ca:article/26911Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-18T12:22:37Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Art and afrobrasilidade as exponents of struggle and resistance
Arte e afrobrasilidade como expoentes de luta e resistência
title Art and afrobrasilidade as exponents of struggle and resistance
spellingShingle Art and afrobrasilidade as exponents of struggle and resistance
Alves, Sirlene Ribeiro
Afro-Brazilian
Visual arts
Afro-Brazilian history
Afrobrasilidade
Artes visuais
História negra
title_short Art and afrobrasilidade as exponents of struggle and resistance
title_full Art and afrobrasilidade as exponents of struggle and resistance
title_fullStr Art and afrobrasilidade as exponents of struggle and resistance
title_full_unstemmed Art and afrobrasilidade as exponents of struggle and resistance
title_sort Art and afrobrasilidade as exponents of struggle and resistance
author Alves, Sirlene Ribeiro
author_facet Alves, Sirlene Ribeiro
Rodrigues, Marcelino Euzébio
author_role author
author2 Rodrigues, Marcelino Euzébio
author2_role author
dc.contributor.author.fl_str_mv Alves, Sirlene Ribeiro
Rodrigues, Marcelino Euzébio
dc.subject.por.fl_str_mv Afro-Brazilian
Visual arts
Afro-Brazilian history
Afrobrasilidade
Artes visuais
História negra
topic Afro-Brazilian
Visual arts
Afro-Brazilian history
Afrobrasilidade
Artes visuais
História negra
description The text interacts with the cultural production of the visual arts of Afro-Brazilian artists in four significant exponents for Brazilian art: the Baroque period, where blacks and their descendants created singularities and specificities in the field of the arts; The Imperial Academy of Fine Arts, which, although it was a Eurocentric environment, integrated some significant black artists and transgressors of the hegemonic order; The Brazilian Modernity, a moment of transformation in the representation of the black population and Contemporaneity, where racial issues assume new political contours and affirm militant positions. Anchored the theoretical reference on coloniality QUIJANO (2009), MIGNOLO (2010), MALDONADO-TORRES (2007), in the studies of CONDURU (2007, 2013), BAZIN (1993), DOSSIN (2000), ARAJOJO (2000), we intend to evidence the Work of black artists, produced by negotiation, conflict and dialogue with the forces of white hegemony. These artistic powers are, in the first instance, the first struggles for representativeness in the field of visual arts in Brazil
publishDate 2017
dc.date.none.fl_str_mv 2017-08-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/26911
10.5902/1983734826911
url http://periodicos.ufsm.br/revislav/article/view/26911
identifier_str_mv 10.5902/1983734826911
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/26911/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Digital do LAV
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Digital do LAV
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; 2017: Revista Digital do LAV - v. 10, n. 2, mai./ago. 2017; 162-189
Revista Digital do LAV; 2017: Revista Digital do LAV - v. 10, n. 2, mai./ago. 2017; 162-189
1983-7348
1983-7348
reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
collection Revista Digital do LAV ( Laboratório de Artes Visuais)
repository.name.fl_str_mv Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv revistadigitaldolav@gmail.com||daniel@rswa.com.br
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