Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo Neto

Detalhes bibliográficos
Autor(a) principal: Almeida, Rogerio Caetano de
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Letras (Santa Maria. Online)
Texto Completo: https://periodicos.ufsm.br/letras/article/view/68129
Resumo: The aim of this work is to analyze and interpret excerpts from the book O Cão sem Plumas, a long poem written by João Cabral de Melo Neto, and to compare them to some works of the photographer Maureen Bisilliat, who paid homage to the poet in a book named after Cabral's poem. The comparison between these two works allows for a transformed and renovated glance to the poems based on what the photographer develops in the integration between photography and poetry. Hence, this reading is accomplished by using the reflections of Robert Stam and Linda Hutcheon, when they deal with the Adaptation Theory. Reflections on the work of João Cabral built by critics such as Antonio Candido, Alcides Villaça and João Alexandre Barbosa were also used.  
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spelling Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo NetoAprender com a adaptação: “O cão sem plumas” de Maureen Bisilliat e João Cabral de Melo NetoJoão Cabral de Melo NetoMaureen BisilliatO Cão sem plumasAdaptation theoryJoão Cabral de Melo NetoMaureen BisilliatO Cão sem plumasTeoria da adaptaçãoThe aim of this work is to analyze and interpret excerpts from the book O Cão sem Plumas, a long poem written by João Cabral de Melo Neto, and to compare them to some works of the photographer Maureen Bisilliat, who paid homage to the poet in a book named after Cabral's poem. The comparison between these two works allows for a transformed and renovated glance to the poems based on what the photographer develops in the integration between photography and poetry. Hence, this reading is accomplished by using the reflections of Robert Stam and Linda Hutcheon, when they deal with the Adaptation Theory. Reflections on the work of João Cabral built by critics such as Antonio Candido, Alcides Villaça and João Alexandre Barbosa were also used.  Este trabalho analisa e interpreta trechos da obra poética O Cão sem Plumas, de João Cabral de Melo Neto em comparação com trechos da obra fotográfica de Maureen Bisilliat, que homenageou em um livro com o mesmo título a obra do poeta pernambucano. A comparação entre as obras possibilita um olhar de modificação e ressignificação nos poemas a partir do que a fotógrafa desenvolve na integração entre fotografia e poesia. Com isso, tal leitura se efetiva a partir das reflexões de Robert Stam e Linda Hutcheon, quando tratam da Teoria da Adaptação. Também foram utilizadas as reflexões sobre a obra de João Cabral construídas por críticos como Antonio Candido, Alcides Villaça e João Alexandre Barbosa.Universidade Federal de Santa Maria2022-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufsm.br/letras/article/view/6812910.5902/2176148568129Letras; n. 63 (2021): Poéticas interartes e cultura brasileira; 127-1452176-14851519-3985reponame:Letras (Santa Maria. Online)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttps://periodicos.ufsm.br/letras/article/view/68129/50631Copyright (c) 2022 Letrashttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessAlmeida, Rogerio Caetano de2022-12-06T17:59:47Zoai:ojs.pkp.sfu.ca:article/68129Revistahttps://periodicos.ufsm.br/letrasPUBhttps://periodicos.ufsm.br/letras/oai||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com2176-14851519-3985opendoar:2023-01-09T16:16:35.520063Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)true
dc.title.none.fl_str_mv Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo Neto
Aprender com a adaptação: “O cão sem plumas” de Maureen Bisilliat e João Cabral de Melo Neto
title Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo Neto
spellingShingle Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo Neto
Almeida, Rogerio Caetano de
João Cabral de Melo Neto
Maureen Bisilliat
O Cão sem plumas
Adaptation theory
João Cabral de Melo Neto
Maureen Bisilliat
O Cão sem plumas
Teoria da adaptação
title_short Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo Neto
title_full Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo Neto
title_fullStr Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo Neto
title_full_unstemmed Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo Neto
title_sort Learn with adaptation: “O cão sem plumas”, by Maureen Bisilliat and João Cabral de Melo Neto
author Almeida, Rogerio Caetano de
author_facet Almeida, Rogerio Caetano de
author_role author
dc.contributor.author.fl_str_mv Almeida, Rogerio Caetano de
dc.subject.por.fl_str_mv João Cabral de Melo Neto
Maureen Bisilliat
O Cão sem plumas
Adaptation theory
João Cabral de Melo Neto
Maureen Bisilliat
O Cão sem plumas
Teoria da adaptação
topic João Cabral de Melo Neto
Maureen Bisilliat
O Cão sem plumas
Adaptation theory
João Cabral de Melo Neto
Maureen Bisilliat
O Cão sem plumas
Teoria da adaptação
description The aim of this work is to analyze and interpret excerpts from the book O Cão sem Plumas, a long poem written by João Cabral de Melo Neto, and to compare them to some works of the photographer Maureen Bisilliat, who paid homage to the poet in a book named after Cabral's poem. The comparison between these two works allows for a transformed and renovated glance to the poems based on what the photographer develops in the integration between photography and poetry. Hence, this reading is accomplished by using the reflections of Robert Stam and Linda Hutcheon, when they deal with the Adaptation Theory. Reflections on the work of João Cabral built by critics such as Antonio Candido, Alcides Villaça and João Alexandre Barbosa were also used.  
publishDate 2022
dc.date.none.fl_str_mv 2022-12-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsm.br/letras/article/view/68129
10.5902/2176148568129
url https://periodicos.ufsm.br/letras/article/view/68129
identifier_str_mv 10.5902/2176148568129
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsm.br/letras/article/view/68129/50631
dc.rights.driver.fl_str_mv Copyright (c) 2022 Letras
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Letras
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Letras; n. 63 (2021): Poéticas interartes e cultura brasileira; 127-145
2176-1485
1519-3985
reponame:Letras (Santa Maria. Online)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Letras (Santa Maria. Online)
collection Letras (Santa Maria. Online)
repository.name.fl_str_mv Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv ||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com
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