D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio Memoriae
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Data de Publicação: | 2019 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Letras (Santa Maria. Online) |
Texto Completo: | https://periodicos.ufsm.br/letras/article/view/38030 |
Resumo: | We propose the analysis of a satirical epitaph by Don Francisco de Quevedo with the aim of understanding how the poetic topos of the "Exegi monumentum aere perennius", from a Horacian origin, the typical topics of the "epitaph" genre, such as "admonition" to passers-by, and the comic, by means of "slander" (bomolochia) are articulated within it. We read Aristotle's Poetics in order to understand what was meant by comic and the two great subgenera in which it was divided since Antiquity while examining poetics from the sixteenth and seventeenth centuries in which the Aristotelian doctrine on this genre has been updated. Finally, we demonstrate the articulation between poetic/comic and demonstrative rhetoric. |
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D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio MemoriaeEpitáfio satírico de D. Francisco de Quevedo e a escritura como "Damnatio Memoriae"Dom Francisco de QuevedoPoeticsSatireDom Francisco de QuevedoPoéticaSátiraWe propose the analysis of a satirical epitaph by Don Francisco de Quevedo with the aim of understanding how the poetic topos of the "Exegi monumentum aere perennius", from a Horacian origin, the typical topics of the "epitaph" genre, such as "admonition" to passers-by, and the comic, by means of "slander" (bomolochia) are articulated within it. We read Aristotle's Poetics in order to understand what was meant by comic and the two great subgenera in which it was divided since Antiquity while examining poetics from the sixteenth and seventeenth centuries in which the Aristotelian doctrine on this genre has been updated. Finally, we demonstrate the articulation between poetic/comic and demonstrative rhetoric.Propõe-se a análise de epitáfio satírico de Dom Francisco de Quevedo com o objetivo de compreender como estão articulados nele o topos poético do "Exegi monumentum aere perennius", de origem horaciana, as tópicas próprias do gênero "epitáfio", como, por exemplo, a "admoestação" aos passantes, e o cômico, por efetuação da "maledicência" (bomolochia). Lê-se a Poética de Aristóteles com o objetivo de compreender o que se entendia por cômico e os dois grandes subgêneros em que ele estava dividido desde a Antiguidade, e perscrutam-se poéticas dos séculos XVI e XVII em que a doutrina aristotélica sobre esse gênero foi atualizada. Por fim, demonstra-se a articulação entre poética/cômico e retórica demonstrativa.Universidade Federal de Santa Maria2019-08-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufsm.br/letras/article/view/3803010.5902/2176148538030Letras; Edição Especial - 1/2019: Estudos poéticos e retóricos: novas perspectivas; 49-582176-14851519-3985reponame:Letras (Santa Maria. Online)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttps://periodicos.ufsm.br/letras/article/view/38030/pdf_1Copyright (c) 2019 Letrashttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessMoreira, MarcelloPinto, Luzia Silva2022-11-08T17:31:07Zoai:ojs.pkp.sfu.ca:article/38030Revistahttps://periodicos.ufsm.br/letrasPUBhttps://periodicos.ufsm.br/letras/oai||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com2176-14851519-3985opendoar:2023-01-09T16:16:27.321891Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)true |
dc.title.none.fl_str_mv |
D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio Memoriae Epitáfio satírico de D. Francisco de Quevedo e a escritura como "Damnatio Memoriae" |
title |
D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio Memoriae |
spellingShingle |
D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio Memoriae Moreira, Marcello Dom Francisco de Quevedo Poetics Satire Dom Francisco de Quevedo Poética Sátira |
title_short |
D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio Memoriae |
title_full |
D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio Memoriae |
title_fullStr |
D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio Memoriae |
title_full_unstemmed |
D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio Memoriae |
title_sort |
D. Francisco de Quevedo’s satirical epitaphs and the writing as Damnatio Memoriae |
author |
Moreira, Marcello |
author_facet |
Moreira, Marcello Pinto, Luzia Silva |
author_role |
author |
author2 |
Pinto, Luzia Silva |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Moreira, Marcello Pinto, Luzia Silva |
dc.subject.por.fl_str_mv |
Dom Francisco de Quevedo Poetics Satire Dom Francisco de Quevedo Poética Sátira |
topic |
Dom Francisco de Quevedo Poetics Satire Dom Francisco de Quevedo Poética Sátira |
description |
We propose the analysis of a satirical epitaph by Don Francisco de Quevedo with the aim of understanding how the poetic topos of the "Exegi monumentum aere perennius", from a Horacian origin, the typical topics of the "epitaph" genre, such as "admonition" to passers-by, and the comic, by means of "slander" (bomolochia) are articulated within it. We read Aristotle's Poetics in order to understand what was meant by comic and the two great subgenera in which it was divided since Antiquity while examining poetics from the sixteenth and seventeenth centuries in which the Aristotelian doctrine on this genre has been updated. Finally, we demonstrate the articulation between poetic/comic and demonstrative rhetoric. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsm.br/letras/article/view/38030 10.5902/2176148538030 |
url |
https://periodicos.ufsm.br/letras/article/view/38030 |
identifier_str_mv |
10.5902/2176148538030 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsm.br/letras/article/view/38030/pdf_1 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Letras http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Letras http://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Letras; Edição Especial - 1/2019: Estudos poéticos e retóricos: novas perspectivas; 49-58 2176-1485 1519-3985 reponame:Letras (Santa Maria. Online) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Letras (Santa Maria. Online) |
collection |
Letras (Santa Maria. Online) |
repository.name.fl_str_mv |
Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com |
_version_ |
1792205417974071296 |