Coming of age, memory and affection: the power of photography in "Before the world ends"

Detalhes bibliográficos
Autor(a) principal: Oliveira, Dudlei Floriano de
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Letras (Santa Maria. Online)
Texto Completo: https://periodicos.ufsm.br/letras/article/view/68118
Resumo: The book Before the World Ends, by Marcelo Carneiro da Cunha, brings a narrative about the role of photography in the coming of age process of some characters. The photographs in the book serve no mere informational or decorative purpose, but are central, once they are printed among the text and compose the narrative, making it an experience that mingles different arts and languages. This essay analyzes aspects of photography raised by Roland Barthes that are present in the book, besides analyzing the book’s cinematographic transposition, expanding the Interarts phenomenon between literature, photography and cinema.
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spelling Coming of age, memory and affection: the power of photography in "Before the world ends"Amadurecimento, memória e afeto: o poder da fotografia em "Antes que o mundo acabe" Antes que o Mundo AcabeFotografiaTransposição cinematográficaRoland BarthesFotografia documental antropológicaBefore the World EndsPhotographyCinematographic transpositionRoland BarthesVisual anthropologyThe book Before the World Ends, by Marcelo Carneiro da Cunha, brings a narrative about the role of photography in the coming of age process of some characters. The photographs in the book serve no mere informational or decorative purpose, but are central, once they are printed among the text and compose the narrative, making it an experience that mingles different arts and languages. This essay analyzes aspects of photography raised by Roland Barthes that are present in the book, besides analyzing the book’s cinematographic transposition, expanding the Interarts phenomenon between literature, photography and cinema.O livro Antes que o Mundo Acabe, de Marcelo Carneiro da Cunha, propõe uma narrativa sobre o papel da fotografia no amadurecimento de suas personagens. Na obra, a fotografia não tem apenas papel informativo ou decorativo, mas ocupa espaço central, uma vez que o livro traz diferentes imagens, impressas junto ao texto, que compõem a narrativa, tornando-o uma experiência que mescla diferentes artes e linguagens. Esse ensaio analisa questões de fotografia levantadas por Roland Barthes presentes no livro, além de analisar a transposição do livro para o cinema, ampliando o fenômeno Interartes entre literatura, fotografia e cinema.Universidade Federal de Santa Maria2022-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufsm.br/letras/article/view/6811810.5902/2176148568118Letras; n. 63 (2021): Poéticas interartes e cultura brasileira; 38-492176-14851519-3985reponame:Letras (Santa Maria. Online)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttps://periodicos.ufsm.br/letras/article/view/68118/50584Copyright (c) 2022 Letrashttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessOliveira, Dudlei Floriano de2022-12-06T17:43:31Zoai:ojs.pkp.sfu.ca:article/68118Revistahttps://periodicos.ufsm.br/letrasPUBhttps://periodicos.ufsm.br/letras/oai||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com2176-14851519-3985opendoar:2023-01-09T16:16:35.324563Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)true
dc.title.none.fl_str_mv Coming of age, memory and affection: the power of photography in "Before the world ends"
Amadurecimento, memória e afeto: o poder da fotografia em "Antes que o mundo acabe"
title Coming of age, memory and affection: the power of photography in "Before the world ends"
spellingShingle Coming of age, memory and affection: the power of photography in "Before the world ends"
Oliveira, Dudlei Floriano de
Antes que o Mundo Acabe
Fotografia
Transposição cinematográfica
Roland Barthes
Fotografia documental antropológica
Before the World Ends
Photography
Cinematographic transposition
Roland Barthes
Visual anthropology
title_short Coming of age, memory and affection: the power of photography in "Before the world ends"
title_full Coming of age, memory and affection: the power of photography in "Before the world ends"
title_fullStr Coming of age, memory and affection: the power of photography in "Before the world ends"
title_full_unstemmed Coming of age, memory and affection: the power of photography in "Before the world ends"
title_sort Coming of age, memory and affection: the power of photography in "Before the world ends"
author Oliveira, Dudlei Floriano de
author_facet Oliveira, Dudlei Floriano de
author_role author
dc.contributor.author.fl_str_mv Oliveira, Dudlei Floriano de
dc.subject.por.fl_str_mv Antes que o Mundo Acabe
Fotografia
Transposição cinematográfica
Roland Barthes
Fotografia documental antropológica
Before the World Ends
Photography
Cinematographic transposition
Roland Barthes
Visual anthropology
topic Antes que o Mundo Acabe
Fotografia
Transposição cinematográfica
Roland Barthes
Fotografia documental antropológica
Before the World Ends
Photography
Cinematographic transposition
Roland Barthes
Visual anthropology
description The book Before the World Ends, by Marcelo Carneiro da Cunha, brings a narrative about the role of photography in the coming of age process of some characters. The photographs in the book serve no mere informational or decorative purpose, but are central, once they are printed among the text and compose the narrative, making it an experience that mingles different arts and languages. This essay analyzes aspects of photography raised by Roland Barthes that are present in the book, besides analyzing the book’s cinematographic transposition, expanding the Interarts phenomenon between literature, photography and cinema.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsm.br/letras/article/view/68118
10.5902/2176148568118
url https://periodicos.ufsm.br/letras/article/view/68118
identifier_str_mv 10.5902/2176148568118
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsm.br/letras/article/view/68118/50584
dc.rights.driver.fl_str_mv Copyright (c) 2022 Letras
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Letras
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Letras; n. 63 (2021): Poéticas interartes e cultura brasileira; 38-49
2176-1485
1519-3985
reponame:Letras (Santa Maria. Online)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Letras (Santa Maria. Online)
collection Letras (Santa Maria. Online)
repository.name.fl_str_mv Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv ||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com
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