Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)

Detalhes bibliográficos
Autor(a) principal: Cooper-Richet, Diana
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Letras (Santa Maria. Online)
Texto Completo: https://periodicos.ufsm.br/letras/article/view/11752
Resumo: Germinal (1885), the most famous of all Émile Zola’s novels, pictures the struggle between “Capital and Labour” in its representations of everyday life in the mining community working in the north of France during the second half of the nineteenth century. This article aims at analyzing how these representations are maimed during their travels from the book, as it was written by the father of Naturalism, to the stage. Despite their efforts to keep the spirit of the novel, Zola and Busnach, his favorite dramatizer, were finally defeated by the government’s censors. By travelling from its paper pages to the Paris theatres, the plot had lost all its revolutionary strength.
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spelling Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)Voyages et mutilations d’une œuvre: “Germinal”, de la réalité au roman et du roman à la scène (France, années 1880)Voyages et mutilations d’une oeuvre: “Germinal”, de la réalité au roman et du roman à la scène (France, années 1880)Voyages et mutilations d’une oeuvre: “Germinal”, de la réalité au roman et du roman à la scène (France, années 1880)MinersGerminalCensorshipNovelTheatreMineirosGerminalCensuraRomanceTeatroGerminal (1885), the most famous of all Émile Zola’s novels, pictures the struggle between “Capital and Labour” in its representations of everyday life in the mining community working in the north of France during the second half of the nineteenth century. This article aims at analyzing how these representations are maimed during their travels from the book, as it was written by the father of Naturalism, to the stage. Despite their efforts to keep the spirit of the novel, Zola and Busnach, his favorite dramatizer, were finally defeated by the government’s censors. By travelling from its paper pages to the Paris theatres, the plot had lost all its revolutionary strength.Germinal (1885), o romance mais famoso de Émile Zola, retrata o conflito entre “Capital e Trabalho” ao representar a vida diária de uma comunidade de mineradores no norte da França na segunda metade do século dezenove. Este artigo tem por objetivo analisar como essa representação é deformada ao longo de sua passagem do livro, escrito pelo pai do Naturalismo, ao teatro. Apesar de seus esforços para manter o espírito do romance, Zola e Busnach, seu dramaturgo preferido, acabaram por ser derrotados pelos censores do governo. Ao viajar das páginas em papel para os teatros de Paris, o enredo perdeu toda sua força revolucionária.Universidade Federal de Santa Maria2013-11-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsm.br/letras/article/view/1175210.5902/2176148511752Letras; n. 47: (Dez. 2013) – Percursos Literários; 9-192176-14851519-3985reponame:Letras (Santa Maria. Online)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttps://periodicos.ufsm.br/letras/article/view/11752/7181Cooper-Richet, Dianainfo:eu-repo/semantics/openAccess2022-11-08T18:17:46Zoai:ojs.pkp.sfu.ca:article/11752Revistahttps://periodicos.ufsm.br/letrasPUBhttps://periodicos.ufsm.br/letras/oai||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com2176-14851519-3985opendoar:2023-01-09T16:15:51.001132Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)true
dc.title.none.fl_str_mv Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)
Voyages et mutilations d’une œuvre: “Germinal”, de la réalité au roman et du roman à la scène (France, années 1880)
Voyages et mutilations d’une oeuvre: “Germinal”, de la réalité au roman et du roman à la scène (France, années 1880)
Voyages et mutilations d’une oeuvre: “Germinal”, de la réalité au roman et du roman à la scène (France, années 1880)
title Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)
spellingShingle Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)
Cooper-Richet, Diana
Miners
Germinal
Censorship
Novel
Theatre
Mineiros
Germinal
Censura
Romance
Teatro
title_short Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)
title_full Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)
title_fullStr Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)
title_full_unstemmed Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)
title_sort Travels and mutilations of a literary work: Germinal, from reality to the novel, and from the novel to the stage (France, 1880s)
author Cooper-Richet, Diana
author_facet Cooper-Richet, Diana
author_role author
dc.contributor.author.fl_str_mv Cooper-Richet, Diana
dc.subject.por.fl_str_mv Miners
Germinal
Censorship
Novel
Theatre
Mineiros
Germinal
Censura
Romance
Teatro
topic Miners
Germinal
Censorship
Novel
Theatre
Mineiros
Germinal
Censura
Romance
Teatro
description Germinal (1885), the most famous of all Émile Zola’s novels, pictures the struggle between “Capital and Labour” in its representations of everyday life in the mining community working in the north of France during the second half of the nineteenth century. This article aims at analyzing how these representations are maimed during their travels from the book, as it was written by the father of Naturalism, to the stage. Despite their efforts to keep the spirit of the novel, Zola and Busnach, his favorite dramatizer, were finally defeated by the government’s censors. By travelling from its paper pages to the Paris theatres, the plot had lost all its revolutionary strength.
publishDate 2013
dc.date.none.fl_str_mv 2013-11-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsm.br/letras/article/view/11752
10.5902/2176148511752
url https://periodicos.ufsm.br/letras/article/view/11752
identifier_str_mv 10.5902/2176148511752
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsm.br/letras/article/view/11752/7181
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Letras; n. 47: (Dez. 2013) – Percursos Literários; 9-19
2176-1485
1519-3985
reponame:Letras (Santa Maria. Online)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Letras (Santa Maria. Online)
collection Letras (Santa Maria. Online)
repository.name.fl_str_mv Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv ||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com
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