Otelo by Folias D’arte: epic framing through songs

Detalhes bibliográficos
Autor(a) principal: Miranda, Célia Maria Arns de
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Letras (Santa Maria. Online)
Texto Completo: https://periodicos.ufsm.br/letras/article/view/23550
Resumo: In the stage adaptation of Otelo, realized by Folias D’Arte (2003-2004), critical reflection about the performance itself assumes crucial importance. The director Marco Antonio Rodrigues succeeds in finding a contemporary referent for his production by inserting the songs “New York, New York ”(Frank Sinatra) and “The End” (The Doors) which accumulate the functions of epic framing and critical comment on the action, thus establishing a dialogue between source and target cultures
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spelling Otelo by Folias D’arte: epic framing through songsOtelo do Folias D’arte: canções como enquadramento épicoWilliam ShakespeareGrupo Folias D’ArteOthelloIntertextualityWilliam ShakespeareGrupo Teatral Folias D’ArteOteloIntertextualidadeIn the stage adaptation of Otelo, realized by Folias D’Arte (2003-2004), critical reflection about the performance itself assumes crucial importance. The director Marco Antonio Rodrigues succeeds in finding a contemporary referent for his production by inserting the songs “New York, New York ”(Frank Sinatra) and “The End” (The Doors) which accumulate the functions of epic framing and critical comment on the action, thus establishing a dialogue between source and target culturesNo espetáculo Otelo, realizado pelo Grupo Folias D’Arte (2003-2004), a reflexão sobre o fazer teatral torna-se um procedimento imperativo. Marco Antonio Rodrigues (encenador), através da inserção das músicas “New York, New York ”(Frank Sinatra) e “The End” (The Doors), que desempenham uma função de enquadramento épico e de comentário crítico da ação, identifica o referente contemporâneo ao estabelecer o diálogo entre a cultura-fonte e a cultura-alvo.Universidade Federal de Santa Maria2015-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsm.br/letras/article/view/2355010.5902/2176148523550Letras; n. 51 (Dez. 2015)- Literatura, Cultura e Outras Artes; p. 1352176-14851519-3985reponame:Letras (Santa Maria. Online)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttps://periodicos.ufsm.br/letras/article/view/23550/13907Copyright (c) 2015 Letrasinfo:eu-repo/semantics/openAccessMiranda, Célia Maria Arns de2022-11-08T17:48:00Zoai:ojs.pkp.sfu.ca:article/23550Revistahttps://periodicos.ufsm.br/letrasPUBhttps://periodicos.ufsm.br/letras/oai||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com2176-14851519-3985opendoar:2023-01-09T16:16:19.101124Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)true
dc.title.none.fl_str_mv Otelo by Folias D’arte: epic framing through songs
Otelo do Folias D’arte: canções como enquadramento épico
title Otelo by Folias D’arte: epic framing through songs
spellingShingle Otelo by Folias D’arte: epic framing through songs
Miranda, Célia Maria Arns de
William Shakespeare
Grupo Folias D’Arte
Othello
Intertextuality
William Shakespeare
Grupo Teatral Folias D’Arte
Otelo
Intertextualidade
title_short Otelo by Folias D’arte: epic framing through songs
title_full Otelo by Folias D’arte: epic framing through songs
title_fullStr Otelo by Folias D’arte: epic framing through songs
title_full_unstemmed Otelo by Folias D’arte: epic framing through songs
title_sort Otelo by Folias D’arte: epic framing through songs
author Miranda, Célia Maria Arns de
author_facet Miranda, Célia Maria Arns de
author_role author
dc.contributor.author.fl_str_mv Miranda, Célia Maria Arns de
dc.subject.por.fl_str_mv William Shakespeare
Grupo Folias D’Arte
Othello
Intertextuality
William Shakespeare
Grupo Teatral Folias D’Arte
Otelo
Intertextualidade
topic William Shakespeare
Grupo Folias D’Arte
Othello
Intertextuality
William Shakespeare
Grupo Teatral Folias D’Arte
Otelo
Intertextualidade
description In the stage adaptation of Otelo, realized by Folias D’Arte (2003-2004), critical reflection about the performance itself assumes crucial importance. The director Marco Antonio Rodrigues succeeds in finding a contemporary referent for his production by inserting the songs “New York, New York ”(Frank Sinatra) and “The End” (The Doors) which accumulate the functions of epic framing and critical comment on the action, thus establishing a dialogue between source and target cultures
publishDate 2015
dc.date.none.fl_str_mv 2015-12-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsm.br/letras/article/view/23550
10.5902/2176148523550
url https://periodicos.ufsm.br/letras/article/view/23550
identifier_str_mv 10.5902/2176148523550
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsm.br/letras/article/view/23550/13907
dc.rights.driver.fl_str_mv Copyright (c) 2015 Letras
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Letras
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Letras; n. 51 (Dez. 2015)- Literatura, Cultura e Outras Artes; p. 135
2176-1485
1519-3985
reponame:Letras (Santa Maria. Online)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Letras (Santa Maria. Online)
collection Letras (Santa Maria. Online)
repository.name.fl_str_mv Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv ||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com
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